Archive for January, 2008

‘I don’t want to sound like a piece of poop, but … ‘

Thursday, January 31st, 2008

You wonder if she can really be almost 21, and that maybe IMDb has got her digits the wrong way round - until she opens her mouth. Then, apart from her habit of throwing the odd “poop” or “friggin’” into the mix, her well-argued and eloquent opinions on everything from the tyranny of the patriarchy to the misrepresentation of youth in the media - not to mention her jaw-dropping reading list (she has recently enjoyed Intelligence in Nature by the anthropologist Jeremy Narby, which muses about whether plants are intelligent) - leave you in no doubt you are talking to an adult. When we meet she has just been nominated for an Oscar - for her performance in the title role of Juno - in the Best Actress category alongside the likes of Julie Christie and Cate Blanchett. But there is no squealing, no OTT oh-my-God-ing you might hear from her peers. She simply says the nomination is “hard to fathom” and that everyone but her deserves to win, especially Laura Linney, who she thinks is “flawless”.This paradoxical mix of child and adult goes some way to explaining why Page is the talk of the town after Juno. As the film’s director Jason Reitman has put it: “She’s a wonderful combination of an intellect far beyond her years, and yet there are qualities of hers that are still a young girl, and those qualities charm the pants off you. She’s a perfect combo.” With this perfect combo, she is reminiscent of Natalie Portman - of whom Page declares herself “profoundly jealous … in a good way. Did you know she can speak FIVE languages?”In Juno, Page plays the eponymous heroine, a mouthy 16-year-old named, as the character is at pains to put it, not after the town in Alaska, but in homage to Zeus’s wife: “Supposedly she was beautiful and really mean. Kind of like Diana Ross.” Juno gets pregnant after deciding, when there is nothing good on telly that night, to have sex with Michael Cera’s bumbling athletics geek, Bleeker.Page’s face will be new to many British cinemagoers, but she started acting before she even left primary school, when she got a lead role in the Canadian TV series Pit Pony. She first attracted the attention of critics in a big way with the film Hard Candy in 2005, when she played a scary 14-year-old who subverts expectations when she meets a man twice her age over the internet, and then as a bodysuited mutant in 2006’s X-Men: The Last Stand. We’ll be seeing a lot more of her soon. As well as Juno, there is the comedy Smart People, in which she stars alongside Sarah Jessica Parker and Dennis Quaid, and she has just signed on to play a beauty-queen turned roller-derby vamp in Drew Barrymore’s directorial debut, Whip It!Just like Page, Juno looks every inch the moody teen in hoodie and baggy jeans, but - bar the use of “forshizz” and “ick” and “fuckity-OWW!” - has the vocabulary of an adult. Juno gets the kind of lines that could win any argument, the sort the rest of us only think of hours, days or weeks after the event. When she is bickering with Bleeker about the conception, and it looks as though he is going to have the last word by telling her that he has kept her knickers as a memento, she, without missing a beat, says, “I still have your virginity.” Or when she outstays her welcome at the house of the couple she has chosen to adopt her baby and they suggest her parents might be worried about her, and she says, “Nah … I mean, I’m already pregnant, so what other kind of shenanigans could I get into?”It was precisely because Juno’s screenwriter, former stripper Diablo Cody, had given Juno such sassy dialogue (think Buffy, think My So-Called Life, think Dawson’s Creek before it got schmaltzy) that Page took the part. She doesn’t accept the criticisms that Juno and her pals are too clever by half. “I don’t speak the same way as Juno, but I definitely had my own language with my friends and in that sense I could relate to that,” she says.Page thinks everyone underestimates modern teens. “We are so used to seeing one idea of what a young man or woman is in the popular media,” she says, adding that it is “suffocating” how homogeneously young people are represented on screen. She wants to know if we have Laguna Beach in the UK, the OC rip-off about beautiful young airheads in California. “If you like that, awesome. I don’t want to sound like a judgmental piece of poop. But we need other options, you know?”In offering an alternative perspective on youth, Juno hit a nerve with audiences across north America on its release last year. But fame has brought its downsides - not least because Page’s manic work schedule has meant she has had to give up her great love: football. Until she was 17, she played right wing for two “soccer” teams in her hometown of Halifax, Nova Scotia, but she has reluctantly come to accept that “my days of competitive soccer are over”.Renown has also meant the invasion of privacy that is part and parcel of being a celebrity. “Yeah, people following me down the street and at the airport and all that. I can’t imagine what it must be like for people who are, you know, actually famous.” Like Jen, she adds. As in Jennifer Garner, Mrs Ben Affleck, who plays the potential adoptive mother of Juno’s baby, and who is, Page says, “totally down to earth”. She also has nothing but praise for her co-star, 19-year-old Michael Cera. Cera, readers harbouring age-inappropriate crushes may be interested to know, is “an incredibly sweet guy - honest, non-judgmental, and every good adjective I can think of”.Page genuinely seems to have no interest in playing the fame game, and when she is praising actors she admires - such as Kate Winslet - she often says they are in it “for the right reasons”. If she and her contemporary Lindsay Lohan were put on an attention-seeking sale, they would certainly be at polar ends. Flashing her crotch getting out of taxis is so not Page’s style (this is just speculation, but she seems like the kind of big-pants gal who wouldn’t even contemplate wearing a thong). She would rather be out in the fresh air than drinking Cristal in a VIP room. “I love the outdoors. I like to go camping, to hike. I read, I play the guitar. I’m pretty low-key,” she says. Last year she went backpacking in eastern Europe (complete with maple leaf on her rucksack so as not to be mistaken for an American).There is no point asking her what she is going to wear to the Oscars, should the ceremony take place. She has zero interest in clothes. “I hate shopping to the extent that I don’t shop,” she says, adding that if she didn’t have people to pick out clothes for her to wear to events, she would be “totally lost”.Though she is worlds apart from the Lohans and Hiltons and the other Hollywood clotheshorses, Page is in no doubt that the pressure put on women in the media is unhealthy. “It’s absolutely disgusting,” she says. “It needs to stop because it’s nothing but hurtful for everyone involved.” She says she isn’t too bothered at the prospect of being photographed buying a pint of milk without having brushed her hair - “Oh, that’s just who I am, so they are always going to get that,” she says, while admitting that “of course” she sometimes feels the pressure.”People judge you left, right and centre, and you see people judging other people because they are a size four [an eight in the UK] and it is disgusting.” She has no time for gossip magazines. “They just make you feel like crap and make you go out and buy things to fill that void. They propel the consuming machine,” she says. “We all have our insecurities. I would like to say, ‘Oh, I don’t care what people say about me.’ And to a certain extent, I don’t, I reeeally don’t. But as a young person it’s like, come on. And it’s not like guys don’t get it at all, but women are sooooooo harshly judged.”Particularly, she believes, in the movie business. “I hate how box-office failures are blamed on an actress, yet I don’t see a box-office failure blamed on men,” she says. Such as? “Like when The Golden Compass came out. Daniel Craig was in it, and Nicole Kidman was in it, and people were just ragging on Nicole Kidman the whole time.” She also bemoans the lack of meaty leading roles for women. “I think a lot of the time in films, men get roles where they create their own destiny and women are just tools, supporters for that,” she says. “I guess it’s because we live in a patriarchal society, where feminism is a dirty word.”Page, naturally, is happy to be described as a feminist, and is gobsmacked to have recently discovered that “40% of women in America or less” consider themselves feminists. “If it’s about equality for the sexes, then who wouldn’t be?” she asks. It is no surprise coming from the woman who, musing on how gender roles are imposed on children by society, says: “As a girl, you’re supposed to love Sleeping Beauty. I mean who wants to love Sleeping Beauty when you can be Aladdin?” Juno is released on February 8

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Atonement scoops top prize at Attenborough awards

Thursday, January 31st, 2008

Sam Riley won the rising star award for his role in Control. The 28-year-old actor impressed the critics with his performance as Ian Curtis, the troubled frontman of the post-punk band Joy Division.”The last year has shown the cinema to be both resilient and innovative,” Lord Attenborough said in a statement. “It has also brought a superb crop of terrific films with compelling performances from both experienced and fresh talents.”Atonement has seven nominations for this year’s Academy Awards, which take place on February 24. The Coen brothers‘ No Country For Old Men and Paul Thomas Anderson’s There Will be Blood are tied in first place on eight nominations apiece.

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Jonathan was definitely born with the risk chromosome. In art, as in life, he just steps out without looking

Thursday, January 31st, 2008

Most significantly, Marguerite will mark the end of Jonathan Kent’s year-long tenure as artistic director of the Haymarket, an experimental appointment made, in the words of the theatre’s general manager Nigel Everett, as a conscious attempt to “brain up” the West End. According to Everett, “Jonathan was our first choice as a director with the charisma and intelligence to pull off a season of artistically adventurous repertoire in a commercial environment. Audiences love the visual flair of his work and he’s an actor-magnet - stars gravitate towards him.”Kent was born in England in 1949 to architect parents who emigrated to Cape Town, South Africa, during his first year. He returned to England to study at the Central School of Speech and Drama in the 1970s, but describes himself as “deracinated”. Close friend and colleague Ian McDiarmid says: “The strange contradiction about Jonathan is that he cultivates an absurd, fruity accent and presents himself as more English than any Englishman, when he’s actually quite the opposite. He wasn’t university-educated and he’s always fought shy of joining the establishment.”Kent first met McDiarmid almost 40 years ago, when both were actors at the Citizens Theatre in the Gorbals district of Glasgow - a venue famed for giving cheap access to interpretations of classic European drama. When the directorship of the Almeida, a struggling fringe venue in a run-down enclave of Islington, became available in 1990 the pair saw an opportunity to transplant the Citz’s philosophy to London.Their 12-year stewardship transformed an obscure theatre notorious for the austerity of its seats into a fashionable address renowned for its rollcall of stars - including Ralph Fiennes, Diana Rigg, Juliet Binoche and Cate Blanchett - all of whom were eager to muck in with communal dressing rooms and a minimum wage. “People thought we were crazy,” McDiarmid recalls. “I had no experience of running a theatre and Jonathan had never directed a play. But if it hadn’t been for people like Glenda Jackson offering to perform for %26pound;160 we’d have been out of business in the first three months.”When Kent and McDiarmid stepped down as directors of the Almeida in 2002 they were immediately identified by many as the obvious choices to succeed Trevor Nunn as director of the National Theatre. Yet both have repeatedly stated they have no interest in running the nation’s flagship theatre.”We decided to leave the Almeida at the point when we were in danger of becoming an institution,” McDiarmid says. “I think both of us are outsiders by nature. We’re more comfortable on the rough edge of town.”Kent subsequently spent what he termed his “gap year”, branching out into opera in Santa Fe, musicals on Broadway and a Japanese-language version of Hamlet in Tokyo. Now established as one of the world’s most in-demand freelance directors, it seemed initially surprising that he should wish to be pinned to a job in a venue so conventionally plush as the Haymarket. Yet he was tempted by the freedom to pick his own repertoire without the day-to-day anxieties of running a theatre, telling the Guardian’s Michael Billington: “I have power without responsibility, which has been the prerogative of the harlot throughout the ages.”Kent’s choices to fill the 900-seat auditorium have been characteristically unpredictable. The season opened with William Wycherley’s lascivious Restoration comedy The Country Wife, a play deemed so filthy that after 1753 it was not performed for 170 years. That has recently been followed by the first ever West End revival of Edward Bond’s The Sea, featuring Eileen Atkins and David Haig. With some mixed reviews and meagre houses, the producers will be looking to the forthcoming musical to ensure the season breaks even.”It remains to be seen whether we’re actually going to get an audience,” Eileen Atkins says, “but if there’s anyone who can make Edward Bond seem viable in the West End, Jonathan can.”Atkins attributes Kent’s success to the empathy he feels for actors, having worked as one himself. “He’s one of us, not one of them,” she says. “So many directors frankly don’t have a clue how actors think or feel. The Sea endured the most wretched first preview I’ve ever encountered, yet he’s just the sort of person you want in the dressing room restoring confidence.”Many colleagues pay tribute to Kent’s affability and generosity, and marvel at his relish for an impossible challenge. A long-term collaborator, designer Paul Brown, says: “He was definitely born with the risk chromosome. He’s a dreamer with a tendency to be unrealistic about things, which is a great quality for a director but less useful when it comes to crossing the road. In art, as in life, he just steps out without looking.” Marguerite is on at the Theatre Royal Haymarket from May 7 to November 1. Box office: 0844 844 2353The CVBorn London, 1949. Moved to South Africa with his family as a child and was educated there.Career Returned to London in the 70s and trained as an actor at the Central School of Speech and Drama, then worked at Glasgow’s Citizens Theatre. Took over the Almeida Theatre in London with Ian McDiarmid in 1990 and was joint artistic director for 12 years, bringing Cate Blanchett, Kevin Spacey, Juliette Binoche and Liam Neeson to the West End stage.

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Getting lost in the plot

Thursday, January 31st, 2008

Michael Idato celebrates our favourite soap opera twists
that continue to defy belief.
NO STRANGER to a nail-biting cliffhanger, Summer Bay’s perennial
innocent Sally Fletcher (Kate Ritchie) explains to her daughter,
Pippa, the imaginary friend she once had, while a young man further
down the beach scratches a word in the sand %26#151; “Milco”. The
implication %26#151; that this stranger, played by Josh Quong Tart,
is Sally’s imaginary friend Milco in the flesh %26#151; might seem
ludicrous but in a soap opera anything is possible. And if, when
the series returns next week, we learn Milco is real, then Home
And Away will have delivered a twist equal to the genre’s
best.
Dallas is but a dream
Dallas, 1986

While the “Who Shot JR?” episode was the
defining moment in the history of the 1980s supersoap
Dallas %26#151; we will come to that in a moment %26#151; it was
the 1986 finale that floored the audience, as the very dead Bobby
Ewing turned up in widow Pam’s shower. The stunt was a surprise to
the cast, including Victoria Principal who had actually filmed the
scene with another actor, completely unaware the producers intended
to slip Patrick Duffy’s Bobby Ewing back in. Such stuff as dreams
are made of? Perhaps for Shakespeare in A Midsummer Night’s
Dream but for Dallas it was the beginning of the end as fans,
angry an entire season had been written off as a “dream”, began to
abandon the TV juggernaut.
Duck Aldo, there’s a bomb in the Carnation Milk
Number 96, 1975

Plot twists come in many shapes and sizes %26#151; some are
cliffhangers, and others the coup de grace of long-term story arcs.
The bomb that gutted the ground floor of Sydney’s most infamous
apartment block was neither but rather a mid-year attempt by the
producers to shed some old characters and re-invigorate audience
interest. A warning note is delivered to the empty flat of Vera
Collins (Elaine Lee) but remains undiscovered until it’s too late.
When the dust settled, Les (Gordon McDougall), Aldo (Johnny
Lockwood), Roma (Philippa Baker) and Miles (Scott Lambert) had gone
to meet their maker.
Pat the Rat is Belinda Giblin?
Sons %26amp; Daughters, 1985

With her world caving in around her and actress Rowena Wallace
firm in her decision to walk away from a top-rating show and a
much-hated (and loved) character, Australia’s resident TV super
bitch Patricia Hamilton did the only thing women of her time and
style did %26#151; she put on her best wistful expression and boarded
a plane for South America, where she checked into one of those
ubiquitous plastic surgery clinics in Rio de Janeiro and she
returns as Belinda Giblin? Pat the Rat Mark II used the
alias Alison Carr until her true identity was unmasked, and the
producers %26#151; in a late moment of insanity %26#151; brought
Wallace back, to play her own former alter-ego’s twin sister,
Pamela, no less.
Fallon is kidnapped by a UFO
The Colbys, 1987

Scriptwriters typically use the props of the fictional universes
they create %26#151; secrets in Peyton Place, guns in The
Sopranos and shoulderpads (and stock certificates) in
Dynasty. And then along came The Colbys where, after
two years of predictably over-the-top storylines ranging from a
long-lost son, an amnesiac wife and a battle to control an oil
pipeline, the producers decided to bow out by borrowing an idea
from Star Trek. Colby daughter-in-law Fallon (Emma Samms)
sped down a lonely freeway, broke down and, as she was dialling
America’s answer to the RACV, looked up into the night sky and saw
a UFO landing. Kidnapped by aliens? Well, it sure beats finding out
a whole year of your life was a dream.
With this AK-47, I thee wed
Dynasty, 1985

Undoubtedly spurred on by the success Number 96 had when
it tried to knock off the entire cast in its infamous bomb blast,
the producers of Dynasty were clearly either drunk, deranged
or just plain dumb when they hatched the twist to end all twists
%26#151; Carrington daughter Amanda (Catherine Oxenberg) joins the
Eurotrash set by marrying Prince Michael of Moldavia, an oil-rich
(fictional) eastern European monarchy and, as the two exchange
vows, those pesky nationalists rise in revolution and spray the
congregation with machinegun fire. Luckily for the Carringtons, the
Moldavian army skipped target practice %26#151; and everyone, except
for two bit players, survived.
Which one of you bitches is my mother?
Lace, 1984

Three schoolgirls at the Swiss boarding school L’Hirondelle
%26#151; English Pagan Trelowney (Brooke Adams), American Judy Hale
(Bess Armstrong) and French woman Maxine Pascal (Arielle Dombasle)
%26#151; discover that one of them is in, er, the motherly way, and
decide to protect the mum-to-be by sharing the blame. A quick trip
to the creepy Dr Geneste and everything is taken care of
until the abandoned baby grows up to become the late 1970s version
of Paris Hilton. A couple of porn films later, sex siren Lili
(Phoebe Cates) has gathered all three women together, where she
utters the now iconic line: “Which one of you bitches is my
mother?” (It was, in case your memory is failing you, Judy.)
Charlie Cousens falls out of the silo
Bellbird, 1968

In the early days of soap, Australia’s genteel sensibilities
required kid-glove treatment %26#151; characters waved goodbye, moved
to the next town, or, in a worst-case scenario, went to Brisbane,
never to return. Until Bellbird’s resident shady real estate
agent Charlie Cousens (Robin Ramsay) met a grisly end down the side
of a wheat silo, sending shockwaves through the local community
%26#151; a picture postcard assembly of loveable yokels, including
Jim (Carl Bleazby), Joe (Terry Norris), Olive (Moira Charleton),
Fiona (Gerda Nicolson) and Lori (Elspeth Ballantyne).
Roman is John is Roman is Chris?
Days of Our Lives, 1981-present

Salem’s resident cop and all-round good guy Roman Augustus Brady
was played by actor Wayne Northrop from 1981-84, until he was shot
by super villain Stefano diMera (Joseph
Mascolo). Or was he? Roman returned with the alias John Black,
played by Drake Hogestyn, from 1986-91. Or was he? The real Roman
was found in a prison cell, heralding the return of Northrop to the
role from 1991-94. Confused yet?
Well, it all comes unstuck in 1997 when the producers hire Josh
Taylor to play the role, despite the fact that Taylor played Chris
Kositchek in the same show, between 1977-87.
Watch out, the homeless girl has a knife!
Soapdish, 1991

Neither a TV show, nor a serious soap, Soapdish was a
feature film that satirised the genre with brilliant characters
%26#151; jaded diva Celeste Talbert (Sally Field), scheming producer
David Seaton Barnes (Robert Downey jnr) and ambitious bit player
Montana Moorehead (Cathy Moriarty). Barnes brings back Celeste’s
ex-lover Jeffrey Anderson (Kevin Kline), whose return sets the
stage for a moment of pure soap %26#151; the young girl playing the
destitute knife-wielding homeless girl (Elizabeth Shue) is actually
their long-lost daughter. The film mines every cliche of the genre,
finishing in a live-to-air episode of truly soap operatic
proportions.

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Mysterious death of troubled star in his New York apartment

Thursday, January 31st, 2008

LESS than three months ago, Heath Ledger spoke candidly of his
struggle with insomnia and stress over two demanding film roles. He
said he had become sleepless playing a “psychopathic,
mass-murdering, schizophrenic clown with zero empathy” %26#151; his
description of his role as the Joker in the new Batman
film.
Insomnia was limiting him to an average two hours’ sleep a
night. He had taken a controversial drug, Ambien, sold in Australia
as Stilnox, which can have side effects including hallucinations
and breathing difficulties.
The drug didn’t help: one pill was ineffective and after a
second he slept for an hour but then woke, his mind racing. “I
couldn’t stop thinking. My body was exhausted, and my mind was
still going,” he told The New York Times.
Yesterday, hours after shocking news broke that the Perth-born
star had been found dead in his New York apartment with
prescription drugs nearby, more details of his troubles
emerged.
On his recent visit to Australia to have Christmas with his
family, the 28-year-old actor had seemed anxious and distressed
about being separated from his two-year-old daughter, Matilda,
following the breakdown in his relationship with the child’s
mother, actress Michelle Williams.
Australian model Sophie Ward, whose supermodel sister Gemma was
recently dating Ledger, said the star had been “a bit edgy” during
his time in Perth. “We went to the movies and just did normal
stuff,” Ms Ward said. “He said he was going to London, but was
quite upset because he couldn’t see his daughter as much as he’d
like to.”
Amid the personal troubles, Ledger’s career seemed to be
continuing its upward trajectory. The assignment in London that was
keeping him from his daughter was a role in The Imaginarium of
Doctor Parnassus, directed by Monty Python’s Terry Gilliam.
News of Ledger’s death shocked an Australian acting fraternity
that would otherwise have been celebrating news of Cate Blanchett’s
dual Oscar nominations. Blanchett, who along with Ledger and others
portrayed Bob Dylan in I’m Not There, was among the dozens
of Australian and Hollywood actors, directors and politicians who
paid tribute yesterday to a man who seemed to be universally
regarded as a true artist.
Blanchett said she was “shocked and very saddened” by Ledger’s
death. “I deeply respect Heath’s work and always admired his
continuing development as an artist.”
A mourning Naomi Watts reportedly pulled out of all engagements
at the Sundance Film Festival in Utah after the death of her former
lover, whom she met in 2002 on the set of Ned Kelly and
dated for 16 months.
New York Police deputy commissioner Paul Browne said Ledger’s
housekeeper found him unconscious about 3.30pm when she went to
tell him his masseur had arrived for an appointment. He was
unresponsive and pronounced dead shortly after.
Mr Browne said the cause of death would not be known until
determined by a medical examiner. “He was found face down on the
floor at the foot of the bed. He had no clothes on.” There were no
signs of foul play.
The New York Post website reported that Ledger’s
apartment, which he rented for $US23,000 a month, looked “like a
temporary crash pad”. The bed was a mattress on the floor with
plain white sheets, and the apartment was not decorated.
Generic forms of Xanax and Valium, both anti-anxiety drugs
prescribed in Ledger’s name, were found in the house, along with
Ambien, according to law-enforcement sources.
Last year, Australia’s Therapeutic Goods Administration put
extra warnings on Ambien after hundreds of adverse reactions during
sleep were reported. These include driving, having sex, fighting
and binge eating.
Drug and alcohol expert Paul Dillon said using Ambien while
suffering pneumonia, which Ledger was reportedly fighting, was not
recommended.
Unlike many Hollywood stars who cultivate an easy-going image to
mask difficult personalities, Ledger’s discomfort in media
interviews and disputes with paparazzi photographers may have
coloured perceptions of a man described by friends as private and
sensitive. Noni Hazlehurst, who starred with Ledger in
Candy, said he was a “kind and sensitive” man who simply
wanted to do good work.
“He was uncomfortable with celebrity, which made him a target
for fools, preferring to focus on being the best actor he could
be,” she said. “For that, he will always have the respect and
admiration of those who knew, understood and admired him.”
Fellow Australian actor Geoffrey Rush said he “admired Heath
enormously” and that he was “such a sensitive and committed and
daring actor”.
Prime Minister Kevin Rudd and Arts Minister Peter Garrett joined
the tributes. Mr Rudd said: “It is tragic that we have lost one of
our nation’s finest actors in the prime of his life.”
The media frenzy generated by his passing yesterday was far
greater than anything Ledger would have had to confront in life.
Soon after news of his death broke, the New York police erected
barricades outside his apartment building as hundreds of media
representatives and onlookers gathered.
It was only after the morbidly curious had drifted into the
night that there seemed to be a moment of simple compassion and
unabashed sadness.
For maybe an hour, Lesleigh Valette and Ileana Diaz waited
opposite the five-storey Soho loft building, clutching a bouquet to
lay at its door. The pair, both theatre students, had come from
Harlem to pay their respects.
“We expected him to win an Oscar in our presence, but we didn’t
expect him to pass like this,” said Ms Valette, 18.
A Perth woman, Daleen Kupsch, 31, now living in lower Manhattan,
said at the scene that his death had devastated her. She said she
had grown up in Morley, near Ledger’s home town of Guildford. “I
feel so sorry for his little girl,” Ms Kupsch said.
A friend quoted by the New York Post website claimed
Ledger was battling depression. “I was hearing that he was
depressed,” said actor Jonathan Zarin. “I’m sure he must have been
in a really bad place. I’d been hearing that for a while.”
When asked about the rumours circulating that Ledger had a drug
problem, Zarin responded: “Everyone in Hollywood experiments with
drugs.”
Reports of his troubles came months after Ledger split from
Williams, who played his wife in Brokeback Mountain.
Williams was said to be “devastated” over his death and was flying
back to New York from Sweden, where she has been filming.
The couple lived together in Brooklyn with their daughter until
their separation. In a recent radio interview, Ledger discussed the
impact of his daughter on his life. “I feel good about dying
because I feel like I’m alive in her,” he said. “But at the same
time you don’t want to die because you want to be around for the
rest of her life.”
Ledger’s family yesterday denied speculation that he had killed
himself, saying he was not a suicidal type. Family representatives
said police had advised them his death was entirely accidental, the
TMZ.com website reported.
The results of an autopsy on Ledger are due this morning,
Melbourne time. Ledger’s family is expected to arrange for his body
to be flown back to Perth, where he will be laid to rest.
In a statement read out in Perth by his father, Kim, the actor’s
family yesterday thanked well wishers for their support. “He was a
down-to-earth, generous, kind-hearted, life-loving and selfless
individual who was extremely inspirational to many,” Mr Ledger
said.
“Please now respect our family’s need to grieve and come to
terms with our loss privately.”
Ledger had a broad range of artistic interests. He directed
music videos for Sydney hip hop artist N’fa %26#151; a close friend
who was too distraught to comment yesterday %26#151; and recently
founded a music label with US star Ben Harper.
It also emerged yesterday that Ledger had recently shot and
edited a music video for a decades-old song by Nick Drake, the
English singer-songwriter who died in 1974 at 26.
The video, never seen in public, was reported by music channel
MTV to be a stark black-and-white composition, consisting mainly of
the director turning the camera on himself.
At the end of the video, Ledger drowns himself in a bathtub. The
song Black Eyed Dog was the last recording Drake made before
overdosing on pills.
With THE WEST AUSTRALIAN, NEW YORK TIMES, TMZ.com,
AGENCIES

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The voice squad

Thursday, January 31st, 2008

In the theatre, the audience (and success or failure)
hangs on every word, writes Daniel Ziffer.
OUR VOICE IS AT THE heart of who we are.
From dawn to dusk and, for some, through the night, how we speak
articulates our hopes, our doubts and our intentions.
It changes as we age, suffer illness or alter our geography.
It illustrates the largest and smallest moments of our life.
But for those who work on the stage, it’s more than a way of
getting a meal order across or telling someone what time to expect
us home.
For actors, the construction of a voice illuminates a character
and enables them to convey to an audience the journey they are
attempting to share %26#151; right up to the cheap seats.
Stars of Monty Python’s Spamalot have endured a very
specific demand on their acting skills %26#151; to produce a
multitude of character voices to please both the movement of the
story and expectation-filled audiences familiar with the
production’s source material, the film Monty Python and the Holy
Grail.
Accents are carried and used by actors but are rarely considered
in our natural voice. Lucinda Shaw, who plays the mysterious Lady
of the Lake, says a visit to the US last year for a Spamalot
workshop made her re-examine how she felt about her Australian
accent. “They talked a lot about it; that they like our accents,
that they think they sound jarring,” she says.
“It’s nice that a lot of actors over there are speaking as
themselves, I like that,” she adds.
The General American tones preferred in US films and in the mass
media have been conquered by actors such as Cate Blanchett and
Russell Crowe. The resultant sound is a compilation of regional
accents, inferring the actor could be from anywhere in the US.
But actors do come from somewhere and Ben Lewis, who portrays
Sir Galahad, describes the forward placement of the typical
Australian voice warmly.
“We have that twang, which is a brighter sound,” he says. “The
brighter edge is actually what carries and cuts through. So we
naturally have a sound which lends itself to voice use. Having that
innately in our culture helps a lot.”
Other actors have mused about how Australia’s diverse make-up
has contributed to a way of speaking that doesn’t jar on the
world’s collective ear. Because voice conveys who we are,
especially if we want it to.
New Zealand born screen actor Alan Dale is perhaps best known in
Australia as Jim Robinson on Neighbours but since moving to
Los Angeles has appeared on hit US shows such as The O.C.,
NCIS and Ugly Betty. Dale played a cabinet member on
The West Wing and even played the US vice-president on
24. He tries to make his voice “work” for him around the
globe, he says.
But off-screen, at home with wife Tracey, he’s just Alan. “When
we got there (the US) I said to Tracey we should really give this a
go and do it (the accent) full-time,” he said. “That lasted about
30 seconds. Now I put it on like a coat and take it off when they
say ‘cut’.”
Billie Brown
King Arthur

FROM BILOELA, THE SMALL Queensland country town where he was
born, to traversing the globe as an actor, Billie Brown’s voice
reflects his past, in all its glory.
“Inevitably, the fact that I lived 12 years in the UK and nearly
13 years in America means that I have the voice that I have,” he
says. “I was born in Queensland at a time before television, where
it really was the world of radio and the pictures and there was no
embarrassment about speaking up and speaking well.”
Every day, in his primary school classes and at home, he was
taught to read and recite. Through a long theatre apprenticeship in
England, mostly in Stratford, the 56-year-old has used his voice to
entice, cajole and intrigue. “I was a football referee growing up,
so part of the thing was just running and shouting,” he says,
laughing. “You! No. 3! Do you want an early shower?”
Brown has worked with the Royal Shakespeare Company, in addition
to his writing and directing work, and treasures the contribution
voice makes to performance.
“Even if it is an absurd fairy story,” he says. Interactions and
intonations propel people’s connection to the text, he says,
steering them through the story. “In a musical which is as lurid a
fruitcake as this one, the relationships %26#151; acknowledged and
internal %26#151; will make it right.”
In Spamalot his character projects a regal air, which may
or may not be justified. Brown thinks that putting on accents and
voices is the “hardest thing in the world” and was encouraged to
not impersonate (Monty Python’s) Graham Chapman but rather to try
and inhabit the role himself. “(Director) Mike Nichols, who I
trust, says whoever you are, however odd or strange, that’s where
you start.”
John Cleese, he says, told him of the Pythons’ amused reaction
to “the bluster” of the actors of the Royal Shakespeare
Company.
Voices were played with in rehearsal. “It just happened,” Brown
says, describing the hours he spent working up a sense of gravitas
and then grounding it as the story progresses. Now it just appears,
he says, with Brown not speaking in his character voice backstage,
before uttering his character’s first lines. “He comes to you. It’s
a fascinating thing. You just have to take that leap of faith. You
actually can’t pretend to fly, you have to do it. He slips in.”
But he also slips out. Brown recently had another play published
%26#151; and he composes them in his Queensland accent. “I notice the
rhythms, the intonations, rather than the sound of the voice. All
the forces acting on the voice come from the last vestiges of the
squattocracy, a sort of imagined gentility,” he says. “But also
people did talk, they sang. Loudly.”
Lucinda Shaw
Lady of the Lake

FINDING A VOICE FOR A character is hard. Finding one for a
character who communicates almost entirely through song can only
end in tears. “I remember one night I crawled into my kitchen and
just lay on the table,” Shaw says, recalling rehearsals. “This is
never going to happen!” she roared at her flatmate. “I can’t do
this!”
The 23-year-old’s role in the production is to appear at crucial
points and sing the show along. A role dense with songs but light
on script. “My character doesn’t find her voice, until act
two.”
Shaw attempted to create a neutral, internal tone. “She’s
Orstralian but with English influences, kind of like Kylie
Minogue,” she says. “It’s a very worldly accent. It’s tough.”
The show used an English director and an American choreographer
and musical director, which added to the difficulty of building a
stable voice for the character, she says.
“I would be singing and the director would say, ’she sounds
American’. And the American would say, ‘what’s wrong with that?’
The English director would be like, ‘well, she should be English’,
and then the American would say, ‘well, she wasn’t English in
America.” Shaw laughs, clamping her forehead at the memory. “One
person saying it’s too warm, another saying it’s not warm enough,
it’s not genuine %26#151; so many different opinions from all these
people who I held is such regard. So, one night I just picked up my
script, I went ‘right’, went into the fire escape, where it was
really echo-y and just played and played and played.”
When she arrived at rehearsals, having worked on one scrap of
text for hours, the directors were stunned. “The penny’s dropped.
You’ve got it,” she was told. “And I just had”.
Previous work as an understudy for three roles in We Will
Rock You and for the title role in Dusty %26#151; The Original
Pop Diva prepared Shaw to alter her tone. “But the more extreme
an accent, the easier it is to play,” she says. Delicacy is what is
difficult.
“Dusty was an English woman who had an ultra-feminine round,
soft voice. The accent coach would say to me, ’say that word
again’. It was blood, sweat and tears.”
The emotional tug of the underlying love story in
Spamalot %26#151; beyond the glitzy costumes and big numbers
%26#151; comes through the few voiced words her character shares with
Arthur, Shaw says. “Which I had never thought about. You can play a
scene but in the tone and the delivery and the warmth you have it
can affect the audience and affect people on stage.”
That said, future roles with words might come easier.
“It’s definitely a challenge to have a character who doesn’t
talk,” she says, smiling sweetly.
Ben Lewis
Sir Galahad

RAISED BY OPERA-SINGING parents and spending his childhood in
and around the Sydney Opera House, Ben Lewis had a dream %26#151; to
play cricket for Australia.
It wasn’t until he went to university that he started
performing.
“There was no shortage of noise in our household,” he says. “I
feel like I’ve been around voice-users all the time. If you’re
tired you just don’t talk.”
Performing as a knight, every night, Lewis likes to “bash and
crash” his voice through the medium of his outlandish, dashing
character Sir Galahad.
The 28-year-old also plays a peasant Yorkshireman, “a
50-year-old man who weighs five times as much as me” at the opening
of the show.
“The danger with Python is that everybody knows the voices
already,” he says.
“And there’s a tendency to just put on a silly voice but that
never works, it just sounds like you’re doing a bad impression of
Michael Palin, or whoever.”
So the team “mucked around” during rehearsals to build their own
sound.
“Once you’ve rehearsed them in %26#151; the costume, the
character, the voice %26#151; they all become one,” he says. “As soon
as I get the father (character) on I muck around with my wiggies
and dresser (backstage crew), he’s a dirty old man backstage. I
jump straight into it.”
Blessed with a basement dressing room, Lewis lets rip before
each show, bellowing and working himself into the roles. He can’t
just flip the switch, he says, as Billie Brown does.
“He’s a lucky man,” he says. “But it’s horses for courses.
Lucinda has to come out and hit 150% from the first bar of music
and I find I too have to be pretty warm to start off with, that
everything’s well oiled and ready to go.”
His girlfriend notices the English influence of his character
when he is off-stage, he says.
“I lived there for about six years during my secondary school
years so it’s not that difficult for me to click back into it.
“It’s often when my mates come out, I start to ‘pik i’ up agin’.
It’s quite easy.”
It is common for actors to become neurotic about their voice, he
says. “But doing eight shows a week you just can’t be. You’ve got
to be fearless, get in and give it a go. It’s just another tool
that you’ve got, like your body. And the more ways you can use it
the better.”
Monty Python’s Spamalot is playing at Her
Majesty’s Theatre.
www.montypythonsspamalot.com.au

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Cookie competition complete

Thursday, January 31st, 2008

By WILLIAM SMITH

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Ten minutes to go, and the girls in Girl Scout Troop 9008 out of West Burlington were worried.

They had just built a re-creation of a winter Olympic stadium out of cookies and frosting for the annual Girl Scout Cookie Challenge Saturday morning, and they only had 10 minutes until the judges came around to view their product.

Problem was, the finish line for the luge slide wouldn’t stand up straight. Consisting of two straws that served as poles and a piece of paper with the word “Finish” scribbled on it, the contraption proved too heavy for the white frosting that served as a foundation.

“It keeps falling down,” said 9-year-old Shaelyn Thomann. “We need more frosting.”

The frosting container was almost empty, however, and none of the girls moved to rectify the problem.

“I just washed my hands,” said 9-year-old Camy Salvador.

But the finish line wasn’t going to finish itself, so Thomann scooped out the remains of the frosting and performed a last-minute spackle job on the base of the straws.

“There. It’s standing,” Thomann said.

Like the other 29 troops in attendance, troop 9008 was provided with a bag full of cookies, straws, gumdrops, tongue depressors and other random items used to build a dessert house. Only one hour was allowed for construction, but most of the troops were done within 30 minutes.

Troop 9070 out of Oak Street Middle School was pretty confident with their river steamboat.

“We won last year,” said troop co-leader Anna Gaul.

The cleverly constructed steamboat used the entire cookie box as its base, which was then slathered in white frosting to simulate the appearance of a boat’s hull. The actual body of the ship was created with combination of cookies, frosting and tongue depressors. The smokestacks were represented by two cardboard toilet-paper rolls.

“We went through a rehearsal Thursday night,” Gaul said.

The girls were quite pleased with their creation and had high hopes of taking home the prize again.

“We’re awesome,” said 11-year-old Melinda Luecke.

After the building challenge was over, it was time for the girls to hunker down and get to work at learning how to sell cookies. The Scouts engaged in a variety of activities that served as a pre-Girl Scout cookie-sale symposium.

“Selling cookies is a way to build real life skills,” said Donna Logan, chief operations officer of the Girl Scout council. “It teaches you how to take orders in a business-like manner and take satisfaction in a job well done.”

After the learning was over, it was time for the munch-off to begin. Eight contestants, including Des Moines County Sheriff Mike Johnstone and Sgt. Steve Parker, lined up onstage in front of nearly 400 Girl Scouts. As each stared at the plate of 25 cookies in front of them, the girls started a chant for West Burlington troop leader Jennifer Herrick.

“Jennifer! Jennifer! Jennifer!” they yelled in unison.

Then they were off. Some started off at a slower pace, like Johnstone and Parker, while Herrick shoved the sweets in her mouth at a break-neck pace.

Not surprisingly, it was Herrick who took home the cookie-munching crown. The room exploded in high-pitched shrieks of glee as she raised her hand in victory.

“You just have to shove down four or five cookies in your mouth at a time and just munch ‘em down,” she said shortly after her victory. “The secret is lots of water.”

This was the second year in a row Herrick competed in the munch-off, but she didn’t fare so well last year.

“Last year I shot cookies and water out of my nose,” she said.

This year, the Girl Scouts of Eastern Iowa and Western Illinois will be selling cookies made by the ABC Smart Cookie Company instead of Little Brownie Bakers. More than 180,000 packages of cookies were sold last year, which equals about 129 cookie packages per girl.

Cookie sales begin Friday.

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Church notes

Thursday, January 31st, 2008

Bethany Lutheran Church, 2515 Madison Ave., will have Men’s Breakfast at 8 a.m. today.

Burlington/West Burlington Catholic Parishes will start Adult Confirmation Classes at 6:30 p.m. Wednesday at SS. Mary and Patrick Parish Center, West Burlington. For information, call Connie Trautner at (319) 752-8771.

Calvary Baptist Church, 2710 West Ave., will hear the Rev. Dean Graber’s message, “Do You Hear Voices?” Sunday morning. Melissa Carper will bring special music. Evening service will include special music by Bill and Linda Bozwell. Annual Business Meeting will follow. Marriage Enrichment classes will be 6:30 to 7:30 p.m. Monday.

Catholic Parishes of the Keokuk Deanery are taking registrations for Sparking the Spirit faith formation, “Healing, Hope %26amp; Holiness,” with presenter IlaMae Hanisch Feb. 13 at SS. Mary %26amp; Joseph Parish Center, Fort Madison. A light meal will be at 5:45 p.m. with the program at 6:30 p.m. The event is free. Registration forms are available at churches, but registration is not necessary.

Community of Christ, 901 S. 12th St., will hear evangelist Jerry Wiemann speak on the theme of Gifted with the Holy Spirit.

Concordia Lutheran Church, 2901 Cliff Road, will host the Rev. Joel Basely at 6 p.m. Jan. 27. His sermon will be “Don’t Lose the Keys to Your Church or The Gifts, Privileges and Responsibilities Given by Christ to Every Believer.” A potluck is at 5 p.m.

Denmark Congregational United Church of Christ will have its annual soup supper from 5 to 6:30 p.m. Jan. 30 at the church.

Faith Lutheran Church, 3109 Sunnyside Ave., will hear the Rev. Jane Keel’s sermon, “The Cure,” during the 10:30 a.m. Communion service Sunday. New Council meets at 7 p.m. Monday.

First Christian Church, 1221 Park Ave., will hear the Rev. Tom Smith’s sermon, “A Vision for the Future,” based on Proverbs 29:17-18 and John 3:16, during the 8:30 and 10:30 a.m. services Sunday. Marriage Seminar, “What Do Women Want from Men? What Do Women Want to Bring to the Man?” is 4:30 to 6 p.m. Sunday. Child care is provided.

First Congregational Church, 313 N. Fourth St., unanimously voted last week to call Jonathan Noble as its pastor. Noble has been serving the church in an interim role since August.

First Presbyterian Church, 321 N. Fifth St., will hear the Rev. Deb Miller’s sermon, “How Shall We Do It?” during the 8:30 and 10:30 a.m. services Sunday. Contemporary Choir and Chancel Choir will perform.

First United Church of Christ, 611 Columbia St., will hear the Rev. JudyAnn Morse’s sermon, “And Jesus Said Come and See,” at the 10:30 a.m. service Sunday. The sermon is based on Isaiah 49:1-7, 1 Corinthians 1:1-9 and John 1:29-42. Elders meeting will be at 1 p.m. Tuesday.

First United Methodist Church, meeting at Grace United Methodist Church on Angular Street at 8:30 a.m. Sunday, will hear the Rev. Charles Downing’s sermon, “Let it Shine,” based on Scripture from 1 Corinthians. It is United Methodist Women Sunday at Burlington First United Methodist Church. The UMW will be celebrated and a special recognition pin will be presented to a member of Burlington First who has served the ministry of the church as an outstanding volunteer. UMW also will assist in the morning service.

Fort Madison and Montrose Catholic Community is taking registrations for “Why Catholic” to start Feb. 11. Registrations are due by Jan. 27. Doughnuts will be served after 9:30 a.m. Mass Sunday at SS. Mary %26amp; Joseph Parish Center, Fort Madison.

Free End of the Month Meals are 5:30 to 6:30 p.m. Monday through Friday at St. John United Church of Christ, 10th and Avenue E, Fort Madison. There are no income guidelines.

Heritage Free Methodist Church, 916 Pine St., will hear the Rev. Wayne Ryan’s message at 10:30 a.m. Sunday. His sermon is “God Gives Life” from Jeremiah 1 where Jeremiah is called to ministry by God before he was born. This will be the observance of the Sanctity of Life Sunday. A birthday celebration will follow the morning worship.

Immanuel Lutheran Church, 606 N. Orchard St., Mediapolis, will hear the Rev. Jerleen Schlesser’s sermon, “In Fellowship With the Son,” during the 10:30 a.m. Communion service Sunday.

Messiah Lutheran Church, will have its annual Congregational Meeting at 9 a.m. and Annual Meeting of the Congregational Council at 11 a.m. Sunday. Pancake breakfast is 8:45 and 11 a.m. Sunday. The Rev. Donald Hoornstra will retire Jan. 27. Friends and former members are invited to hear his final sermons. There will be no 8:15 a.m. service Jan. 27.

Middletown Presbyterian Church, Middletown, will welcome the Rev. David Mixon Sunday.

New Hope Community Church, 2900 Summer St., will hear the Rev. Frank Beaty’s sermon, “Husband-Wife Loyalty,” based on 1 Samuel 19:11-17, and encouraging the cultivation of family and friendship loyalty, during the service at 10 a.m. Sunday. A soup and sandwich potluck and congregational business meeting will follow worship.

Parkside First Baptist Church, 300 Potter Drive, will hear the Rev. Marshall Jackman give the third sermon in the series, “When You Are In a Tight Spot” with “How to Win at Survivor,” using Genesis 21:1, on Sunday. The annual meeting will follow the worship service.

St. John United Church of Christ, 10th Street and Avenue E, Fort Madison, will host free End of the Month Meals from 5:30 to 6:30 p.m. Monday through Friday. There are no income guidelines.

St. Luke United Church of Christ, 1403 South St., will have their annual meeting after the 10:30 a.m. service Sunday. All members are urged to attend.

SS. Mary and Patrick Catholic Church, West Burlington, will have a pro-life Mass sponsored by Knights of Columbus Council 588 at 5:30 p.m. Tuesday. A soup supper will follow.

St. Paul Holy Trinity Pre-school will have a can drive from 9 to 11 a.m. today with drop-off locations at the Houghton Store and the north side of Sonny’s Supermarket in West Point.

St. Paul’s United Church of Christ, 303 W. Mount Pleasant St., West Burlington, will hear the Rev. Dean Moberg’s sermon, “We Just Can’t Help It,” based on John 1:29-42, during the 10:30 a.m. service Sunday.

Shekinah, Inc., presents Lighthouse Bible Institute’s community information meeting from 6:30 to 7:30 p.m. Monday at the Burlington Public Library meeting room A. There also are meetings from 6 to 7 p.m. Jan. 22 and 29 at Keokuk Public Library’s Round Room.

Unitarian Universalist Church, 625 N. Sixth St., will welcome and covenant with incoming members Sunday. The Rev. Roger Mohr will conduct the ceremony and speak on the meaning and mission of the fellowship in creating a more nurturing and nourishing sanctuary for all.

West Burlington Christian Church, 545 Melville St., will hear the David Behlman’s sermon, “The Nature of Sin,” during the 8 and 10:30 a.m. services Sunday. Puppet Partners will resume their practices at 6:15 p.m. There will be a $1 meal at 6 p.m. Wednesday followed by J.A.M., High School and Adult Bible Studies.

West Hill United Methodist Church, 540 S. Leebrick St., will hear the Rev. Morris Hurd preach on “The Servant, the Light to the Gentiles,” from Isaiah 49:1-7 at 9 a.m. Sunday. His sermon will be “Put on the Breastplate of Righteousness,” at 6 p.m. Sunday. Praise band will play.

Zion Mennonite/Donnellson Presbyterian Yoked Fellowship will have services at the Presbyterian Church February through April and at the Mennonite Church May through July.

Zion United Church of Christ, 412 N. Fifth St., will hear the Rev. Marlea Gilbert’s sermon, “Created to Serve,” using Isaiah 49:1-7 and John 1:29-42, at 8 and 10 a.m. Sunday. Steve Parker and Friend will entertain the Over the Hill Gang at 2 p.m. Thursday at the church.

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Man dies in deer/motorcycle accident

Thursday, January 31st, 2008

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MONTROSE — A 65-year-old Keokuk man died after the motorcycle he was riding on collided with a deer on Mississippi River Road half a mile south of 320th Street Sunday.

Russell Junior Rudd, 2212 Timea St., who was not wearing a helmet, suffered head injuries and was pronounced dead at the Keokuk Area Hospital, said Lee County Sheriff’s Department Chief Deputy Jim Sholl.

Sholl said Rudd was riding his 2007 Suzuki DL800 at 3:20 p.m. south on River Road when a deer ran into his path.

Rudd was ejected from the motorcycle upon impact with the crossing animal. The deer also was killed in the collision.

With the harvest season in full swing, deer crossing on highways are more and more becoming a common occurrence.

In Lee County, six non-fatal deer-versus-vehicle collisions were reported over the weekend.

Henry County reported at least seven car/deer accidents which resulted in thousands of dollars worth in damages and minor injuries.

“Always be alert at all times,” Sholl said. “(Deer would cross) at any time of the day, especially at night.”

Authorities encourage drivers, and riders, to pay attention to deer crossing signs, which are areas with a higher rate of deer activity. And always expect deer when driving on rural areas.

Deer travel in groups, so one deer means there are probably more. When one crosses the road, chances are at least three or four more are on their way.

It is a normal driver reaction to veer or swerve away from a deer or any other animal that cross the highway into the path of oncoming traffic.

Sgt. Steve Parker of the Des Moines County Sheriff’s Department advises motorist “don’t veer for deer,” but rather “brake, steer and stop.”

Motorcycles are more difficult to maneuver when it comes to avoiding collision with larger animals crossing the roadway.

Law enforcement officials said the best possible way for motorcycle riders is to “steer away to a path of less risk.”

According to a recent study conducted by State Farm Insurance, Iowa is fifth in the nation when it comes to the likelihood of a vehicle hitting a deer.

Researchers based their rankings on claims data from the last half of last year and first half of this year along with motor vehicle registration counts from the Federal Highway Administration.

Most deer collision claims are filed during the fall months, when the animals migrate and mate, according to the local State Farm office in West Burlington.

There have been many prevention tips relayed by highway authorities to motorists from using high beams, honking horns and driving at a safe speed.

But it all comes back to the time-tested advise: Pay attention to the road and don’t overreact.

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Santa visits New London stroll

Thursday, January 31st, 2008

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NEW LONDON — There’s no such thing as celebrating Christmas too early. And now that December officially has crept by the Thanksgiving holiday, Santa Claus will be making an early visit to this tiny town.

The 17th annual New London Holiday Stroll, which kicks off at 4:30 p.m. Saturday at the Dover Museum with a hot chicken sandwich supper, will be full of that Christmas awe that makes kiddies go “ooh!”

For those who didn’t get enough to eat at the museum, there also will be a chili supper hosted by the New London Child Care Center from 5 to 6 p.m. in the Presbyterian Church basement.

Then it’s time for the main man himself, Santa Claus, who will arrive at Main Street in a horse-drawn carriage at 6 p.m. The wagon will take him to his house in city park where he will listen to all the children’s wishes. Horse-drawn carriage rides also will be available to the public.

Once Santa is in town, the windows in Main Street will light up, where people may find their favorite Christmas Carol come alive in a window scene.

There also will be cookie decorating and a petting zoo at the fire station, as well as a holiday car show on the Jim Cordes’ lot. Across the street at Krieger’s will be a Christmas tree giveaway, not to mention a magic show by Steve Parker. Children can visit Santa’s Workshop inside the big red bus at the park and also take part in a scavenger hunt.

For those who like to rise early and don’t mind the possible morning chill, a Gingerbread Man 5K Run/Walk will take off at 8:30 a.m. at the Methodist Church. The kids’ fun run starts at 10 a.m.

The holiday festivities will continue with a New London Holiday tour of homes from 1 to 5 p.m. Sunday. Five New London homes will be shown, with ticket sales starting at 12:30 p.m. Sunday. Tickets also will be available at local businesses.

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