Weak plot lets film down

Wednesday, June 4th, 2008

When ‘Indiana Jones and the Kingdom of the Crystal Skull’ opens the year is 1957 and we find our hero has been taken prisoner by a group of Soviets who have infiltrated the US Army’s notorious ‘Area 51′ looking for something the army has secretly stored there.

After Indy helps them locate what they’re looking for he expedites a ‘high speed’ escape before falling into the clutches of the US Army, after almost getting caught in the middle of a major nuclear weapons test.

After all this excitement Indiana returns to teaching only to be told, by his college principal, that because of the FBI’s ‘interest’ in him he is going to be suspended.

As Indy is about to head off on a trip to England he meets a young man  who asks for his help to find his mother, and his old professor, who have gone missing in South America.

Before the professor went missing he was searching for the mythical Crystal Skull of Akatar and this, along with the arrival of a number of KGB agents, prompts Indy to agree to help young Mutt and the pair head off in search of this elusive archaeological treasure.

Shortly after arriving in Peru Indy picks up the trail left by his old friend and he soon finds himself in an old graveyard where he discovered a hidden chamber where he locates the Crystal Skull.

However, the pair have been followed and, once again, Indy finds himself captured by the Russians, led by Cate Blanchett.

Aside from a few more wrinkles, and a tendency to wear his khakis a bit high at the waist, Harrison Ford rolls back the years to reprise one of the roles which made him a Hollywood megastar.

The film is directed by Steven Spielberg and rolls along at a pretty hectic pace. The opening half hour is non-stop and highly watchable although I felt a chase sequence through the jungle looked like it was all done in front of a blue screen, or on a computer.

If ‘Crystal Skull’ has an Achilles heel and it does it’s the story. The plot starts off fairly interesting but turns into complete hokum as it develops, and would be more at home in an episode of ‘X-Files’ than in a Indiana Jones movie.

What you do get with ‘Indiana Jones and the Kingdom of the Crystal Skull’ is some excellent chase sequences, lots of high speed action, some exotic locations and the re-introduction of one of the big screen’s favourite characters to the movie going public.

And while the movie is very enjoyable, and well put together, the plot is very weak and unfortunately lets down what is otherwise a very enjoyable adventure romp.

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Indiana Jones and the Kingdom of the Crystal Skull

Sunday, May 18th, 2008

Crystal Skull” even dusts off the Russians, so severely under- exploited in recent years, as the bad guys. Up against them, Indiana Jones is once again played by Harrison Ford, who is now 65 but looks a lot like he did at 55 or 46, which is how old he was when he made “Last Crusade.” He has one of those Robert Mitchum faces that doesn’t age, it only frowns more.

He and his sidekick Mac McHale (Ray Winstone) are taken by the cool, contemptuous Soviet uber-villainess Irina Spalko (Cate Blanchett) to a cavernous warehouse to seek out a crate he saw there years ago. The contents of the crate are hyper- magnetic (lord, I love this stuff) and betray themselves when Indy throws a handful of gunpowder into the air.

In ways too labyrinthine to describe, the crate leads Indy, Mac, Irina and the Russians far up the Amazon. Along the way they’ve gathered Marion Ravenwood (Karen Allen), Indy’s girlfriend from the first film, and a young biker named Mutt Williams (Shia LeBeouf), who is always combing his ducktail haircut. They also acquire Professor Oxley (John Hurt), elderly colleague from the University of Chicago, whose function is to read all the necessary languages, know all the necessary background, and explain everything.

What happens in South America is explained by the need to create (1) sensational chase sequences, and (2) awe-inspiring spectacles. We get such sights as two dueling Jeep-like vehicles racing down parallel roads. Not many of the audience members will be as logical as I am, and wonder who went to the trouble of building parallell roads in a rain forest.

Most of the major characters eventually find themselves at the wheels of both vehicles; they leap or are thrown from one to another, and the vehicles occasionally leap right over one another. And that Irina, she’s something. Her Russian backups are mostly just atmosphere, useful for pointing their rifles at Indy, but she can fight shoot, fence, drive, leap and kick, and keep on all night.

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