Indiana Jones And The Kingdom Of The Crystal Skull

Wednesday, November 19th, 2008

After many years waiting for it and with a hesitant Steven Spielberg finally getting embarked as director of the project, the action cinema lovers had in front of their eyes the new Indiana Jones film. Indiana Jones and the Last Crusade was a little masterpiece in the genre, and according to Harrison Ford, he was waiting for the right script to come back to incarnate to the intrepid professor and archeologist. Funnily, we could say that it is precisely the script the weakest part of the film. The introductory sequence in the military base already tells that this is going to be the weakest Indiana Jones movie so far, and the continuation does not improve much the first impression.

The movie has some good moments and features, like the plausible appearance of Harrison Ford who makes fun of his own age, or the good choice of Shia Labeouf as Mutt. But Cate Blanchett′s role is certainly a parody of what a good “evil” character must look like in the saga and some action sequences like the attack of the giant ants, the atomic explosion or Mutt jumping like a monkey from tree to tree are too far ridiculous.

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Raiding The Lost Verve

Monday, November 10th, 2008

I listened to James Taylor’s new album, called “Covers,” not long before I watched Steven Spielberg’s “Indiana Jones and the Kingdom of the Crystal Skull.” I came to the same conclusion about both of these regrettable projects: What a shame that these two vastly talented men have been spinning their wheels in the same lucrative rut for so long.

Mr. Taylor’s album is, as the title states, a collection of other people’s hits, redone in his mellow, laid-back style. With the exception of “Wichita Lineman,” none of the songs are appreciable improvements over the originals. The overriding impression listening to it is that it promises high yield in a commercial sense while posing a very low risk to a star who has been much too firmly fixed at the same point on the horizon for far too long.

There is always the impression that the mere obviousness of its huge budget will atone for a multiplicity of other deficiencies.

Harrison Ford, charming half-smile intact, is reprising a character last seen on screens nearly 20 years ago. Mr. Ford tries hard not to seem as embarrassed by the knuckleheaded proceedings as Pierce Brosnan did in “Mamma Mia!” He, generally, succeeds on chutzpah alone. And, if the older Indy sports a few more facial lines and a slightly thicker waistline, he will always be up to the hair-raising acrobatics as long as there are testosterone rich stuntmen available.

The more familiar Indiana Jones-ish character in “Crystal Skull” is Mutt Williams, an attitudinal young man whose paternal origin will come as no surprise to anyone who has seen “The Empire Strikes Back.” Mutt is played by Shia LaBeouf, actor and occasional bad boy, whose much-heralded great future in Hollywood is not any more apparent here than it was in the god-awful “Transformers.”

The real casualty of “Indiana Jones and the Kingdom of the Crystal Skull” is Spielberg himself. The dazzling expectations occasioned by “Duel,” and “Jaws” were ultimately undone by “E.T.,” “Raiders,” and “Jurassic Park.” Their phenomenal successes beckoned, like a veiled temptress, to the director to “come away with me.”

The fact that the creature at the climax of “Crystal Skull” was reminiscent of the alien in “Close Encounters of the Third Kind” was probably calculated. I was only reminded of the promise abandoned.

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George Lucas On Revisiting Indiana Jones

Wednesday, November 5th, 2008

The latest chapter of the greatest adventure of all time comes to DVD and Blu-ray on November 10th 2008 packed with sensational behind-the-scenes special features.

The highest-grossing instalment of the phenomenally popular adventure franchise, Paramount Pictures and Lucasfilm Ltd’s Indiana Jones and the Kingdom of the Crystal Skull will make its highly anticipated debut on DVD and Blu-ray November 10th.

Directed by Steven Spielberg and produced by Frank Marshall, with George Lucas and Kathleen Kennedy as executive producers, Indiana Jones and the Kingdom of the Crystal Skull is the newest adventure in the phenomenally successful Indiana Jones series.

Set in 1957, the film stars Harrison Ford, Cate Blanchett, Karen Allen, Shia LaBeouf, Ray Winstone and John Hurt and follows Indy on a perilous adventure to find the coveted Crystal Skull of Akator. From the ivy-covered halls of Marshall College to the verdant jungles of South America, Indy is relentlessly pursued by sinister Soviet agents who will stop at nothing to get their hands on the eerie object of fascination.

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Indiana Jones And The Kingdom Of The Crystal Skull Dvd Review

Tuesday, November 4th, 2008

The ending of a film can be a strange thing. I used to live with a friend who always had a problem with films that he deemed to finish with a contrived happy ending, so much so that even if the previous two hours had been fantastic, a few seconds later and it could all be ruined for him (the end of L.A. Confidential had him in a fit of rage).

It was something I never really understood properly until I watched The Departed and witnessed Scorsese so drastically undermine the whole point of the film by changing the ending from the original source Infernal Affairs to one that I couldn’t accept the film on any level.

This a very rare incident for me, especially when I confess that up until a few years ago I refused to accept how bad The Phantom Menace is as a film, as my love for movies and especially sequels to those I grew up with can blindside any critical faculties I have. I find myself defending their flaws as one would defend a family member from outside criticism. And so to Indy IV.

It’s likely that as I’ve decided to let the majority of the review base itself more on the issues raised by the special features, that at some point the ending will be spoilt, so I suggest until you’ve seen the film not to read any further.

After seeing Crystal Skull at the cinema and having been so incredibly excited about the prospect of seeing more Indy on the big screen, I came out like so many people I talked to, feeling underwhelmed. The one thing that has been agreed by everyone I know is that the ending was too much, nobody wanted the George Lucas ‘money shot’ and moreover everyone instinctively knew that it was his influence that had detracted from what should and could have been a more intimate denouement.

Looking back to the previous Indy films I by far prefer the conclusion of The Last Crusade, where the outcome for everyone rested merely on picking the right cup. Crystal Skull has more in common with the ending of Raiders of the Lost Ark, being more effects driven, but lacks the threat of the first film, while simultaneously ruining the rest of the film’s attempts to avoid using a lot of CGI where possible. The worst thing is that on one of the featurettes Spielberg admits that it was his idea to shoot the scene with the crystal bodies morphing into one flesh covered being, a moment that I really wish didn’t exist. Thankfully it didn’t speak like Jar Jar so the option is there to close your eyes and pretend it never happened.

Strangely, I had no issue with other parts of the film that people moaned about, from the fridge escape to the monkeys, as they all seemed in keeping with the over the top sense of fun that has always been part of the Jones franchise, but that ending was just one step too far.

A second viewing of Crystal Skull was actually a lot more enjoyable, as with the level of expectation dropped it enabled me to enjoy the simple pleasure of watching Harrison Ford do what he does best and notice more of the references to his other adventures throughout the film,. The high point of which came again for me when I heard him utter the line “I’ve got a bad feeling about this”, a moment of such incredible geek joy that I cheered a second time out loud.

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Indiana Jones And The Kingdom Of The Crystal Skul

Tuesday, October 28th, 2008

The year is 1957, the height of the Cold War. As the latest Indiana Jones adventure opens, Indy and his long time sidekick Mac (Ray Winstone) have barely escaped a close scrape with nefarious Soviet agents on a remote airfield. Now, Professor Jones has returned home to Marshall College only to find things have gone from bad to worse. His close friend and dean of the college explains that Indy’s recent activities have made him the object of suspicion, and that the government has put pressure on the university to fire him.

On his way out of town, Indiana meets rebellious young Mutt (Shia LaBeouf), who carries both a grudge and a proposition for the adventurous archaeologist: If he’ll help Mutt on a mission with deeply personal stakes, Indy could very well make one of the most spectacular archaeological finds in history the Crystal Skull of Akator, a legendary object of fascination, superstition and fear.

Indy and Mutt must find a way to evade the ruthless Soviets, follow an impenetrable trail of mystery, grapple with enemies and friends of questionable motives, and, above all, stop the powerful Crystal Skull from falling into the deadliest of hands.

18 years after Indie rode off into the sunset following his last crusade, the intrepid archaeologist returns. Despite the film’s mixed reviews when it was released theatrically, ”Indiana Jones and the Crystal Skull” remains a joyously old fashioned piece of escapism, assuredly crafted by Spielberg and beautifully acted.

It’s Ford whose age-old sense of cynical heroism that remains the centre of the franchise, and his performance is what defines this film. I recall attending the premiere of Raiders, and there is little doubt that the wonder of the original as seen in theatres over two decades ago, can never be repeated and never was even in the second and third films, but David Koepp’s script is still sharp enough to consistently capture the essence of Indy and the style of action film we rarely see in today’s Hollywood.

Much has been made of the film’s sci-fi elements, without realising that George Lucas’ intention, in updating the franchise to 1957, was to satirize America’s preoccupation with the Red Menace of the time, which was often cinematically explored in B-grade sci-fi. ”Crystal Skull” is simply a B-grade sci fi adventure, cloaked in the escapism of an Indy adventure. Thus we have Russian baddies and a touch of sci-fi, which mirror the period in which Skull is set. Cate Blanchett excels as the principal Russian baddie, and fans of Raiders will love an ageless and feisty Karen Allen, who returns as the indefatigable Marion Ravenwood.

While one could have done without too much of the CGI and over-abundance of visual effects, strip all the excesses away, and ”Indiana Jones and the Crystal Skull” works as pure entertainment, enhanced by John Williams’ iconic score and Harrison ford who still delivers a character that suits him like no other. For nostalgia fans of a classic trilogy, Crystal Skull delivers.

The 1080p video resolution of this Blu Ray is exemplary, containing, clear images, beautifully razor sharp, enhancing details throughout every frame of the film. The famed jungle chase sequence is exquisite with tones and colour resolution perfectly contrasted. This is even more evidenced by the Doomstown sequence, in which Indie finds himself in a mock replica of 1950s suburbia being used as a nuclear testing site.

The colour saturation here is quite stunning, each colour as richly detailed as the next. The film’s geographical diversity, from the opening New Mexican desert, to the jungles of Peru [shot in Hawaii] to the darkness of a cemetery, are all crisp, clean and visually more striking than even the theatrical cut. In short, ”Crystal Skull” looks astonishing on Blu Ray.

As stunning as it looks, in TrueHD audio, ”Crystal Skull” sounds as good as it looks and then some, from the clean sound of the dialogue, to the realism of bullets flying and every sound effect imaginable, you haven’t really experienced Crystal Skull until hearing it, almost for the first time. I looked closely at the jungle chase sequence in particular, and was blown away by the details of the audio track. The monkeys, the sounds of the jeeps, none of which were overshadowed by the clarity of the dialogue. Crank up your sound system and listen to the auditory details of the TrueHD audio.

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Cate Blanchett’S Kids Step Behind The Camera

Monday, June 16th, 2008

Actress Cate Blanchett’s kids were thrilled when Steven Spielberg gave them the chance to step behind the camera and direct their mother in the new Indiana Jones movie.

Blanchett stars in Indiana Jones And The Kingdom Of The Crystal Skull alongside Harrison Ford and often brought her children Dashiell, seven, and Roman, four, onto the set.

And director Spielberg was so happy to have to the young family there, he let the kids take on his job and direct a scene featuring their mum.

“Steve was so welcoming to my family. And that was really special.”

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Movie Sets Under Siege

Wednesday, June 4th, 2008

Anyone working on a high-profile movie or TV show these days dreads seeing two words in a script: Exterior shot. Filming a hot project at an outdoor location has become a swim in a giant, incredibly public fishbowl. Of all the battlefronts in the spoiler wars, location shoots are the places where filmmakers and show creators feel the most exposed, the most overtly under siege and maybe the most powerless to plug leaks.

Even so, interlopers crashed the party wherever Crystal Skull went. Somebody in a helicopter possibly just a lucky tourist on a joyride, who was passing through airspace the Skull crew couldn’t control snapped shots of a Hawaii-based jungle sequence from above. Plot spoiling amateur videos of a motorcycle-chase scene filmed in New Haven, Conn., also showed up online, thanks to onlookers posting footage.

No matter how distant the location, it seems, those pesky snappers find a way in. A few weeks into the shoot of Iron Man, in March 2007, work was about to start at an extremely remote desert canyon spot in a gated national park near Lone Pine, Calif. More than three hours’ drive outside Los Angeles.

Barren and desolate looking, this spot would stand in for Afghanistan in a sequence where Tony Stark, played by Robert Downey Jr., gets kidnapped by terrorists. Somehow, photographers found the waiting set. They commandeered a vantage point in the hills above, and got telephoto-lens pictures of the faux terrorist encampment, including weapon containers marked Stark Industries. The images showed up on a fansite before any of the sequence had even been filmed.

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Weak plot lets film down

Wednesday, June 4th, 2008

When ‘Indiana Jones and the Kingdom of the Crystal Skull’ opens the year is 1957 and we find our hero has been taken prisoner by a group of Soviets who have infiltrated the US Army’s notorious ‘Area 51′ looking for something the army has secretly stored there.

After Indy helps them locate what they’re looking for he expedites a ‘high speed’ escape before falling into the clutches of the US Army, after almost getting caught in the middle of a major nuclear weapons test.

After all this excitement Indiana returns to teaching only to be told, by his college principal, that because of the FBI’s ‘interest’ in him he is going to be suspended.

As Indy is about to head off on a trip to England he meets a young man  who asks for his help to find his mother, and his old professor, who have gone missing in South America.

Before the professor went missing he was searching for the mythical Crystal Skull of Akatar and this, along with the arrival of a number of KGB agents, prompts Indy to agree to help young Mutt and the pair head off in search of this elusive archaeological treasure.

Shortly after arriving in Peru Indy picks up the trail left by his old friend and he soon finds himself in an old graveyard where he discovered a hidden chamber where he locates the Crystal Skull.

However, the pair have been followed and, once again, Indy finds himself captured by the Russians, led by Cate Blanchett.

Aside from a few more wrinkles, and a tendency to wear his khakis a bit high at the waist, Harrison Ford rolls back the years to reprise one of the roles which made him a Hollywood megastar.

The film is directed by Steven Spielberg and rolls along at a pretty hectic pace. The opening half hour is non-stop and highly watchable although I felt a chase sequence through the jungle looked like it was all done in front of a blue screen, or on a computer.

If ‘Crystal Skull’ has an Achilles heel and it does it’s the story. The plot starts off fairly interesting but turns into complete hokum as it develops, and would be more at home in an episode of ‘X-Files’ than in a Indiana Jones movie.

What you do get with ‘Indiana Jones and the Kingdom of the Crystal Skull’ is some excellent chase sequences, lots of high speed action, some exotic locations and the re-introduction of one of the big screen’s favourite characters to the movie going public.

And while the movie is very enjoyable, and well put together, the plot is very weak and unfortunately lets down what is otherwise a very enjoyable adventure romp.

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Indiana Jones and the kingdom of the Crystal Skull

Friday, May 30th, 2008

AGEING gracefully is a difficult art. So, hats off to Harrison Ford and Spielberg for showing that when 20 years pass by unless you live in a soap opera two decades do pass by.

The archaeologist-adventurer made famous by George Lucas, Spielberg and Ford returns as an older, wiser and a little slower Indiana Jones, who remains as fallible and as likable as in his first outing in 1981.

Spielberg insisted that the special effects would be kept to a minimum in keeping with both the spirit of the three previous Indiana Jones films and the period in which The Kingdom of the Skull is set, and this does give the film an old-worldly, hands-on feel missing in similar adventures shot now like, say, National Treasure. This includes a sword-fight between two people balanced on two parallel racing jeeps.

Still, sometimes it’s better to adopt a little change. The Kingdom of the Skull moves at a desultory pace and its storyline has few surprises. And then, suddenly in the end, it takes off in a direction that bears the special touch of Lucas and Spielberg.

What’s also surprising is how many parallels it has with National Treasure 2, released just earlier this year from mythical cities to estranged families. Sure, there is a new character being introduced, in the shape of the young flavour of the season Shia LaBeouf. But even with the Marlon Brando get-up, he looks like he has been plonked in the film from sometime else.

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Crystal Skull sparkles as Indiana Jones revives the magic

Sunday, May 25th, 2008

BREAKING through the cobwebs to revisit a classic franchise whose last film was nearly 20 years ago was never going to be an easy challenge, even for intrepid adventurer Indiana Jones, who’s well-known for rediscovering old relics - but director Steven Spielberg has definitely pulled it off.

An ageing Harrison Ford dusts off his character’s fedora as Indiana Jones and the Kingdom of the Crystal Skulls takes some daring risks and manages to create a rip-roaring piece of summer entertainment with Ford’s charm, Spielberg’s cinematic magic and the excellent new addition of the surprisingly charismatic Shia LaBeouf.

The movie works as a piece of summer entertainment that can be proudly appended to the previous Indy outings, and the film-making is superb with some stunning visuals and action sequences.

This project was always going to get a mixed response - stick to the original formula and some cry that it’s too tired and dated; make radical changes and you risk people saying it’s no longer Indiana Jones. The finished film is very much in the spirit of the originals, with some additions (LaBeouf and a somewhat out-of-this-world storyline) to take it in new directions.

In the story, Indiana Jones and a new companion, biker Mutt Williams (LaBeouf, above right), battle Soviet agents led by Irina Spalko (Cate Blanchett) in a quest to find a crystal skull in Peru which is said to have untold power.

Where it falls short in places is in the writing. Even dismissing the usual Indy cliches (bullets that never hit the target, impossible stunts and death-trap temples), some comic moments feel contrived, some explanations don’t work and the fates of some of the baddies left me totally unsatisfied.

The audience seemed to enjoy the movie and, as I left, one man remarked: “I went in with trepidation but it was excellent” to nodding approval from those around, and that’s exactly how I felt.

I’ll take a look at some of the details of the movie below, so don’t read further if you don’t want to know all the shocks and surprises - instead, come back after you’ve seen the movie and tell me if you agree,

THE DETAILS

This is a genre which has exploded since the first three movies with other quest films such as Tomb Raider, The Mummy and National Treasure, so director Spielberg and co-writer and executive producer George Lucas clearly felt the need to take the story to the next level with Crystal Skull.

Elements of Spielberg’s classic E.T. have now entered the Indiana franchise with this latest movie featuring alien remains, a reference to the Roswell incident and ending with a full-blown flying saucer emerging from an ancient pyramid.

There was a lot of anxiety from some fans before the movie about taking Indy’s archaeological quests into extraterrestrial territory - it does work in the film, though seeing a living alien near the end seemed unnecessary.

And the final explanation of the ‘gold’ of the lost city being the treasure of knowledge didn’t feel right at all, more like a writers’ cop-out. Despite the amazing final scenes at the temple in south America, that explanation seemed phoney and misleading.

The death of Winstone’s treacherous character - who was irritating from the moment he stepped on screen - was largely unsatisfying as was the demise of Blanchett’s eccentric Soviet agent (with bobbed hair, leather boots and a boiler suit). They needed to die - but it should have been more gratifying to the audience and not so rushed. I’m at least relieved that Winstone won’t be annoying me in future Indy movies.

Ford and romantic co star Karen Allen are now decidely advanced in years and one wonders how the franchise can carry on with either of them in physical action roles. Indy’s new sidekick Mutt who turns out to be his son seems to have been there to plant the possibility of him being Jones’ replacement.

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