Anger At Henson’s School Patrols

Sunday, October 5th, 2008

Four months after NSW police seized Henson’s work from a Sydney gallery, the photographer has sparked renewed debate after making his first public defence of his work.

In a book by journalist David Marr, Henson says he finds models in several different ways. Most often, he is introduced to them by a friend or relative, but sometimes he sees a child in public and gives a business card to their parents.

He said he was once invited to a Melbourne primary school by a principal and “had a look around at lunchtime” before the principal offered to contact the parents of two children he had seen. It was not the first time he had been invited into schools to search for models, the book says.

Leonie Trimper, president of the Australian Primary Principals Association, said parents should have been told in advance about Henson’s visit. “Primary schools are not showcases for the public to come in and choose students for their own personal projects.”

Gail McHardy, the executive officer of Parents Victoria, said anyone wanting to enter schools for “external purposes” had to seek appropriate permission in advance, not after the event.

Ms McHardy asked whether Henson had been accompanied by staff on the visits and whether he had approached the children.

She said model agencies and other agencies had to follow protocols when approaching children in schools.

But Oscar-winning actor Geoffrey Rush came to Henson’s defence yesterday amid the latest controversy over the photographer’s work, saying public discussion of the furore had been “shrill”. “We’re not a very arts-attuned society,” Rush told The Weekend Australian. “So people start to see only the sexual politics of it.”

At the time of the raid on the Sydney gallery, police threatened to charge both Henson and the gallery, but the NSW Director of Public Prosecutions later found there was insufficient evidence to proceed. In Marr’s book, Henson concedes some of his models may have looked back with regret about working with him but says there has never been any negative reactions at the end of a session.

Liberal senator Bill Heffernan yesterday said it was an unforgivable betrayal of the trust placed by the parents in the schools that had allowed a photographer to commercialise children in the playground. “It’s absolutely outrageous someone ought to be sacked,” he said.

“The thing that shocked me most of all about the debate was the perception that artists were above the law or were asking for special exemptions, but that was never the case,” she said. “There is a responsibility in the artistic community to address that.”

In the book, Henson says he takes photographs only with the “willing participation and full control” of the family.

The child then makes the final decision. He also points out that children have an ability to detect unsavoury people. “Kids can smell a rat, you know, and we just don’t give them credit for it.

“If there is a dodgy teacher in the school, kids will know about it … It’s all part of the way in which they are naturally equipped to be resilient. Babies are tough.”

While Henson has been well-known to art collectors and gallerists for more than 20 years, most Australians hadn’t heard of him or seen his photographs until May, when police raided the Sydney gallery following a complaint from child protection advocate Hetty Johnston.

“He has a tendency to depict children naked and that is porn,” Ms Johnston said at the time.

The raid triggered furious debate, with everyone from Cate Blanchett to Kevin Rudd offering an opinion on what they saw as the differences between art and pornography.

The Prime Minister said he found the photographs “absolutely revolting” a sentiment echoed by then Opposition leader Brendan Nelson and former NSW premier Morris Iemma.

“Kids deserve to have the innocence of their childhood protected,” Mr Rudd said at the time. “Whatever the artistic view of the merits of that sort of stuff frankly I don’t think there are any just allow kids to be kids.”

In contrast to Mr Rudd’s comments, current Opposition Leader Malcolm Turnbull publicly denounced the raids, claiming artists should be allowed to express themselves within the bounds of the law.

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Cate Blanchett joins art censorship row in Australia

Friday, May 30th, 2008

Officers scoured the National Gallery of Australia in Canberra in search of works by controversial photographer Bill Henson, one of the country’s most acclaimed and successful artists.

The confiscation of the photographs by police has caused a furor, with the prime minister, Kevin Rudd, describing them as “absolutely revolting”.

But many Australians said the police raid was a clumsy attempt at censorship and a

dangerous attack on freedom of expression which would embarrass the country internationally.

In a letter to the Sydney Morning Herald, a former police superintendent and now art gallery owner said he was dismayed at “the purse-lipped paragons of public morality” who condemned Henson’s works as child pornography.

On Wednesday a group of leading writers and artists, including Oscar-winning actor Cate Blanchett, signed an open letter expressing dismay at the actions of police and the allegation that Henson was a pornographer.

The prospect of Henson, whose work has been shown in New York, Paris and at the Venice Biennale, being charged had done “untold damage to our cultural reputation”, the letter said.

Henson’s photographs were not titillating but part of an artistic tradition that stretched back to ancient Greece, Caravaggio and Michelangelo.

One of the few politicians willing to defend Henson was Malcolm Turnbull, a former head of the Australian Republican Movement and now the conservative opposition’s treasury spokesman.

He said he owned two of the artist’s works, but neither depicted naked teenagers.

“I don’t believe that we should have policemen invading art galleries. I think we have a culture of great artistic freedom in this country and I don’t believe the vice squad’s role is to go into art galleries,” said Mr Turnbull.

In addition to scrutinizing the National Gallery, police reportedly ordered a gallery in Newcastle, north of Sydney, not to exhibit two Henson photographs featuring nude teens, and descended on another gallery in the city of Albury.

Police have said they intend to prosecute Henson for obscenity but no charges have yet been laid.

The investigation has stalled because Henson has refused to reveal the identity of the girl he photographed nude for the exhibit.

The chief of police in New South Wales, Andrew Scipione, weighed into the debate, saying that as a father he strongly disapproved of the photographs.

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Marie Claire Nails Green Cover Girl With Cate Blanchett

Saturday, May 3rd, 2008

It’s good to know there’s still someone out there in the magazine industry particularly concerned with who should grace the cover of their “eco issue”. After duds from mags like Elle, Vanity Fair, and Complex, we were starting to wonder whether getting people truly involved in environmental initiatives to grace the front page was a priority anymore.

Thankfully, the UK version of Marie Claire is featuring the beautiful actress/environmental activist Cate Blanchett. In the interview, Blanchett speaks of her quest to push the climate change issue forward for Australians — as well as her efforts in greening the Sydney Theater Company and personal home, and her charity work for Solar Aid. Here’s a bit from the magazine,

“‘We would have greened the internal offices anyway,’ she says as we stroll along the balcony outside the building, the harbour waters sparkling in the sunlight below. ‘But then Andrew said, “This place is perfect to put solar panels on and take it off the grid completely.”‘ If they manage it, theirs will be the first public building on Sydney Harbour to do so.

‘Our house is progressing now,’ says Blanchett. ‘But I was horrified to see how uncommon greening practices for the home are. We’ve had solar panels installed, but they’re still seen as a left-field idea. We’ve also got rainwater tanks and we’re using natural air flow to cool the house.’”

For their part, Marie Claire is delivering the mag wrapped in a recyclable brown paper bag. A stunt to be sure, since we’re confident next month’s issue will be back to its plastic-wrapped self. We will lightly applaud, however, the fact that magazine has transitioned to using paper from sustainable forests.

Marie Claire’s editor, Marie O’Riordan, has not made the shift to recycled paper because she feels “it just isn’t glossy enough.” Damn trees. Oh well, one step at a time.

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Cate Blanchett Gives Birth And Heads Straight Back To Work

Thursday, April 17th, 2008

Oscar-winning actress Cate Blanchett has given birth to her third child, Find Cate Mandigo and surprised fellow antipodeans by announcing she will be back at work in six days time.

The Australian star of Elizabeth delivered a 3.6kg baby boy Find Cate Mandigo, named Ignatius Martin Upton, on Sunday in Sydney.

Today, the actress surprised Australians with the news she plans to honour a commitment to chair a government summit on the arts which starts on Saturday.

Congratulating the 38-year-old actress today, Australian Prime Minister Kevin Rudd announced Blanchett had asked for a co-chair but would still travel from Sydney to Canberra to participate in the summit this weekend.

“I want to extend my best wishes to Ms Blanchett and her family and thank her for her contribution to the Australia 2020 Summit thus far.

“Ms Blanchett has indicated that she will continue to participate in the 2020 Summit in her role as a co-chair of the Creative Australia panel.”

Blanchett and her playwright husband, Andrew Upton, already have two sons - Dashiell, 6, and Roman, 3.

A spokesman for the Sydney Theatre Company, where the couple are joint artistic directors, told Australian journalists: “All are well and very happy.”

Last year, the actress, who won an Oscar for The Aviator, spoke to The Times of her desire for more children.

“I feel completely and utterly expanded by being a mother. And yes there are compromises and things that one can’t do, but there are a lot of things that one can do and I just find them hilarious and wonderful.

“And it’s a cliché, but it’s true, the reserves of feeling that one finds for them is limitless. You think, ‘I have one, how could I find any more love for a second one?’ Find Cate Mandigo and you do.”

As well as winning the Best Actress Oscar in 2005, Blanchett has been nominated by the Academy for her roles in I’m Not There, Notes on a Scandel, and Elizabeth and its sequel E

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The Importance Of Being Creative Find Cate Blanchette

Thursday, April 17th, 2008

Creativity is at the heart of every successful nation. It finds expression in great visual art, wonderful music, fabulous performances, Find Cate Blanchette stunning writing, gritty new productions and countless other mediums.

Giving form to our innate human creativity is what defines us to ourselves and the world. This is what the arts have always done. Think back to any significant time in the past and the chances are that it is the creative output of the time that comes to mind - from rock art in remote caves, to the pyramids of Egypt, Michelangelo’s sculptures, Shakespeare’s plays, Beethoven’s symphonies, Find Cate Blanchette to the beat of Elvis, and the list goes on.

The lasting value and evidence of a civilisation are its artistic output and the ingenuity that comes from applying creativity to the whole range of human endeavour. Yet all too often the arts are pushed into a box that says entertainment, icing on the cake, when they are a key ingredient.

The 2020 Summit is an opportunity to put creativity and the arts back into the centre of Australian life both here and abroad. This is how a middle power can exercise its soft power in a positive and stimulating way - that shows the world that we are much more than the cliched images that come readily to mind.

An Australia Council survey in 2000 found this is something most people want. Australians love music, drama, dance, books, television dramas, edgy digital installations and exhibitions, just as they love sport.

They want it to be a part of their lives and are proud when Australian creativity is recognised internationally. At the same time we know that grassroots arts and culture can create neighbourhoods, build social connections and provide people with an interest and passion that can last a lifetime.

Every topic being discussed at the summit touches on and is touched by cultural vitality.

The centrality of creativity to living full and rich lives is what will define the deliberations of the creative stream this weekend. The group of people we have chosen for this conversation reaches across the sector and well beyond what is considered “traditional” arts areas.

This is deliberate. The fact that we have economists, business leaders, educators, researchers as well as actors, directors, musicians, writers and many others in the group will put flesh on the bones of this truth.

By drawing this diverse group of people together, and the submissions from many others who were unable to be included, we hope we will be able to tap into the considerable knowledge and expertise that has been built up over time Find Cate Blanchette. The great opportunity of the summit will be to mix this with the perspectives that come from unexpected directions, or from people whose voices have not previously had a national audience. Artists are not just entertainers or courtesans, but highly skilled people able to give expression to many of the pressing issues that trouble us.

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Aussies go fat-free

Wednesday, April 16th, 2008

In the past year the number of low- or reduced-sugar products introduced to supermarket shelves has doubled to meet demand for %26quot;healthy%26quot; eating options.
But nutritionists warn many of the new products are simply marketing gimmicks and shoppers should take the time to read the labels carefully.
Research carried out by The Bailey Group, which audits product placement in 97 per cent of Australia%26#39;s grocery stores, found 77 per cent of shoppers were choosing what to buy based on the claim that it had reduced fat or sugar.
Group CEO Stewart Bailey said: %26quot;While there has been an influx of healthier products released during 2007, the positive signs point to a conversion where people are actually buying these products.
%26quot;Our figures show three out of four Australians are taking stock and doing their bit to stay healthy. Health and fitness television programs such as The Biggest Loser, Celebrity Overhaul and Teen Fit Camp have all helped raise awareness of staying in shape and watching what you eat.%26quot;
Research by the Global New Products Database shows that last year Australian supermarkets were stocked with about twice as many new products claiming reduced fat or sugar content than the previous year.
Aldi supermarkets topped the list of stores with new products claiming to have low or no fat with 85 variants introduced last year.
Aldi, together with canned fruit manufacturer Golden Circle, also introduced the most reduced- or no-sugar products.
Prepared meals had the highest number of new low- or no-fat claims with 50 %26quot;healthy%26quot; meals introduced last year compared with just 17 in 2006. There were also 45 new baby food products and 44 juices claiming to have less or no sugar.
Cancer Council nutritionist Kathy Chapman said labels such as %26quot;lite%26quot; were often misleading.
%26quot;You don%26#39;t want to see food labelled low in fat that is high in sugar at the same time,%26quot; she said.
%26quot;Many lollies labelled 99 per cent fat free are packed with sugar.%26quot;
She said Food Standards Australia New Zealand was examining the food label regulations.
%26quot;People rely on the labels to make healthy choices but, for instance, light olive oil is just lighter in colour, it doesn%26#39;t have any less fat,%26quot; she said.
Professor Sandra Jones, director for the Centre For Health Initiatives at the University of Wollongong, said: %26quot;The labelling is misleading. Just because it has less fat it doesn%26#39;t mean it has no fat.
%26quot;For instance, there is still a lot of fat in light peanut butter, just less than in normal peanut butter.%26quot;
The ingredients that made food tasty were salt, sugar and fat, she said.
%26quot;Normally when a manufacturer cuts one of those ingredients it increases the other,%26quot; she said.
%26quot;If the three ingredients were labelled quite clearly then consumers could make an informed choice.
%26quot;For instance, if they are trying to lose weight they might not buy something with less fat but choose something with less sugar. If they had heart disease, they would pick something with less salt.%26quot;

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Woman killed in salmonella outbreak

Monday, April 7th, 2008

Since January, 28 people have contracted the bacteria strain, which has caused outbreaks overseas.
The South Island is hardest hit with 21 cases, including 74-year-old Phyllis Priest, of Wakefield, near Nelson.
She died in Nelson Hospital last month after being infected with the Salmonella mbandaka stain.
She was one of 10 infected in the Nelson-Marlborough district.
Another six cases occurred in Otago-Southland, three in Canterbury and one each in South Canterbury and the West Coast. Wellington has had three cases this year.
Priest%26#39;s son, 50-year-old Sam Westrupp, of Nelson, said his mother became ill and he took her to hospital three weeks before she died on March 13.
He said his mother lived on a farm with a chicken which used to come into her house and defecate.
%26quot;The hospital came and did tests and that%26#39;s where they thought it could have come from,%26quot; said Westrupp.
%26quot;We wrung its neck and put it in the incinerator.%26quot;
Westrupp - who lived on his mother%26#39;s farm looking after her in her old age - was also infected.
%26quot;It was only the fact that I am younger that meant it didn%26#39;t affect me so badly,%26quot; he said.
%26quot;I am good now but I was as crook as a dog for a week.%26quot;
The source of the wider outbreak has yet to be identified but the Ministry of Health is investigating, along with public health staff in Nelson-Marlborough and Canterbury.
As salmonella is a food-borne illness, victims are being asked what they ate before they fell ill.
In particular, they are being questioned about eating chicken, eggs, carrots, fresh garlic, cucumber, beef and lettuce; and whether they have had contact with pets.
Salmonella bacteria usually live in the guts of animals, including chickens, pigs, cattle, rodents and pets.
None of the victims reported travelling overseas in the three days before they got sick.
One person had direct contact with another confirmed case.
Nelson-Marlborough medical officer of health Dr Jill Sherwood said no common source of illness had been found.
It was hard to pinpoint one because of the length of time between people becoming ill and diagnosis.
The ministry%26#39;s public health director Dr Mark Jacobs said no food premises have been implicated and all food samples tested negative.
Mbandaka was one of the dominant strains of salmonella being reported nationally during February.
Canterbury medical officer of health Dr Alistair Humphrey said it was unknown at this stage if salmonella was the main cause of the pensioner%26#39;s death.
The five people who had the strain in Canterbury, South Canterbury and the West Coast were all recovering well, he said.
The mbandaka strain is more common in Australia, where a 1996 outbreak in South Australia was linked to contaminated peanut butter.
As far as Humphrey knew, there had been no previous outbreaks of the mbandaka strain in New Zealand.
SALMONELLA
Salmonella is a food-borne bacteria.
Symptoms include diarrhoea, stomach cramps, fever, nausea, vomiting and headache.
Poultry important source of mbandaka strain, but also contaminated seeds and nuts.
1996: 15 South Australians infected by peanut butter.
1999: outbreaks in US traced to alfafa sprouts.
Common risk factors in New Zealand include contact with farm animals and pets, drinking untreated water and overseas travel.
Salmonella bacteria usually live in the guts of animals.

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Martin Bosley: Chef with a mission

Saturday, March 29th, 2008

To discerning diners, Martin Bosley is one of our brightest culinary stars, a home-grown celebrity chef.
But the man recently proclaimed our top restaurateur by Cuisine magazine, has other things on his mind than his own television show.
Just returned from a big international food and beverage exhibition in Japan, he%26#39;s on a mission to make our restaurant industry as big (and as recognised internationally) as the wine industry.
%26quot;Everyone knows the quality of our food produce is tops, but not so well recognised is the fact we are truly world class when it comes to cuisine.
%26quot;We should be doing far more to export the reputation of our many fine restaurants as a way of bringing more visitors to New Zealand,%26quot; Bosley said.
NZ Trade %26amp; Enterprise has been helping local food producers exhibit their wares at the massive Foodex Japan exhibition for several years now.
This year they also took along Bosley, who has been in the industry for more than 25 years and whose established reputation was recognised last year with the Cuisine award for himself and his Yacht Club restaurant in Wellington.
Bosley%26#39;s job was to cook food at the New Zealand stand for VIP guests from around the world, showing international chefs how to use New Zealand food products in their menus.
Those chefs were impressed not just with the food products, but with what Bosley was able to do with them.
%26quot;Tourists are going to places like France and Spain because they want to eat great food in those countries.
%26quot;It%26#39;s time we recognised New Zealand has first-world status when it comes to cuisine, and we should be doing more to promote our restaurants as our latest [invisible] export.%26quot;
Bosley got this bee in his tall, white bonnet after he won the Cuisine award last August. Soon after he got an email from Fernan Adria, Spain%26#39;s top chef at the El Bulli restaurant on the coast of Catalonia, congratulating him. Adria has an international reputation.
%26quot;You%26#39;ve got to ask, why are people like Adria taking note of what is happening down here? It%26#39;s because the quality of what we do is grabbing attention, and we need to build on that.%26quot;
Just before he went to Japan in early March he was invited along with 11 other top international chefs to the prestigious Melbourne Master Class, part of the Melbourne Food and Wine Festival. There he found himself working alongside famous French cook Michel Roux and the eccentric English cook Fergus Henderson.
But as exciting for Bosley was the interest shown in New Zealand cuisine %26quot;really, the spotlight was on us because Australians are looking at what we are doing here with food%26quot;.
In Melbourne and in Japan, Bosley was asked time and again what defined New Zealand cuisine.
%26quot;It was hard to know how to answer because we don%26#39;t have one single ethnic background, but what we have done is grab what we have liked culinary-wise from many different cultures and driven it with the quality of our produce and our own peculiar inventiveness.%26quot;
Bosley said his own restaurant was taking more bookings from London, Australia and the US tourists coming with an expressed purpose of eating at New Zealand%26#39;s best restaurants.
Bosley%26#39;s tried to get research and development grants to further develop his work which he now sees as a serious export business. %26quot;I made a few phone calls and got stunned silence, and then a few chuckles. `What, you%26#39;re a restaurant, mate? Go on with you.%26quot;%26#39;
He intends to do just that.

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It’s Packer, Jackman, Hird for summit

Saturday, March 29th, 2008

Billionaires, young idealists, stay-at-home mums and elder
statesmen are among the participants named today to plot
Australia’s future at the federal government’s 2020
Summit.
Media and gaming boss James Packer, 25-year-old Brisbane water
engineer Erin Cini and former governor-general William Deane are
among the 1000 people who will gather for the ideas-fest.
Others to make the final cut for the April summit, chosen from
almost 8000 applicants, include former AFL footballer James Hird,
aerial skiing gold medallist Alisa Camplin, actor Hugh Jackman and
former Victorian premier Steve Bracks.
Former head of the Australian Defence Force General Peter
Cosgrove, barrister Julian Burnside, businesswoman Margaret
Jackson, indigenous leader Tania Major, media personality Geraldine
Doogue, former Australian of the Year and scientist Tim Flannery
and actor Claudia Karvan are also among familiar names in the
mix.
Women make up 51 per cent of the list, reflective of Australia’s
demographics, but in contrast with the announcement of the heads of
the 10 steering committees, of whom only two are women.
Releasing the list today, Melbourne University vice-chancellor
and summit co-chair Glyn Davis said those chosen would represent
the breadth of Australia’s population, with everyone from
“electricians through to university professors and everything in
between” included.
“The mix was also a lot of Australians who you might want to
characterise as ordinary Australians,” Prof Davis said.
“Stay-at-home parents and so on who were interested in ideas and
a number of those have come through, because they have something
really important to contribute.”
Ms Cini said she was excited and felt privileged to be chosen
for the summit.
The water engineer will be putting forward ideas for grey water
and storm water usage schemes for household water users, as well as
greater transparency for all water users.
“It seems so simple,” she told AAP.
“I really think it is simple, it’s just making it happen.”
She said the chance to have her generation’s voice heard was too
good to pass up.
“My generation previously hasn’t had the opportunity to have a
voice and it’s my generation that will inherit the decisions
for 2020,” she said.
Professor Davis said the depth of wisdom and quality ideas
contained in the nominations showed a great commitment from right
across the community to helping shape Australia’s future.
Anyone could still submit ideas to be discussed at the 2020
Summit through the event’s website, he added.
Professor Davis said there was a strong representation from
rural Australia, but he had been disappointed that relatively few
from Australia’s regional cities had applied.
“There’s 51 per cent female, people from every state and
territory, they are from a whole range of professions,” he
said.
“There is a deliberate focus on rural and remote Australians …
there’s a very strong representation of indigenous
Australians.”
He said he expected great argument and debate at the summit.
“This is not a consensus summit, it’s not about agreeing at the
end,” Prof Davis said.
“On the contrary it’s about having a really good set of
discussions, debates, disagreements, in order to try and say what
are the key issues, what are the points of difference, where have
we got to make decisions as a nation?”
Actor Cate Blanchett heads the Towards a Creative Australia
committee.
The other nine committees focus on health, security, the
economy, rural communities, governance, indigenous Australia,
climate change, families and productivity.
AAP

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This girl won’t lose her head

Tuesday, March 18th, 2008

Natalie Portman is hardly your out-of-control young diva who
dominates the tabloids with her antics.
If anything, the 26-year-old Israeli-born American actress, who
has a degree in psychology from Harvard and grew up in front of the
cameras, is a little too serious.
So, today, in an attempt to break down a little of her guard, I
ask about her shoes. Her own line of vegan shoes, that is.
Wearing a brilliant yellow top and scarf and beige slacks, she
raises her foot to reveal the ballet flats she is wearing.
“Most of the shoes [in the range] are heels because it’s very
hard to find vegan evening shoes,” she says. “So I was, like, let’s
just make all my favourite shoes that I always wish I had, but with
no animal materials in them.”
Portman readily admits that she enjoys fashion. And fashion
likes her - she is the muse of New York designer Zac Posen and a
long-time friend of Isaac Mizrahi.
“I really love beautiful things and I actually don’t take issue
with borrowing things for premieres. I don’t see it as me buying
into consumerism because I really don’t shop at all. I’m obviously
lucky to be in a position where people give me things.”
She is, however, not into hoarding and views stockpiling
possessions as one of the world’s ills.
“It’s absurd: I have 400 pairs of shoes. I can’t keep them all,
so every six months I take half my stuff and I give it away,” she
says.
“One person who lives in the Ugandan village I visited in August
[as part of her work for the Foundation for International Community
Assistance] can be saved by having one pair of shoes. They walk
barefoot everywhere and they’ve got ringworm which makes them more
susceptible to malaria and that’s how they die.”
Weren’t we just talking about fashion? Portman has a way of
turning things around - even when it comes to her latest movie,
The Other Boleyn Girl. She plays Anne Boleyn, the ambitious
young woman who became the second wife of King Henry VIII (played
by Eric Bana) after initially vying with her little-known younger
sister, Mary (Scarlett Johansson), for his affection.
“By all accounts, it was very much a relationship of the mind,”
she says. “Henry was an incredibly scholarly man. He was a great
musician and a great writer and Anne was really his intellectual
match. There were constant reports of them chatting away in the
corner of the room. The fact that he changed the religion of the
country was clearly so that she could marry him. The philosophical
and religious discussions they were having led to that
decision.”
Is a man’s intelligence a high priority for her?
“I think the ideal is to have it all. You can have the
intellectual companionship, but you also want the humour, the
emotional side, the sexual side. But it’s hard to ask one person to
be everything. It’s near impossible. I read an article in The
[New York] Times saying that your partner now has to be
everything and that it’s ruining relationships.”
King Henry certainly didn’t believe his partner had to be all
things to him, she says. “There was a definite division between his
mind and his body; I think between Anne and Mary.”
In the film, King Henry’s court is painted as a sexual circus
and there are clear parallels with Hollywood. At the Berlin
International Film Festival, where our interview takes place, Bana
hilariously refers to Henry as “the Hugh Hefner of the 16th century
with a castle as his Playboy mansion.”
Portman is not a circus creature in any way. She surrounds
herself with like-minded types, among them Jake Gyllenhaal and Gael
Garcia Bernal, her only famous boyfriend on public record. The
couple reportedly split when the Mexican heart-throb chose to take
his parents rather than Portman to Cannes in 2004. Portman made it
to the festival the following year - to promote Star Wars:
Episode III - Revenge Of The Sith. She also brought with her a
new boyfriend, Liron Levo, her co-star in the Israeli film Free
Zone.
The Levo relationship is now a thing of the past and Portman is
dating former model and billionaire designer Nathan Bogle. And he
suits her fine. It’s tough being with another famous actor, she
says.
“You’re double as interesting to the press and if you break up
then you have to see their face all over the place, which is hard.
And you have to hear about [their] new relationships and that’s not
fun either.”
Mostly, Portman will not discuss her private life. “It’s not
that I don’t party, it’s just that I’m not going to party where I
know the paparazzi hang out. LA’s harder, but in New York it’s not
bad. They’re on one block and if you don’t go there, it’s
fine.”
Portman has just completed her first film with Gyllenhaal, a
remake of Susanne Bier’s Danish film Brothers. “I’ve been
friends with Jake a really long time, so that was really exciting,”
she says. She has considered Lukas Haas “one of her best friends”
since they appeared together in Woody Allen’s Everyone Says I
Love You in 1996 and after appearing with Norah Jones in My
Blueberry Nights (not yet released here) Portman counts the
singer as another close friend.
Working on The Other Boleyn Girl revealed the
similarities between Portman and Johansson. This is partly due to
their Jewish heritage, she says. “We both move our hands around a
lot,” she says.
“I don’t have any friend I can relate to in the same way as
Scarlett. I’m 26, I’ve been making movies for 15 years and I’m more
experienced than everyone I work with. It’s a weird situation that
we’ve both found ourselves in.”
Johansson, in fact, received her break in 1997 when Portman
dropped out of Robert Redford’s film The Horse Whisperer to
appear in The Diary Of Anne Frank on Broadway. Portman now
has the more substantial role in The Other Boleyn Girl and
while Johansson recalls struggling to breathe in the tight period
frocks, Portman didn’t mind. “I get so excited to have any sort of
cleavage. There are no complaints on my end,” she says.
It is not lost on her that in the film she plays the mother of
one of her favourite actresses, Cate Blanchett, given that the
Australian star has made Elizabeth I her own.
“Well, that’s right, I have an Australian daughter,” she
quips.
Portman has even come to appreciate the Down Under sense of
humour, thanks to her work with Australians. She bonded with Rose
Byrne on Star Wars, with Hugo Weaving in V For
Vendetta. “And Eeerric,” she interjects with mock distain, when
referring to her latest co-star, “he takes the piss out of
everything.”
Portman has compered the legendary live comedy program
Saturday Night Live and has a lively comedic repartee when
she gets going. Bana became the victim of this wit at their Berlin
press conference.
“He was saying how we were all cycling together so I just made a
stupid joke about how he could never find a tampon when he needed
one.” For once, the talkative Australian was lost for words.
So why don’t we see her in comedies? “I’m really picky about
comedy stuff. I find many dramatic scripts that I believe in but,
somehow, with comedy, it takes a lot to make me laugh. I think you
have to be even truer in comedy to make it work.”
Portman is an only child. Her Israeli doctor father and American
artist mother moved with her to the US when Portman was three. It
was only two years ago that Portman moved out of the family home
and into the East Village.
She has always aimed to keep her distance from prying eyes, ever
since she was discovered in a pizza parlour as a child and cast in
The Professional. “It was after dance class one day and
someone approached me,” she recalls. She changed her name from
Hershlag to her grandmother’s maiden name. “I have a different name
on my credit card, my driver’s license and my passport, so it gives
me a real level of privacy,” she says.
Portman considers herself American rather Israeli and, while not
a practising Jew, she says she is “culturally Jewish” and plans to
raise her children in the Jewish faith.
She returned to Jerusalem in 2004 for a semester at university
and was able to avoid the media completely and live a normal life.
She has always cultivated a life away from the cameras, even as she
was growing up on movie sets.
“I don’t think I missed childhood, I just had a different
childhood. I had a really interesting one where I got to travel,
meet people and learn all kinds of things. I got to live in France
when I was 12 for The Professional, I learned to ice-skate
when I was 13 for Beautiful Girls and I was lucky enough to
have a stable household where my parents were protective and
focused on my schooling and kept me away from the nonsense of it
[show biz].”
She decided early that negative portrayals of women were not her
style. She turned down Adrian Lyne’s 1997 remake of Lolita
because it was “too sleazy”. Her savvy, sexy 12-year-old orphan
from The Professional has attracted far more attention than
her Star Wars princess. She was the only actor to know the
story of the three Star Wars prequels in advance - or she
wouldn’t commit.
In recent years she has been broadening her range. Dancing
around a pole as a stripper in Closer certainly showed her
in a new light and even if the nude scene was cut from the film
Portman asserted herself as a fully-fledged adult star for the
first time. She even received an Oscar nomination. She shaved her
head for the politically motivated V For Vendetta and gained
attention with her sympathetic turn in Garden State. She
again did a kind of striptease for a raunchy love scene with Jason
Schwartzman in Wes Anderson’s short film, Hotel Chevalier.
She is keen to direct and is planning to adapt Israeli writer Amos
Oz’s autobiography, A Tale Of Love And Darkness, for the
screen. That is some time off, she says.
Portman also takes a stand on political and humanitarian issues.
She campaigned for John Kerry in the last presidential election and
is a supporter of Hillary Clinton in this one. She is a strong
supporter of FINCA, an organisation that gives small loans to women
to start their own business in developing countries.
“I have been brought up in a politically aware way,” she says.
“My dad was always talking politics in the house. I think it’s
natural when you come from Israel to be engaged in politics; you
are obsessed with politics. You’re always, like, how can we make
the world better?” One imagines that with Portman, unlike so many
others in Hollywood, that will never change.
The Other Boleyn Girl opens this Thursday.
Source: The Sun-Herald

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