Angelina’s life is Jolie indeed

Sunday, May 25th, 2008

Whether together with her partner Brad Pitt looking radiant in a flowing green Max Azria gown on the glamorous Palais steps, or talking up her three movies with her usual aplomb, Angelina Jolie is the most wanted woman in Cannes. However, she gives very few interviews at the festival and as I wait expectantly for the heavily pregnant actress to enter the room at the end of a gruelling day, I wonder if she will have any energy left, let alone be up to discussing the details of her highly scrutinised life.

Sauntering into the room in a floor-length black dress with a revealing V-neckline that shows her bulging cleavage which she pushes together with her arms when she talks excitedly, I can’t help but feel that the male population of most planets wouldn’t mind being in the room with me right now.

During the festival a helicopter has been on standby to ferry Jolie to a hospital should her babies arrive early. When the time comes Pitt, of course, will be by her side. As yet she hasn’t decided if the birth will take place in France, she says. They have been staying at a Riviera villa owned by Microsoft co-founder Paul Allen during the festival and, given that they have another Riviera abode on hand, it seems likely rumours that she will give birth in the south of France are correct. In any case, this is possibly the last we will see of the actress for a while: “I plan to disappear for at least a month or two afterwards.”

It’s not about some contract binding us to have to be dedicated to each other, but that we were going to start building this family and be close just because we are. So we don’t need to do it but one day we will. Maybe if the kids start asking - they’ll probably be the ones to make the decision.”

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Music, fashion, wine, art fill local slate

Saturday, March 29th, 2008

The show, based on Brooks’ film of the same title, centers on two theatrical impresarios who attempt to bilk backers out of their investments by overselling a flop. Their game is foiled when their hoped for flop, “Springtime for Hitler,” becomes a smash hit.

Civic Music is advising its subscribers the show may be inappropriate for children age 10 and younger.

Doors open at 6:45 p.m., with seating at 7 p.m. Curtain is 7:30 p.m.

Admission will be by season membership.

The 2007-08 season will conclude Tuesday, May 6 with “Simply Sinatra,” featuring Steve Lippia and his big band. That program will be offered as a bonus to new subscribers. The eight attractions on the 2008-09 season will be announced in early April.

Symphony to feature clarinetist

Clarinet virtuoso Rob Patterson, a 2007 graduate of the Curtis Institute of Music and guest artist in residence with the Southeast Iowa Symphony Orchestra, will be featured soloist for the orchestra’s trio of spring concerts.

Patterson will perform Weber’s “Clarinet Concerto No. 1 in f minor” at 7:30 p.m. Saturday in Burlington’s Memorial Auditorium, and March 30 at Ottumwa (3 p.m.) and Fairfield (7:30 p.m.). The evening performance was moved to Fairfield’s Sonheim Performing Arts Center because of renovation work on the Iowa Wesleyan College Chapel Auditorium in Mount Pleasant.

The orchestra, under the direction of Robert McConnell, will perform Mahler’s “Symphony No. 1 in D major (Titan).”

Patterson also will perform a full recital at 7:30 p.m. Thursday at the Zion United Church of Christ in Burlington. The program will be free to the public.

Patterson is currently a graduate student in clarinet performance at the University of Southern California.

Fashion show fund-raiser

Tickets are on sale for “Steppin’ Out for the Arts,” a fine dining and fashion show fundraiser for the Fort Madison Area Arts Association scheduled April 5 at Meier’s Den, Eighth Street and Avenue G, Fort Madison.

The event will allow guests to enjoy the interior splendor of Meier’s Den and to check out the fashion lines of many area clothiers. The show will showcase the styles of Melissa’s of West Burlington, Original Cyn’s of Burlington, Little Black Dress of Keokuk, Quarry Creek of Fort Madison, and Studio 1 of Lake of the Ozarks, Mo. — a clothing boutique owned by former FMAAA president Sarah Crabtree.

The event will include wine tasting, hors d’oeuvres and wine, an entree from The Wild Whisk, runway style show, dessert from the Ivy Bake Shoppe and a short auction. Afterwards the boutiques in Meier’s Den and Dana Bushong’s will be open for shopping, and clothing vendors will be available to meet with guests.

Tickets are $50 single and $90 couple. Call (319) 372-3996 for more information.

The event is designed to fill the place of the annual art auction, which has moved from an annual to a biennial event.

Tickets are available at the locations mentioned and at The Bookmark, Fort Madison.

Guest artists for KGS concert

The Knox-Galesburg Symphony will feature world-class trumpeter David Washburn of California and Knox College senior Olivia Cacchione, harp, as soloists for its Saturday concert.

The concert will be at 7:30 p.m. at the historic Orpheum Thjeatre in Galesburg, Ill.

Washburn will perform Torelli’s “Sonata No. 1 in G for Trumpet, Strings and Continuo” and Albinoni’s “Concerto for Trumpet and Strings, Opus 7, No. 3.”

Cacchione will perform Debussy’s “Sacred and Profane Dances for Harps and Strings.”

She will be joined by three other harpists for Bantock’s “Celtic Symphony for String Orchestra and Four Harps.”

Maestro Bruce Polay will conduct the program.

Washburn, principal trumpet of the Pasadena Pops Orchestra, has performed on a number of motion picture soundtracks, including “The Legend of Zorro,” “A Beautiful Mind,” “Windtalkers,” The Perfect Storm,” and “Titantic.”

Additionally at noon on Friday, Washburn will be featured at a Knox College Music Department Colloquium and at 7:30 p.m. in a recital accompanied by Polay in the Carl Sandburg College Fine Arts Theatre as part of the Carl Sandburg College Concert Series. Tickets will be available at the door.

Luther Chorale date

Fans of choral music are advised to mark Thursday, April 17 on their concert calendar.

That’s the date Luther College’s Collegiate Chorale will perform a concert at First Lutheran Church, 1101 Blondeau, in Keokuk.

The Chorale, directed by Timothy Peter, Luther professor of music, will perform Gabriel Faure’s “Requiem” and sacred and secular choral works by Handel, Caccini, Hassler, Christiansen and Joyce.

A freewill offering will be collected. For more information, call (319) 524-3475.

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And the award for best dress goes to …

Friday, March 14th, 2008

Of course, no frock review is complete without its very own awards list, so here’s mine:Worst interpretation of a theme: Hilary Swank After Cotillard’s high bar-setting, no other fishtail frock was ever going to compare. But nonetheless, the style prevailed. Jennifer Garner tried it in a black strapless Oscar de La Renta, but ended up looking like an 80s souvenir doll from Benidorm. Katherine Heigl did one-shouldered red Old Hollywood with a bit of a fishtail hem. Yawn. And by Escada of all places: a label that should only be worn by octogenarians. But it was Swank who romped home with this award in black Versace. Why? First, because I’m not sure about the combination of black with Versace. Even Donatella has taken to wearing navy blue these days. Second, (and I’m not even sure Swank realised this, judging by the carefree way she was waving) because the lights made this dress see-through in a bad way. But she wins mostly because she looks like she borrowed it from Helen Bonham-Carter and thought it would look OK without H B-C’s gothic make-up.Worst newcomer: Ellen Page I’d hoped for so much more. I love her Juno look but wasn’t sure how this would translate into red carpet dressing. Neither was she. So instead she did safe and black and got the length wrong. It’s drowning her and Page knows it. Witness the awkward pigeon-toed stance. The necklace looks like M%26S Autograph - there’s nothing wrong in that per se, but not on Oscar night. Still, at least she got the hair right. I was worried she might try a stiff ‘up do’ (trademark Scarlett Johansson) in an effort to look all grown up. But she pulls back points for the youthful and easy do.Best hair: Cameron Diaz Because a loose ponytail exudes red carpet confidence. This award could have gone to Rosamund Pike, Cate Blanchett or even Ellen Page. But Diaz gets it because it successfully distracts from the fact that she’s wearing last year’s dress.Best-dressed man: Daniel Day-Lewis They’re only getting one award because there are far too many awards ceremonies dominated by men already. James McAvoy looked hot as usual, though he needs to rethink the ginger facial hair which doesn’t quite match his dark locks. But Day-Lewis wins because he pulls off brown suede shoes with a tux (almost impossible), and the scruffy hair and hoop earrings show how well he understands the balance between sticking within a dull dress code and still looking like yourself.Worst supporting partner: Rebecca Miller Theirs is a difficult role come Oscar night. It’s not your night, so you’re not meant to look leagues better - or leagues worse - than your partner. Alas, Miller, wife of Daniel Day-Lewis, chose tablecloth check shoes, orange bows that looked like they came from Clinton Cards and tarantula-sized brooches. All on lace, which can be difficult at the best of times. Granted, she probably spent the hours before the ceremony advising her husband on his earrings and worrying about how she’d cope with his ego issues if he didn’t win, but still.Best red carpet maternity wear: Cate Blanchett She’s mastered all other categories of red carpet dressing, so Blanchett looks unsurprisingly pleased to have a stab at this one again. The Dries Van Noten is a good choice, though she wins primarily because Angelina wasn’t there.Most confident dresser: Julie Christie Mainly because she was the only woman in the entire Kodak Theatre who didn’t go for full-length, and this can make even the most wardrobe-assured folk question their judgement. Nice dress, good glam hair, but why the baggy see-through net elbow gloves, Julie? Creepy.Best of a bad bunch: Tilda Swinton Let’s leave goody two shoes dresser Anne Hathaway and perma-bore Heidi Klum to battle it out for the best red dress prize in Marchesa and Galliano respectively. Nicole crashed out of the Best Timeless Black Dress prize, even though the dress in question was by Balenciaga (and you just don’t criticise Balenciaga if you work in fashion), because of the weird necklace. It looked far too much like she’d pulled the fringing off an antique-effect lampshade.Instead, Ms Swinton wins it for looking classy in Lanvin. Its one-shoulder design makes the gown quirky in a totally non-try hard way. The light catches it beautifully when she moves, demonstrating her skill in knowing how to work an outfit when in motion - a huge bonus in the film industry. And how many women could successfully wear something so shapeless and lop-sided? Only one question remains: if black says funereal, what were so many actors in mourning for: the absence of exciting clothes?

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Four likely lads performing like billyo catch judges’ eye

Sunday, January 27th, 2008

FOUR schoolboys stole the show at the Sydney Theatre Awards in
Paddington last night when the young stars of Billy Elliot The
Musical won the award for best performance by an actor in a
musical.
After performing at the Helpmann Awards last year, the Billys -
Lochlan Denholm, Rhys Kosakowski, Rarmian Newton and Nick Twiney -
looked like award ceremony veterans.
It is the first time in the event’s three-year history that four
actors have shared an award, but the organiser, Ian Phipps, said
the boys were equally deserving. “To single out one when all four
give such extraordinary performances would be very unfair,” he
said.
Fifteen-year-old Newton was delighted to share the award, but
admitted there had been “a bit of healthy competition” between the
Billys during rehearsals.
“We all wanted to show what we could do, but in the end we all
have different strengths and we all do a different show,” he
said.
Billy Elliot won all three awards in its category.
including best musical and best actress for Genevieve Lemon’s
portrayal of the feisty dance instructor.
Cate Blanchett, her baby bump clearly visible under a clinging
black dress, lent undreamt of glamour to the Paddington RSL Club
but it was a disappointing night for the Sydney Theatre Company,
where she and her husband, Andrew Upton, have recently taken over
as artistic directors.
The company won just one award, for best set design for The
Season At Sarsaparilla.
Blanchett said although the company’s 2007 productions,
engineered by the former director Robyn Nevin, had not always been
popular, they had pushed artistic boundaries.
“Awards are not just about your own company’s success, they’re
about community,” she said
CompanyB’s production of Toy Symphony was the night’s
biggest winner, taking out seven awards including the prestigious
best mainstage production.
Toy Symphony’s director, Neil Armfield, was named best
director and its star, Richard Roxburgh, best actor in a lead
role.
Hosted by a group of Sydney theatre critics, the awards were
judged by a panel that included the Herald’s Stephen Dunne,
Bryce Hallett and John Shand.
Toni Scanlan won best actress for her lead role in the Griffin
Theatre Company’s production of King Tide - a last-minute
casting after Gillian Jones dropped out.
The theatre critic and performing arts publisher Katharine
Brisbane won an award for lifetime achievement.
The winners

Best mainstage production: Toy Symphony (Company
B).

Best independent production: The Seed (Mimmam
Productions/B Sharp).
Best direction: Neil Armfield (Toy Symphony).
Best actress: Toni Scanlan (King Tide).
Best actor: Richard Roxburgh (Toy Symphony).

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Four likely lads performing like billyo catch judges’ eye

Wednesday, January 23rd, 2008

FOUR schoolboys stole the show at the Sydney Theatre Awards in
Paddington last night when the young stars of Billy Elliot The
Musical won the award for best performance by an actor in a
musical.
After performing at the Helpmann Awards last year, the Billys -
Lochlan Denholm, Rhys Kosakowski, Rarmian Newton and Nick Twiney -
looked like award ceremony veterans.
It is the first time in the event’s three-year history that four
actors have shared an award, but the organiser, Ian Phipps, said
the boys were equally deserving. “To single out one when all four
give such extraordinary performances would be very unfair,” he
said.
Fifteen-year-old Newton was delighted to share the award, but
admitted there had been “a bit of healthy competition” between the
Billys during rehearsals.
“We all wanted to show what we could do, but in the end we all
have different strengths and we all do a different show,” he
said.
Billy Elliot won all three awards in its category.
including best musical and best actress for Genevieve Lemon’s
portrayal of the feisty dance instructor.
Cate Blanchett, her baby bump clearly visible under a clinging
black dress, lent undreamt of glamour to the Paddington RSL Club
but it was a disappointing night for the Sydney Theatre Company,
where she and her husband, Andrew Upton, have recently taken over
as artistic directors.
The company won just one award, for best set design for The
Season At Sarsaparilla.
Blanchett said although the company’s 2007 productions,
engineered by the former director Robyn Nevin, had not always been
popular, they had pushed artistic boundaries.
“Awards are not just about your own company’s success, they’re
about community,” she said
CompanyB’s production of Toy Symphony was the night’s
biggest winner, taking out seven awards including the prestigious
best mainstage production.
Toy Symphony’s director, Neil Armfield, was named best
director and its star, Richard Roxburgh, best actor in a lead
role.
Hosted by a group of Sydney theatre critics, the awards were
judged by a panel that included the Herald’s Stephen Dunne,
Bryce Hallett and John Shand.
Toni Scanlan won best actress for her lead role in the Griffin
Theatre Company’s production of King Tide - a last-minute
casting after Gillian Jones dropped out.
The theatre critic and performing arts publisher Katharine
Brisbane won an award for lifetime achievement.
The winners

Best mainstage production: Toy Symphony (Company
B).

Best independent production: The Seed (Mimmam
Productions/B Sharp).
Best direction: Neil Armfield (Toy Symphony).
Best actress: Toni Scanlan (King Tide).
Best actor: Richard Roxburgh (Toy Symphony).

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Four likely lads performing like billyo catch judges’ eye

Monday, January 21st, 2008

FOUR schoolboys stole the show at the Sydney Theatre Awards in
Paddington last night when the young stars of Billy Elliot The
Musical won the award for best performance by an actor in a
musical.
After performing at the Helpmann Awards last year, the Billys -
Lochlan Denholm, Rhys Kosakowski, Rarmian Newton and Nick Twiney -
looked like award ceremony veterans.
It is the first time in the event’s three-year history that four
actors have shared an award, but the organiser, Ian Phipps, said
the boys were equally deserving. “To single out one when all four
give such extraordinary performances would be very unfair,” he
said.
Fifteen-year-old Newton was delighted to share the award, but
admitted there had been “a bit of healthy competition” between the
Billys during rehearsals.
“We all wanted to show what we could do, but in the end we all
have different strengths and we all do a different show,” he
said.
Billy Elliot won all three awards in its category.
including best musical and best actress for Genevieve Lemon’s
portrayal of the feisty dance instructor.
Cate Blanchett, her baby bump clearly visible under a clinging
black dress, lent undreamt of glamour to the Paddington RSL Club
but it was a disappointing night for the Sydney Theatre Company,
where she and her husband, Andrew Upton, have recently taken over
as artistic directors.
The company won just one award, for best set design for The
Season At Sarsaparilla.
Blanchett said although the company’s 2007 productions,
engineered by the former director Robyn Nevin, had not always been
popular, they had pushed artistic boundaries.
“Awards are not just about your own company’s success, they’re
about community,” she said
CompanyB’s production of Toy Symphony was the night’s
biggest winner, taking out seven awards including the prestigious
best mainstage production.
Toy Symphony’s director, Neil Armfield, was named best
director and its star, Richard Roxburgh, best actor in a lead
role.
Hosted by a group of Sydney theatre critics, the awards were
judged by a panel that included the Herald’s Stephen Dunne,
Bryce Hallett and John Shand.
Toni Scanlan won best actress for her lead role in the Griffin
Theatre Company’s production of King Tide - a last-minute
casting after Gillian Jones dropped out.
The theatre critic and performing arts publisher Katharine
Brisbane won an award for lifetime achievement.
The winners

Best mainstage production: Toy Symphony (Company
B).

Best independent production: The Seed (Mimmam
Productions/B Sharp).
Best direction: Neil Armfield (Toy Symphony).
Best actress: Toni Scanlan (King Tide).
Best actor: Richard Roxburgh (Toy Symphony).

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Pregnant Cate Blanchett turns heads in a bump-revealing dress and super high heels

Thursday, January 3rd, 2008

(5)

She might be pregnant for the third time - but actress Cate Blanchett is clearly in no mood to swap her usual high fashion red carpet look for mumsy dungarees.
The 38-year-old Australian beauty, attended the premiere of surrealistic Bob Dylan film, I’m Not There, with husband Andrew Upton wearing a tight-fitting black dress which revealed her growing baby bump.
But it was the pair of super-high heels she accessorised her little black dress with that raised eyebrows.

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