Archive for October, 2008

Is Time Running Out For Ten Cate

Friday, October 31st, 2008

It seems like only yesterday that the hilarious outburst of Alberto Malesani took place after the then-Panathinaikos manager saw his side held to a goalless draw at home to Iraklis.

The post-match rant saw him earn a place in the hearts of Greek fans, his raw honesty shedding light upon the endemic disease that his a volatile Hellenic managerial landscape.

His press conference epitomized what must have been the thoughts of most logical followers of the game, the tragic accuracy of his message perhaps lost beneath the air of exasperation and frustration in his voice: Here was a man who had been pushed to the brink.

A few years later, the slightly more reserved Henk Ten Cate will most likely face a similar fate to that of his many predecessors, including the now-famous Malesani ironically, the pressure seems to have suddenly mounted during the same week that his side have drawn at home to Iraklis.

What began as the promising reign of a cultured manager has quickly derailed under the weight of unrealistic expectations: to ask a side whose nucleus has been formed over a single summer to compete simultaneously on the domestic and continental stage and find success in both cannot normally be financed by a mere 20-or-so million euros.

Olympiakos have spelt close to a decade trying to build a side capable of achieving just that and despite having monopolized Greek football during that time, even their relatively grandiose spending has not compared – nor been able to consistently compete with that of the European football aristocracy.

At a time where the club has enjoyed an administrative and subsequent financial rebirth, managerial and coaching stability simply must be the foundation for positive change at a club whose European pedigree has suddenly stalled.

Granted, Ten Cate is no super-coach but his European experience and tactical knowledge extend beyond the current level of sophistication of any Greek club (he was reportedly the brains behind Barcelona’s recent Champions League success).

Perhaps it was with such a history in mind that his appointment was made, in an attempt to restore continental football back to the only Greek club to have competed in a European Cup Final, when they lost to Johan Cruyff’s Ajax in 1971.

The move paid off, as Ten Cate lead his fledging team – barely assembled and without the services of a certain Gilberto Silva – into the group stages of Europe’s premier competition, proving himself tactically astute enough to guide the Greeks past Georgian champions and Czech giants with a minimum fuss.

Financed by new-found capital after a part-sale of the club by traditional owners the Vardinogiannis family, the former Ajax boss quickly went about assembling a side with enough depth to compete respectably in both Europe and Greece; the likes of Cleyton, Gabriel and Christodoulopoulos are hardly world-beaters but bring enough quality for a title challenge and potential UEFA Cup birth.

A seemingly perceptive individual, Ten Cate perhaps realised as much and spent his limited finances accordingly, opting for depth over individual quality in an attempt to balance out commitments to the club’s pedigree and the need for practicality.

Importantly, he set about quickly imposing an ethos of fluid, attacking football to satisfy a fan-base tired of the perpetual grinding culture endured under Portuguese manager Jose Peseiro last season.

Inexplicably, though, neither Ten Cate nor his fellow staff were able to recruit in an area where the team needed it most: defense.

An apparent breakdown in relations with Greece international centre-back Sotiris Kyrgiakos might just have denied the Athenians a Super League title – his influence and leadership qualities have carried a distinctly poor AEK outfit in the early part of the season.

His absence was perhaps most noticeable as the Greeks were defeated by Inter Milan – or more accurately, Zlatan Ibrahimovic – in their opening Champions League encounter in Athens, where the Swede found little opposition in the form of make-shift center-back Simao and the unconvincing Sarriegi – neither have the quality upon which progress to the knockout stages can be based.

Ten Cate has admitted as much in his post-match press conferences following both the defeat to the Serie A champions and his side’s embarrassing collapse in Cyprus. How the presence of a powerful stopper was missed on both occasions and indeed against Bremen, where Hugo Almeida effectively ended the Greeks’ campaign thanks to a complete absence of man-marking.

It is a problem has also manifested itself domestically, where Panathinaikos have conceded five goals in their last two home games – both of which they have failed to win.

A “failed” European campaign has been exacerbated by a title challenge that is unravelling before the eyes of the 53 year-old, which perhaps explains the sudden rush of pressure and speculation surrounding his position at the club – the wolves were noticeably kept at bay during a three-match domestic winning streak.

With a conspicuous defensive frailty now plaguing the early part of his reign, the next step might be logically analysing what has turned out a failed summer transfer drive.

It is a pointless exercise in the context of a club ignoring it’s own paranoia.

The blame seems to have temporarily shifted to the players themselves but the truth is that neither Ten Cate, Antoniou nor the men on the pitch can be blamed, simply because there is no real problem at Panathinaikos.

What we have are a club undergoing a total rebuilding phase, filtering down to the pitch from the board-room – results cannot be demanded within a season in such a context.

It is a philosophy Panathinaikos must adopt immediately if Ten Cate is to avoid the fate of a certain Italian manager who went before him.

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Soup Kitchen Volunteers Ladle Out The Love

Tuesday, October 28th, 2008

They shuffle up to the take-out windows in the drizzle, some friendly, some not. With clear eyes and steady hands; with overcast eyes and hands that are practically seismic. Most are broke or broken. For a few, that would be putting it kindly.

No matter what their stories, they’re in this line together. They all need something to eat. Folks like Charlie and “Bear” and “Talks A Lot Mary.”

And that’s what they get five days a week, 52 weeks a year at the Downtown Soup Kitchen in the heart of Alaska’s biggest city

Not just food for the body, but food for the soul. Because a whole lot of giving and a whole lot of praying goes on in this place.

On the other side of these windows are cheery volunteers in colorful aprons and latex gloves, first names posted on their chests. They hand out fresh sandwiches. They fill Styrofoam cups with soup. Soup ladled from 20-gallon pots, pots so big they need a stirring utensil the size of a canoe paddle. Cookies and doughnuts and lemonade and tea. And a side dish of Jesus upon request.

Vicki Martin is an assistant director without a director since Patty Barsalou moved away last year. She’s been doing the phone, computer and paperwork part of the mission in a cramped office with an Elvis clock for company. It’s been double duty, so others have stepped in to give her a hand, most recently Whit Garey.

To keep the operation running smoothly, it takes something like 50 volunteers a week from a pool of 90, and a couple of guys from a halfway house doing their community service.

“We have volunteers coming from various walks of life, mostly people of faith, but that’s not a prerequisite,” says board member Mindy Leary. “Anyone is welcome. You know, even people not of faith I think after they’ve worked here, they see something very special moving among us.”

Jenny Loudon volunteers twice a month. The other day, she brought along her 4-year-old daughter, Cate, a tiny thing swimming in her apron who sat on a stool handing out cookies and doughnuts.

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Doudna architect Antoine Predock describes inspiration for arts center

Tuesday, October 28th, 2008

Jeffrey Lynch said when architect Antoine Predock interviewed for the  Doudna Fine Arts Center project, he “literally blew (the committee’s) socks off.”

Lynch, associate dean of the College of Arts and Humanities , said about 60 architects bid for the building; five of those architects were brought to campus for interviews.

Predock was one of them.

“The selection process was essentially over after that interview,” Lynch said. “He was a man who got exactly what we were after, he brought an enthusiasm and creative energy that I’d like to think was contagious. And Antoine has delivered the kind of building that we really were hoping for.”

The internationally renowned architect presented a lecture at 2 p.m. Saturday about his inspiration and concept for the recently completed Doudna Fine Arts Center.

“This is a bit autobiographical,” Predock said. “The culmination of this building for me represents 50 years of architecture, starting from when I began my studies in architecture.”

During the lecture, Predock shared some of his sketches of landscapes and buildings in foreign countries, as well as images and ideas that inspire him as an architect.

As he traveled to different countries, Predock said he was constantly soaking up his surroundings and drawing.

Throughout his career, theater, dance, painting, poetry, engineering and even his own experiences scuba diving have all influenced his work, Predock said.

“Here we are in a building that does all that,” he said. “So this is really a dream come true to be able to work with an interdisciplinary client body that represents all the arts. It’s kind of a homecoming to me.”

Eastern’s history, along with the agricultural and industrial culture in East Central Illinois, helped shape Predock’s vision for Doudna.

The dark color of the building was chosen partially because Predock said he wanted to move away from the typical blonde brick towards a deeper, richer color.

The copper on the building will change color over time, and may eventually go green, he said.

Amanda Jahrling, a 2007 Eastern graduate, said upon seeing the finished Doudna Fine Arts Center, she was a little jealous.

“We were stuck out in (Art Park West), I never even saw the old building,” Jahrling said. “But after seeing it, it’s kind of your dreams being realized for the school. ”

While she was at Eastern, Jahrling said her professors would constantly talk about the building, always animated and excited. She said while she is disappointed she graduated before the center was finished, she’s excited for the opportunities Doudna will present to future Eastern students.

After hearing Predock speak on Saturday, Jahrling said Doudna seems more unique to her.

“He takes in everything from here,” Jahrling said. “He talked about inspiration from the corn fields and I think that it really fits. Just hearing about it and seeing his other work, you can tell it’s truly one of a kind.”

Cate Borzi, a Charleston resident and former student of architecture, said Predock’s lecture increased her appreciation of the building.

Borzi said it was helpful to hear specific forms of logic and inspiration that Doudna blossomed from.

As she has explored the building, Borzi said she’s realized it’s impossible to become bored in Doudna.

“Everybody feels a little lost when they’re in a new building, and this new building in particular,” Borzi said. “But the flipside of that is that you walk through this building again and again and there’s always something new to see and explore.”

Lynch said the Doudna Fine Arts Center isn’t just a building, but a kind of experiential architecture.

“(Predock) wants you to wander the building,” Lynch said. “Most buildings we walk through get to the other side, get out to the parking lot, whatever. This building ensnares you. It’s almost a dance as you go through the building.”

And as students, faculty and community members “dance” through Doudna, Predock said he hopes they find many pleasant surprises.

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Indiana Jones And The Kingdom Of The Crystal Skul

Tuesday, October 28th, 2008

The year is 1957, the height of the Cold War. As the latest Indiana Jones adventure opens, Indy and his long time sidekick Mac (Ray Winstone) have barely escaped a close scrape with nefarious Soviet agents on a remote airfield. Now, Professor Jones has returned home to Marshall College only to find things have gone from bad to worse. His close friend and dean of the college explains that Indy’s recent activities have made him the object of suspicion, and that the government has put pressure on the university to fire him.

On his way out of town, Indiana meets rebellious young Mutt (Shia LaBeouf), who carries both a grudge and a proposition for the adventurous archaeologist: If he’ll help Mutt on a mission with deeply personal stakes, Indy could very well make one of the most spectacular archaeological finds in history the Crystal Skull of Akator, a legendary object of fascination, superstition and fear.

Indy and Mutt must find a way to evade the ruthless Soviets, follow an impenetrable trail of mystery, grapple with enemies and friends of questionable motives, and, above all, stop the powerful Crystal Skull from falling into the deadliest of hands.

18 years after Indie rode off into the sunset following his last crusade, the intrepid archaeologist returns. Despite the film’s mixed reviews when it was released theatrically, ”Indiana Jones and the Crystal Skull” remains a joyously old fashioned piece of escapism, assuredly crafted by Spielberg and beautifully acted.

It’s Ford whose age-old sense of cynical heroism that remains the centre of the franchise, and his performance is what defines this film. I recall attending the premiere of Raiders, and there is little doubt that the wonder of the original as seen in theatres over two decades ago, can never be repeated and never was even in the second and third films, but David Koepp’s script is still sharp enough to consistently capture the essence of Indy and the style of action film we rarely see in today’s Hollywood.

Much has been made of the film’s sci-fi elements, without realising that George Lucas’ intention, in updating the franchise to 1957, was to satirize America’s preoccupation with the Red Menace of the time, which was often cinematically explored in B-grade sci-fi. ”Crystal Skull” is simply a B-grade sci fi adventure, cloaked in the escapism of an Indy adventure. Thus we have Russian baddies and a touch of sci-fi, which mirror the period in which Skull is set. Cate Blanchett excels as the principal Russian baddie, and fans of Raiders will love an ageless and feisty Karen Allen, who returns as the indefatigable Marion Ravenwood.

While one could have done without too much of the CGI and over-abundance of visual effects, strip all the excesses away, and ”Indiana Jones and the Crystal Skull” works as pure entertainment, enhanced by John Williams’ iconic score and Harrison ford who still delivers a character that suits him like no other. For nostalgia fans of a classic trilogy, Crystal Skull delivers.

The 1080p video resolution of this Blu Ray is exemplary, containing, clear images, beautifully razor sharp, enhancing details throughout every frame of the film. The famed jungle chase sequence is exquisite with tones and colour resolution perfectly contrasted. This is even more evidenced by the Doomstown sequence, in which Indie finds himself in a mock replica of 1950s suburbia being used as a nuclear testing site.

The colour saturation here is quite stunning, each colour as richly detailed as the next. The film’s geographical diversity, from the opening New Mexican desert, to the jungles of Peru [shot in Hawaii] to the darkness of a cemetery, are all crisp, clean and visually more striking than even the theatrical cut. In short, ”Crystal Skull” looks astonishing on Blu Ray.

As stunning as it looks, in TrueHD audio, ”Crystal Skull” sounds as good as it looks and then some, from the clean sound of the dialogue, to the realism of bullets flying and every sound effect imaginable, you haven’t really experienced Crystal Skull until hearing it, almost for the first time. I looked closely at the jungle chase sequence in particular, and was blown away by the details of the audio track. The monkeys, the sounds of the jeeps, none of which were overshadowed by the clarity of the dialogue. Crank up your sound system and listen to the auditory details of the TrueHD audio.

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No special treatment for police in widespread state budget cuts

Tuesday, October 28th, 2008

The Opposition wants WA Police quarantined from the three per cent efficiency drive, fearing that the numbers of frontline police will have to be cut.

During the campaign, the Liberals promised to provide an additional 500 police and 200 support staff over five years.

Mr Buswell is unapologetic about the budget cuts.

He says there will be no special treatment for WA Police.

“The Police Commissioner may well have a view but I can tell you that the Government has given a commitment to the efficiency dividend,” he said.

“As Treasurer I’m committed to making sure that we deliver value for money to the taxpayers of Western Australia.”

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Are all men really this sexist

Tuesday, October 28th, 2008

As an avid reader of this blog, I just wanted to write to you posing a serious question that has been bugging me for months now does the pervasive misogynistic trend on here represent the thoughts/opinion of the majority of men, or is it simply the voice of an overly-vocal minority group?

I know the posters on this blog do not necessarily represent the spectrum of Australian men, but it seems there is a fairly broad demographic represented on here, and I was honestly wondering whether the majority of men who read/post on here hold these sorts of views about women. Some of them I know are tongue-in-cheek, and I honestly find many of them very funny. However, I find some of the comments I read on here quite disappointing to read, or sometimes even actually insulting.

I am currently litigating family law matters fighting for sole custody for fathers, and strongly believe this is an area of the law that needs serious reform. I believe in the need for paid paternity leave, as currently practiced in Denmark and Sweden. In short, I consider myself to be an ‘equalist’ rather than a feminist I believe in 100% equality for both genders, i.e. equality of access and opportunity rather than affirmative action.

I completely acknowledge that there is a high percentage of anti-male vitriol on this blog, which I would also like to distance myself from. This is merely a sort of personal human-interest project, to see what the honest reaction of most men on this blog has been to these sorts of comments.

I would just be really interested to know whether many men out there genuinely hold these views, or as I said, whether it’s a minority opinion.

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The healing power of acupuncture

Saturday, October 25th, 2008

Not many American doctors will walk away from Western medicine to practice acupuncture full-time. But Dr. Robert Jensen, LAc, believed in the benefits of the ancient Chinese healing system so much that he opened his own clinic, Acupuncture Health and Renewal, in Gig Harbor last April.

“Most physicians do their specialty and may take weekend courses in acupuncture,” said Jensen, who learned traditional Chinese medicine from “the masters,” the leading acupuncture specialists in the country.

Jensen was fascinated by the way the Eastern culture looked at the body, mind and soul as one.

“Western medicine hasn’t evolved in this way,” he said. “They tend to separate those. If you have emotional problems, you go see a psychiatrist. If you have a headache, you go see a neurologist. If you have a neck ache, you go to an orthopedist. It’s intriguing when a patient comes in with a wide variety of symptoms, and they have such a sense of relief when they find that they’re all related. You can’t always look at individual symptoms.”

Jensen said the concept of acupuncture placing tiny needles into the skin along the body’s “meridians” to help the system’s natural flow of energy has been around for centuries, but it’s difficult to explain how it works.

A book called “Acupuncture in a Nutshell,” distributed by Acupuncture Media Works, explains that each individual has an intelligent energetic system that maintains health and balance. Practitioners of acupuncture call this energy, “Qi” pronounced, “Chee.”

The stresses of daily life affect the quality and flow of Qi, disrupting its natural flow. Like a blocked garden hose, stress blocks the Qi and a variety of symptoms can develop, such as headaches, fatigue and depression.

Jensen’s wife, Cate, doesn’t understand the ins and outs of the practice; she only knows that she has been undergoing acupuncture for years, and it works for her.

“A lot of people look at it and think it’s going to hurt, but the needles are so tiny,” she said. “You can feel it working on your body. I describe it as a ‘zing.’ You can feel that something is going on.”

She said the practice also did wonders for hot flashes. And she’s been undergoing facial acupuncture to reduce lines and wrinkles.

“It balances out the facial muscles without surgery,” she said. “It’s amazing what it can do.”

“Westerners look at medicine scientifically,” Robert Jensen said. “Acupuncture is out of their comfort zone because we haven’t yet elucidated how it works. The Chinese, Japanese and Koreans just know that it works. Through trial and error they’ve perfected this system that has been handed down from generation to generation, and there’s a well-established history and documentation. True masters of acupuncture have existed in China for thousands of years.”

Jensen said Western society is slowly opening up to alternative forms of medicine, especially in areas where there is a mix of cultures.

“The cultural mix on the West Coast means people are more aware of other forms of medicine and are more comfortable with it,” he said. “People with chronic pain are finding that it’s something Western medicine can’t treat as well. When a patient becomes frustrated and they get ‘pill challenged,’ they start to look at other alternatives.”

Physicians often refer patients to acupuncturists in order to alleviate symptoms that can’t be completely cured with medication. The combination of Western medicine and acupuncture often is the recipe chronic pain sufferers need.

“People who are on pain medication who undergo acupuncture can at least start to lower their dependency,” Jensen said. “In the best cases, maybe they can stop the medicine altogether.”

Jensen said that, in the future, Western and Eastern ways of practicing medicine can be combined to benefit both physicians and patients. In the meantime, he will continue to build a bridge between that gap.

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Sisters Lets Cut Out All This Chat About Plastic Surgery

Sunday, October 5th, 2008

LAST WEEK, a TV show redefined what we mean by the Glamorous Grandmother. Where once she wore a starchy satin gown, a string of pearls and a bouffant hairdo much like Yootha Joyce’s magnificent coppery fright-wig in George And Mildred in the 1970s, the new generation, shown through Britain’s Youngest Grannies, wore skinny jeans, crop tops and multi-streaked highlights like Everyone Off The Telly because they were approximately 36 years old, the result of two generations of teenage pregnancy.

A speedy one week later and the Glamorous Grandmother is being redefined once again, a grandma who might be the traditional grandma’s age - over 60 - but who is doing everything in her considerable economic power to look like someone’s 36-year-old daughter. Or even 16-year-old granddaughter. We’ve entered, say cosmetic surgery giants Transform, the era of the Botox Granny, where 20% of Botox clients are now over 60, while breast implants for the same age range are up, as it were, by 31%, with full face-lifts also stretching upwards by 35%.

Their inspirational role models, say the clinic, are the ever-twinkling Dame Helen Mirren (63) and the ever-fabulous Joan Collins (75), right, a staggering irony considering both these women are ever-dwindling voices in the anti-surgery fightback. Dame Helen, famously, turned down an offer of free Botox for the 2007 Oscars where she won her gong for The Queen. “I’m very vain,” she twinkled beforehand, “but I’m not fond of all those needles and scalpels. I’ll try to get away with make-up, jewellery and a nice frock.” She was, of course, the globally swooned-over belle of that year’s ball.
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Joan Collins, meanwhile, ascribes her ever-glowing cartoon glamour to “proper food“, “activity” and “a happy gene” (plus world-class wig), as someone who tried Botox in its infancy, 10 years ago, and hated it. “It was unbelievably painful and it didn’t do anything,” she balked in 2006 before lamenting the now everyday Hollywood procedure. “They stick 300 shots of poison into your face,” she scoffed. “It’s hideous and makes you look like a chipmunk. The plastic surgeons want to make you look young but I don’t want to look young, I just want to look good.”

A doctor over in America, meanwhile, has now decided the ageing process is something we can literally halt with no needles and scalpels involved. “I truly believe ageing is a progressive inflammatory disease that occurs at a cellular level,” averred holistic dermatologist Dr Nicholas Perricone this week, skincare evangelist to the likes of Cate Blanchett, Uma Thurman and Julia Roberts. “And as such,” he added, “you can fight it.”

“If you look at Angelina Jolie,” he marvels, “she has these beautiful apples in her cheeks they’re the result of the muscles in the face. Using electro-stimulation I can give anyone this sort of a look.” And that would appear to be that. Follow this advice and 12 weeks later we all wake up and bear an uncanny resemblance to Angelina Jolie.

Those of us with a bloke lying next to us, meanwhile, will find chances are he still bears no resemblance whatsoever to Brad Pitt, as nowhere in any of this week’s anti-ageing pronouncements did anything apply to that curiously unconcerned section of the ageing population known as men.

“Women over 50 already form one of the largest groups in the population structure of the Western world,” Germaine Greer reminded us the other year. “As long as they like themselves, they will not be an oppressed minority. A grown woman should not have to masquerade as a girl in order to remain in the land of the living.”

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‘Nothing’ Is Happening

Sunday, October 5th, 2008

Any good work of art should wake you up. Some art objects do it more seductively than others. A gorgeous Titian such as “Europa” at the Isabella Stewart Gardner Museum, for instance, pulls viewers in with a spectacle of story, tone, and technique.

Unlike “Europa,” the works in this show don’t carry you away with color and drama. Indeed, they’re spare, oblique, and lacking in narrative. They don’t expect the viewer to make sense of them; rather, they invite you to engage and discover what the art provokes within you. Intrinsically, they’re less about themselves than they are about you and your response to them. They work to open an empty space, in which your assumptions fall away or are elucidated, and your perceptive powers quicken.

Some will run from this exhibit as quickly as they’d run from a meditation cushion; it isn’t always easy spending time with oneself.

In her catalog essay, Dumont quotes Sweibel saying that the viewing experience of her scrawny wire works “pushes the point of paying attention.” It’s true. Her untitled pieces are tiny on the vast white wall, but they demand scrutiny. They look like scraps of trash (another Sweibel series here sports tiny scraps of fabric), and in a sense they are; the artist recycles wire from previous sculptures.

One of the simplest ones drew me right in. The roughly straight strand with a tiny circle curling at its head made me laugh; I saw a little stick figure, upon which I projected a host of characteristics: scruffy, humble, noble in the face of adversity, lonely but soldiering on. The piece cast a pale shadow downward; Sweibel had carved another “shadow” into the wall above it. It looks like a drawing, not a cut in the wall, but knowing it’s a cut changes the game; perhaps the little wire figure has wrenched its way out of the wall and into the open.

You may think it’s easy to make up stories like this, but it isn’t when an artist is intent on pushing his or her own agenda. The artists in “Many Kinds of Nothing” deliberately make open-ended work.

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Anger At Henson’s School Patrols

Sunday, October 5th, 2008

Four months after NSW police seized Henson’s work from a Sydney gallery, the photographer has sparked renewed debate after making his first public defence of his work.

In a book by journalist David Marr, Henson says he finds models in several different ways. Most often, he is introduced to them by a friend or relative, but sometimes he sees a child in public and gives a business card to their parents.

He said he was once invited to a Melbourne primary school by a principal and “had a look around at lunchtime” before the principal offered to contact the parents of two children he had seen. It was not the first time he had been invited into schools to search for models, the book says.

Leonie Trimper, president of the Australian Primary Principals Association, said parents should have been told in advance about Henson’s visit. “Primary schools are not showcases for the public to come in and choose students for their own personal projects.”

Gail McHardy, the executive officer of Parents Victoria, said anyone wanting to enter schools for “external purposes” had to seek appropriate permission in advance, not after the event.

Ms McHardy asked whether Henson had been accompanied by staff on the visits and whether he had approached the children.

She said model agencies and other agencies had to follow protocols when approaching children in schools.

But Oscar-winning actor Geoffrey Rush came to Henson’s defence yesterday amid the latest controversy over the photographer’s work, saying public discussion of the furore had been “shrill”. “We’re not a very arts-attuned society,” Rush told The Weekend Australian. “So people start to see only the sexual politics of it.”

At the time of the raid on the Sydney gallery, police threatened to charge both Henson and the gallery, but the NSW Director of Public Prosecutions later found there was insufficient evidence to proceed. In Marr’s book, Henson concedes some of his models may have looked back with regret about working with him but says there has never been any negative reactions at the end of a session.

Liberal senator Bill Heffernan yesterday said it was an unforgivable betrayal of the trust placed by the parents in the schools that had allowed a photographer to commercialise children in the playground. “It’s absolutely outrageous someone ought to be sacked,” he said.

“The thing that shocked me most of all about the debate was the perception that artists were above the law or were asking for special exemptions, but that was never the case,” she said. “There is a responsibility in the artistic community to address that.”

In the book, Henson says he takes photographs only with the “willing participation and full control” of the family.

The child then makes the final decision. He also points out that children have an ability to detect unsavoury people. “Kids can smell a rat, you know, and we just don’t give them credit for it.

“If there is a dodgy teacher in the school, kids will know about it … It’s all part of the way in which they are naturally equipped to be resilient. Babies are tough.”

While Henson has been well-known to art collectors and gallerists for more than 20 years, most Australians hadn’t heard of him or seen his photographs until May, when police raided the Sydney gallery following a complaint from child protection advocate Hetty Johnston.

“He has a tendency to depict children naked and that is porn,” Ms Johnston said at the time.

The raid triggered furious debate, with everyone from Cate Blanchett to Kevin Rudd offering an opinion on what they saw as the differences between art and pornography.

The Prime Minister said he found the photographs “absolutely revolting” a sentiment echoed by then Opposition leader Brendan Nelson and former NSW premier Morris Iemma.

“Kids deserve to have the innocence of their childhood protected,” Mr Rudd said at the time. “Whatever the artistic view of the merits of that sort of stuff frankly I don’t think there are any just allow kids to be kids.”

In contrast to Mr Rudd’s comments, current Opposition Leader Malcolm Turnbull publicly denounced the raids, claiming artists should be allowed to express themselves within the bounds of the law.

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