The Audacity Of Tanna Frederick

Friday, July 25th, 2008

When I first saw Henry Jaglom’s latest film “Hollywood Dreams,” I was left laughing and crying. It’s a film that focuses on the craziness of Hollywood and after watching the film, I am reminded of the phrase “Hollyweird” being used when describing our industry. I love all of Henry Jaglom’s work; the famed director has produced some of the most thought-provoking films on the silver screen. What makes his work stand out is that Jaglom focuses on the characters he’s building a story around, and not on special effects. Special effects dominate storytelling today in Hollywood, which is why movies are so boring today. All movies except Jaglom’s. His are crafted with a brilliant technique only designed and built by movie making geniuses.

Tanna Frederick is a name that many across America don’t recognize, but I promise you, it’s a name you will become acquainted with. Get your autographs from the actress right now, before they become priceless. Almost like a lightning bolt, I was stunned to see the best actress in my lifetime come flying off the screen and into my heart. Not since Bette Davis or Barbara Stanwyck has any actress dominated a film that was an ensemble piece. Everyone knows I’m a very tough critic when it comes to actors today. Many care more about what they look like on the screen than what they convey to the audience. Most characters in movies are so one dimensional that you know how the movie’s going to end.

She is absolutely incredible to look at. The red haired ravenous beauty makes every man pay attention when she’s on screen. But women will love her too. That’s a knack you simply don’t see in Hollywood today. You can’t seem to find an actress who can transcend the sexes. She transcends the sexes, generations and is the must-get for any movie studio looking to revive women’s pictures. Jaglom, like George Cukor, has an edge with actresses that many directors don’t have today. He’s actually good with everyone. So is Frederick.

That is the way Frederick was in this film. I have rarely told people that when they see a movie, they will be absolutely shocked by the ending. Jaglom is a master of mystery and intrigue and wow, it’s the moment well worth waiting for. The only problem at the end of the film was that I immediately wanted another scene. I felt like I wanted to find out what happens to her next. I know what happens with Frederick. She gave me the news that a sequel to this film is in the works. I have one dream before I die: to work with Frederick in a scene and to be directed by the greatest movie maker since Cecile B. DeMille, Henry Jaglom. I’ll have to settle for seeing the sequel to “Hollywood Dreams” I suppose. I’ll do so with excitement and anticipation.

Being able to see Tanna Frederick act is like baking a cake. Just when it’s about to come out of the oven, you want to wait and make sure it’s the right time. The anticipation is just palpable. When interviewing Frederick, you realize the Iowa born native has a lot of life experience and dreams. But she manages to perform on screen as if she were born in the role she portrays.

The game of Hollywood is hers to play. Ms. Frederick will become one of the biggest icons on the silver screen, much like her legend and heroine Bette Davis. I never thought I’d live to say, Bette has been cloned. So The Times can say she’s Bette on crack. I will say she’s Bette incarnate.

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It’s all dimples and dazzle in the city of light

Tuesday, July 1st, 2008

IF JOHN GALLIANO is looking for a new muse, Australia’s own Jennifer Hawkins could be it. Galliano, the fashion designer for labels such as Christian Dior, and the professional brand ambassador Hawko already look as though they are sharing the same hair stylist, sporting matching locks at this photo opportunity in Paris yesterday.

Galliano is a red-carpet favourite of actors including Charlize Theron, Cate Blanchett and Nicole Kidman and has a long-standing relationship with Kylie Minogue, designing tour costumes for the singer.

Hawkins - already the face of a department store, a lingerie brand and a cosmetics empire - was in the city of light at the invitation of the house of Dior with tickets to her first-ever Paris couture shows. While no cash exchanged hands in her “no-strings-attached” appearance the model was reportedly offered a deal no girl could refuse: flown first-class to Paris for the shows and no doubt leaving with more than a few designer goodies, if the looks of mutual admiration in this photo are anything to go by.

The series, which features male and female contestants, is a spin-off of a British series of the same name and the free-to-air equivalent of the Foxtel series Australia’s Next Top Model. The latter ended its fourth series last night with a live eviction episode at Luna Park, with one notable absence host Jodhi Meares. SiT revealed yesterday that Meares would not attend the event, nervous of her performance in front of a live audience, and would instead appear in pre-filmed packages, leaving viewers at home none the wiser.

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Charisteas looking for another Euro high after club hell

Wednesday, June 11th, 2008

Angelos Charisteas joined other more mythical Greek heroes when he headed the winning goal at the Euro 2004 final against hosts Portugal – but since then he has sunk career-wise into the equivalent of Hades.

It all looked so different for Charisteas as he appeared to have shown his then Bundesliga club Werder Bremen that he could produce more than the paltry four goals he had scored for them the season leading up to the European championships.

However, it mattered not a jot to Bremen, who made it pretty clear that he was not considered to be first choice and thus after a summer of highs he was plunged into uncertainty and Greece’s German coach Otto Rehhagel a former Bremen coach – advised him to look for another team.

Thus it was in January 2005 that Dutch giants Ajax came knocking on his door, desperate to find a top replacement for Swedish star Zlatan Ibrahimovic, who left for Juventus.

If he thought that five million euros transfer fee had allowed him to enter the Elysian fields with a chance to really prove himself at club level, then he was quickly disabused of that notion as then coach Henk Ten Cate placed him fifth in the list behind Klaas-Jan Huntelaar, Ryan Babel, Markus Rosenberg and a certain Rydell Poepon.

However, bizarrely he ended up at Ajax’s bitter rivals Feyenoord, which went down like a lead balloon with the Rotterdam side’s supporters, some of whose more hardnosed members marched in protest – and they looked to have been right when Charisteas failed to score in his first 10 appearances.

So low had his star fallen he was shipped off to traditional German relegation candidates FC Nuremberg for just 2.5mil euros – his value in the market halved in just two years.

Thus no wonder that back at the Euro stage where he made his mark four years ago he expressed his delight to have changed scene.

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Weak plot lets film down

Wednesday, June 4th, 2008

When ‘Indiana Jones and the Kingdom of the Crystal Skull‘ opens the year is 1957 and we find our hero has been taken prisoner by a group of Soviets who have infiltrated the US Army’s notorious ‘Area 51′ looking for something the army has secretly stored there.

After Indy helps them locate what they’re looking for he expedites a ‘high speed’ escape before falling into the clutches of the US Army, after almost getting caught in the middle of a major nuclear weapons test.

After all this excitement Indiana returns to teaching only to be told, by his college principal, that because of the FBI’s ‘interest’ in him he is going to be suspended.

As Indy is about to head off on a trip to England he meets a young man  who asks for his help to find his mother, and his old professor, who have gone missing in South America.

Before the professor went missing he was searching for the mythical Crystal Skull of Akatar and this, along with the arrival of a number of KGB agents, prompts Indy to agree to help young Mutt and the pair head off in search of this elusive archaeological treasure.

Shortly after arriving in Peru Indy picks up the trail left by his old friend and he soon finds himself in an old graveyard where he discovered a hidden chamber where he locates the Crystal Skull.

However, the pair have been followed and, once again, Indy finds himself captured by the Russians, led by Cate Blanchett.

Aside from a few more wrinkles, and a tendency to wear his khakis a bit high at the waist, Harrison Ford rolls back the years to reprise one of the roles which made him a Hollywood megastar.

The film is directed by Steven Spielberg and rolls along at a pretty hectic pace. The opening half hour is non-stop and highly watchable although I felt a chase sequence through the jungle looked like it was all done in front of a blue screen, or on a computer.

If ‘Crystal Skull’ has an Achilles heel and it does it’s the story. The plot starts off fairly interesting but turns into complete hokum as it develops, and would be more at home in an episode of ‘X-Files’ than in a Indiana Jones movie.

What you do get with ‘Indiana Jones and the Kingdom of the Crystal Skull’ is some excellent chase sequences, lots of high speed action, some exotic locations and the re-introduction of one of the big screen’s favourite characters to the movie going public.

And while the movie is very enjoyable, and well put together, the plot is very weak and unfortunately lets down what is otherwise a very enjoyable adventure romp.

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Crystal Skull sparkles as Indiana Jones revives the magic

Sunday, May 25th, 2008

BREAKING through the cobwebs to revisit a classic franchise whose last film was nearly 20 years ago was never going to be an easy challenge, even for intrepid adventurer Indiana Jones, who’s well-known for rediscovering old relics - but director Steven Spielberg has definitely pulled it off.

An ageing Harrison Ford dusts off his character’s fedora as Indiana Jones and the Kingdom of the Crystal Skulls takes some daring risks and manages to create a rip-roaring piece of summer entertainment with Ford’s charm, Spielberg’s cinematic magic and the excellent new addition of the surprisingly charismatic Shia LaBeouf.

The movie works as a piece of summer entertainment that can be proudly appended to the previous Indy outings, and the film-making is superb with some stunning visuals and action sequences.

This project was always going to get a mixed response - stick to the original formula and some cry that it’s too tired and dated; make radical changes and you risk people saying it’s no longer Indiana Jones. The finished film is very much in the spirit of the originals, with some additions (LaBeouf and a somewhat out-of-this-world storyline) to take it in new directions.

In the story, Indiana Jones and a new companion, biker Mutt Williams (LaBeouf, above right), battle Soviet agents led by Irina Spalko (Cate Blanchett) in a quest to find a crystal skull in Peru which is said to have untold power.

Where it falls short in places is in the writing. Even dismissing the usual Indy cliches (bullets that never hit the target, impossible stunts and death-trap temples), some comic moments feel contrived, some explanations don’t work and the fates of some of the baddies left me totally unsatisfied.

The audience seemed to enjoy the movie and, as I left, one man remarked: “I went in with trepidation but it was excellent” to nodding approval from those around, and that’s exactly how I felt.

I’ll take a look at some of the details of the movie below, so don’t read further if you don’t want to know all the shocks and surprises - instead, come back after you’ve seen the movie and tell me if you agree,

THE DETAILS

This is a genre which has exploded since the first three movies with other quest films such as Tomb Raider, The Mummy and National Treasure, so director Spielberg and co-writer and executive producer George Lucas clearly felt the need to take the story to the next level with Crystal Skull.

Elements of Spielberg’s classic E.T. have now entered the Indiana franchise with this latest movie featuring alien remains, a reference to the Roswell incident and ending with a full-blown flying saucer emerging from an ancient pyramid.

There was a lot of anxiety from some fans before the movie about taking Indy’s archaeological quests into extraterrestrial territory - it does work in the film, though seeing a living alien near the end seemed unnecessary.

And the final explanation of the ‘gold’ of the lost city being the treasure of knowledge didn’t feel right at all, more like a writers’ cop-out. Despite the amazing final scenes at the temple in south America, that explanation seemed phoney and misleading.

The death of Winstone’s treacherous character - who was irritating from the moment he stepped on screen - was largely unsatisfying as was the demise of Blanchett’s eccentric Soviet agent (with bobbed hair, leather boots and a boiler suit). They needed to die - but it should have been more gratifying to the audience and not so rushed. I’m at least relieved that Winstone won’t be annoying me in future Indy movies.

Ford and romantic co star Karen Allen are now decidely advanced in years and one wonders how the franchise can carry on with either of them in physical action roles. Indy’s new sidekick Mutt who turns out to be his son seems to have been there to plant the possibility of him being Jones’ replacement.

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Indiana Jones survives most perilous quest at Cannes

Sunday, May 18th, 2008

Indiana Jones survived his first perilous outing in the Kingdom of Critical Knives on Sunday, winning a friendly round of applause at a press preview at Cannes and respectable reviews.

The world premiere of the fourth and latest installment in the adventure series, and the first in 19 years “Indiana Jones and the Kingdom of the Crystal Skull” is the hottest ticket at this year’s Cannes film festival.

A packed crowd of hundreds, many wearing Indiana Jones hats, waved and cheered as Harrison Ford, 65, and co-star Cate Blanchett, who plays the villain, walked Cannes’ famed red carpet for the official world premiere.

Set in the late 1950s of the Cold War era, the two-hour movie sees its swashbuckling archeologist hero racing against Soviet agents to recover a mysterious pre-Colombian skull in the wilds of Peru.

The plot had been kept strictly under wraps and promotional stunts kept to a minimum as Hollywood heavy-hitters Steven Spielberg and George Lucas awaited the response to what is arguably this year’s most-anticipated movie.

“Smart, Sleek, Familiar,” ran the headline of an early review in Time magazine’s online edition, which offered an approving appraisal of the film’s veteran lead.

“Ford looks just fine, his chest skin tanned to a rich Corinthian leather; he’s still lithe on his feet, and can deliver a wisecrack as sharp as a whipcrack,” it said.

The Los Angeles Times said fears that the latest outing would prove an embarrassingly geriatric addition to the Indiana Jones franchise had proved unfounded.

“It turns out it’s one of the good ones, and everyone involved can breathe a sigh of relief,” the Times said, while People magazine concluded: “The magic is still there”.

London’s Telegraph critic David Gritten was less enthusiastic, however.

“It’s not that (it) is bad, exactly. But it’s undeniably creaky,” he said.

“He doesn’t wear the fedora with quite the same jaunty angle, his bullwhip doesn’t crack as smartly — and Harrison Ford looks all of his 65 years.”

Ford insisted on doing his own stunts, saying audiences could tell the difference between an actor and a stunt double.

“It needs to be an emotional event, like every moment on screen needs to be invested with real emotion, or pretend emotion,” he told reporters.

“That’s why it’s so gratifying that we were all happy to do the stunt sequences or the action sequences old-school. Human scale.”

Spielberg credited Ford with reviving the Indiana Jones juggernaut when the actor told him in 1994, after he presented the director with an Oscar for “Schindler’s List”, that he would be willing “to put the fedora back on”.

The director called Ford his “secret weapon” in making the movies.

“He’s concerned about the whole, he’s concerned about the story and other characters and he is a collaborator in the entire process of telling the story,” Spielberg, 61, said.

“That takes a lot of pressure and weight off my back to have this kind of a partner in the trenches every single day shooting the picture.”

Ford said he was less concerned with what the critics said than with the opinions of movie-goers round the world.

“This kind of film, it is such a celebration of the movies,” he said.

“I know that we made this movie to reacquaint people with the pure joy that can happen in a dark room with a bunch of other people seeing something that they haven’t seen before that will just kick your butt.”

This fourth adventure begins in 1957 as professor Jones returns to his US college to find he is under suspicion from the anti-Communist administration and is about to be fired.

On his way out of town he meets young Mutt (Shia LaBeouf), a bike-riding knife-flicking James Dean lookalike, who takes him off on a mission to find the Crystal Skull of Akator and to rescue his mother.

Hot on their heels is icy-cold but devastatingly beautiful Soviet agent Blanchett, who is also after the eerie skull which she says Stalin always dreamt of finding to wage “psychic warfare”.

Action-packed with car-chases, waterfall rides, man-eating ants and the usual secret underground temples, the film is chock-a-block with throw-away lines and droll quips.

Its “third dimension” style finale features a Spielberg-fathered ET character surfacing in a Mayan temple — an ending some critics said tested the audiences’ patience.

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Harrison Ford dishes Indiana Jones

Thursday, May 15th, 2008

Harrison Ford’s Indiana Jones is such a larger-than-life, iconic film classic hero that when the actor strode into a hotel meeting room, one half-expected to hear John Williams’ rousing theme song from the movie series.

But Harrison, wearing a simple suit and shirt, is not that kind of guy. He’s not the type who requires blaring trumpets and French horns to herald his entrance. “Life is good,” he said with a smile. “I can’t complain. If I did, nobody would listen to me anyway.” Such wry, self-effacing statements reflect the man who once left acting to work as a carpenter.

When a journalist asked an “intellectual”-angle question about the much-awaited, 1950s-set “Indiana Jones and the Kingdom of the Crystal Skull” on behalf of her editor, Harrison cracked, “Well, isn’t that nice? Let’s send him to an intellectual movie. That will make him happy.”

When the same reporter posed another question written by her boss, about Indiana Jones’ “un-modern approach to women,” Harrison smiled and quipped, “It is set in 1957, for Christ’s sake. We reflect the characters in that period of time. But I also want to say that Indiana Jones loves women. There’s a nice way of doing that and a not-so-nice way of doing that. I think Indiana Jones is a guy with a very strong moral core.”

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Give Avram Grant credit: He is the real deal

Sunday, April 27th, 2008

With two games to go, his team are joint leaders of the Premier give avram grant credit: he is the real dealLeague. On top of that, they are only one night’s work away from the Champions League final. Not bad going, that, for any grade of manager, but a doubly impressive achievement for someone still getting to grips with his first big job while being condemned as an imposter, supposedly only given a chance because he is mates with the club’s owner.

Maybe it is time, then, that we gave Avram Grant the benefit of the doubt, embraced the theory that the Chelsea manager might actually have something going for him, even if he does sometimes give the impression of being out of his depth when it comes to rallying the troops or making the right decisions in the heat of battle.

He wasn’t out of his depth on Saturday. On the contrary, everything clicked for the Israeli coach on a day when each of his players rose to the occasion to stop Manchester United leaving Stamford Bridge as certain champions. No question that John Terry, Michael Ballack and everyone else wearing blue had been sent out in the right frame of mind. From start to finish, Chelsea played with poise and purpose, not to mention fire in their belly. So can we give Grant credit for that? Or do we simply assume that any professional worth his salt will be pumped up anyway for such a huge match?

That’s the thing with Grant - the default reaction from us outsiders is to look elsewhere for reasons and heroes, assuming that this mild-mannered character with the hangdog looks couldn’t possibly be responsible for what happened on that pitch.

More likely, we might imagine that Grant’s more vocal and aggressive assistant, Henk ten Cate, had wound up the players with a stirring team talk. It is difficult, after all, to picture Grant in Churchillian mode. Mind you, if Ten Cate did do a lot of the motivating beforehand, what’s wrong with that? That’s what partnerships are about - blending different attributes to cover all the bases.

As for Grant’s attributes, it is difficult from this distance to see exactly what he brings to the party himself. But he must bring something, otherwise his team wouldn’t still be in with a chance of writing their name in the record books.

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Shia and higher

Saturday, April 26th, 2008

No, this buzz is all about hot new Hollywood in the shape of a 21-year-old actor whose name confuses the most intelligent reader, Shia LaBeouf.

So when he eventually bounds into the hotel where we’ve arranged to meet, it’s something of an anticlimax to find that he’s, well, just a 21-year-old guy, who’s desperate for a smoke. He immediately asks that we move all conversation to the patio, so he can puff.

“Yes, I smoke,” he admits shamefacedly. “It’s probably the worst thing I do. I leave wet towels on the floor, too. I don’t think I’m the Find Cate Mandigo quintessential guy to look up to right now because I’m still building myself.”

He shouldn’t be too concerned, though. Films such as I, Robot, Disturbia and last year’s smash-hit, Transformers, have already built the foundation for what looks to be a career in a million. His role in Crystal Skull could catapult him into rarefied Brad Pitt or Will Smith territory, although, right now, he’s intriguingly not at liberty to say exactly what that role is.

Rumour has it he plays Indiana Jones’ son (albeit under the name Mutt Williams), but he simply takes another puff and says, “I can’t confirm or deny that.” What he can confirm – most vocally – is that working with Harrison Ford, Steven Spielberg and Cate Blanchett has been the most incredible ride.

His bond with Harrison is particularly interesting, with LaBeouf talking fondly and Find Cate Mandigo reverently of him as a father figure.

The actor’s own French-Cajun father, Jeffrey, was a clown from San Francisco who was also a heroin addict.

Their relationship was non-existent until LaBeouf landed a role on US TV series Even Stevens when he was 13 and needed a legal guardian onset. He says wistfully, “I had to rent my father back.”

Bad though it sounds, drug-free father and son now share a deep bond, formed over the nine years LaBeouf has spent playing the role of family breadwinner.

“He’s not necessarily the father I wanted, but I wouldn’t want anybody else,” he reveals. “He’s my best friend – as is my mother – they’re both wise people. But pain is the foundation of my father’s growth and I draw from him every time I do what I do.”

Cigarette smoked, LaBeouf asks to move inside. Looking all-American in his navy-blue, long-sleeve T-shirt and low-slung jeans, he takes a long gulp of vitamin water from the bottle he’s been carrying.

“Finance is a big reason that my family split up and that’s not a worry any more, but Dad was gone for a long time. I was five when my parents separated. I hated him for a long time, but from 13 years old to this point – it’s now a love affair. I’m lucky, because supporting my family has been a blessing.”

The Los Angeles native comes from a long line of artists and performers. As well as a clown for a dad, his mum, Shayna, was a dancer who studied ballet with the famous Martha Graham.

LaBeouf’s dad used to dress up the family as clowns and the three of them would perform and sell hot dogs in LA’s Echo Park.

However, nobody called LaBeouf found any real success until Shia took up acting. He made the decision, aged 10, after talking to a boy in Malibu, who was wearing all the latest designer gear, thanks to a role on Dr Quinn, Medicine Woman. LaBeouf’s schoolboy yearning for brand-name clothing paid off.

“My lineage is constant artwork never seen by the public, or just fluttered out,” he explains.

“My great-grandmother was a piano player on Lucky Luciano’s gambling boat; my grandmother was a lesbian beatnik poet who used to run with Allen Ginsberg – her poetry was never discovered. My father is this amazing pantomime clown, but nobody has heard of him and my mother is this amazing visual artist who danced and nobody has heard of her. My career is a culmination of a lot of prayers and a lot of work.”

That said, he admits that he looks towards others to fill the more Find Cate Mandigo traditional roles in his life. Harrison Ford is the latest addition to LaBeouf’s role models, alongside past co-stars, John Voight and John Hurt.

“Harrison and I became close on set, but he’s the kind of guy where you have to earn the hug,” he smiles.

“The day I got my first hug from Harrison was a big day. The hug came about through work and results. It’s not easy making these kinds of action movies – they’re very physical and emotional.

“Finding the right tone is the hardest part and once you find it, Harrison’s all over you.”

An important lesson LaBeouf has learnt from Ford is to not give away too much. The original Indy is notoriously private where LaBeouf, until now, has been happy to spill his guts.

“I have to stop that,” he says, looking at the tape recorder. “When I was younger, I was happy to tell people stuff because I was anxious to please. Now I realise that my favourite actors don’t give much away; they maintain a level of mystery and I think I have to work on that.”

He has spoken many times about his past relationship with China Brezner, the daughter of The Greatest Game Ever Played producer, Larry Brezner, whom he met while shooting the movie in 2004. His first real love, they were together until early last year.

“I was very open about my relationship with China. I’m sure that’s hurt her so I’m going to stop talking about it. Sure I have time for girls, but nothing is very serious right now. There’s no specifics.”

Would he say he’s a romantic kind of guy? “Oh yeah, I get into poetry and songwriting,” he laughs.

“I’ve flown across the country with flowers to hand-deliver, and I’ve made trails out of rose petals and put on the Jodeci music. I’ve also been known to put on some Meatloaf, which is so cheesy. I won’t say if it worked or not, but it was very funny!”

Being the next big thing probably makes it easier to get the girls, but it comes at a price. (Although, when I mention his ‘next big thing’ status, LaBeouf is quick to point out “some days I’m the next big thing, some days I’m the next worst thing”.)

His brushes with the law are well-documented. He was arrested in 2005 after ramming a neighbour’s car and threatening him with a knife; the second was last November, for trespassing in a pharmacy in Chicago. No charges were pressed for either incident.

He simply says, “I’m at ease at this point. I’ve had my moments and I guess the biggest lesson I’ve learnt with the press is to never say never.”

He makes eye contact and says, “I’ve had a couple of run-ins, but I can definitely say that I don’t want that kind of life. I surround myself with good people, but I’m 21 and I make mistakes. I’m learning to cope. I didn’t get into this business to be Captain America.”

So does he take downtime? “Why would I?” he counters. “I enjoy every moment and the bad things come up when you’re not working. The negative aspects of this industry happen in the off-time.”

But surely there has to be some time when he’s not onset? “I’ve spent more time at home recently because the last two movies I shot have been made in LA so, yes, I’ve had some time at home. I hang out with my dog, read and I’m into my sports. I have about five close friends and we sit and Find Cate Mandigo talk a lot.”

He shifts in his seat, before revealing that a lot of his old friends have fallen by the wayside. “You see, the people I’ve known for a long time, their mindset changed and they stopped being friends with me and started being friends with what I do.”

He pauses to contemplate the situation. “That’s been the hardest decision, losing friends and getting rid of the people who are bad eggs. But that’s what happens with transition. I could never have foreseen what was going to happen. Fame is a drug, it’s addictive. But this isn’t who I am, it’s what I do. You have to maintain separation or you lose your mind.”

Taking all that into consideration, is he prepared for what will surely be global Indiana Jones-mania?

“I don’t imagine things will change too much,” he says modestly. “I have a lot of people around me who keep me centred because I get haywire, too – but I’m pretty calm right now.” He laughs remembering how amazing it was to find himself on the set of such a hotly anticipated movie.

“Every day was like, ‘Omigod, I’m on the set of Indiana Jones!’ That feeling of excitement never went away, it just became something I would channel into the work. Steven (Spielberg) was amazing. He gives you a lot of room and trusts you to do exactly what he hired you for. There were never any bumps.”

Indeed, Spielberg, who suggested LaBeouf for the lead role in Michael Bay’s Transformers, returns the compliment, stating, “His talent has impressed not only his audiences, but the directors, producers and fellow actors who have worked with him.”

However, he remains tight-lipped on whether or not LaBeouf will continue to run with the Indy torch, saying simply, “We’ll see. He still has multiple Transformers films to do.”

The actor proved his commitment to Spielberg and the Indiana Jones franchise by going on a strict diet and fitness regimen, but his heart went out to co-star Cate Blanchett, who was pregnant while filming her very physical villain scenes.

“She’s kind, but the minute ‘action’ is called, she’s not Cate any more. She’s mean. She was pregnant and doing these crazy swordfights, but she held her own for hours. Honestly, she’s a bad ass.”

At 21, he has an old head on his shoulders. “I hope this year holds more of the same, and I hope that I have a lot more smiles and Find Cate Mandigo laughs. If it continues as it is now, I think I’m going to really enjoy my year.”

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How the Pentagon Spreads Its Message on War

Sunday, April 20th, 2008

by David Barstow

(The NY Times)In the summer of 2005, the Bush administration confronted a fresh wave of criticism over Guantamo Bay. The detention center had just been branded he gulag of our times?by Amnesty International, there were new allegations of abuse from United Nations human rights experts and calls were mounting for its closure.

The administration communications experts responded swiftly.

Early one Friday morning, they put a group of retired military officers

on one of the jets normally used by Vice President Dick Cheney and flew them to Cuba for a carefully orchestrated tour of Guantamo.

To the public, these men are members of a familiar fraternity,

presented tens of thousands of times on television and radio as

ilitary analysts?whose long service has equipped them to give

authoritative and unfettered judgments about the most pressing issues

of the post-Sept. 11 world.

Hidden behind that appearance of objectivity, though, is a Pentagon

information apparatus that has used those analysts in a campaign to

generate favorable news coverage of the administration wartime

performance, an examination by The New York Times has found.

The effort, which began with the buildup to the Iraq

war and continues to this day, has sought to exploit ideological and

military allegiances, and also a powerful financial dynamic: Most of

the analysts have ties to military contractors vested in the very war

policies they are asked to assess on air.

Those business relationships are hardly ever disclosed to the

viewers, and sometimes not even to the networks themselves. But

collectively, the men on the plane and several dozen other military

analysts represent more than 150 military contractors either as

lobbyists, senior executives, board members or consultants. The

companies include defense heavyweights, but also scores of smaller

companies, all part of a vast assemblage of contractors scrambling for

hundreds of billions in military business generated by the

administration war on terror. It is a furious competition, one in

which inside information and easy access to senior officials are highly

prized.

Records and interviews show how the Bush administration has used

its control over access and information in an effort to transform the

analysts into a kind of media Trojan horse ?an instrument intended to

shape terrorism coverage from inside the major TV and radio networks.

Analysts have been wooed in hundreds of private briefings with

senior military leaders, including officials with significant influence

over contracting and budget matters, records show. They have been taken

on tours of Iraq and given access to classified intelligence. They have

been briefed by officials from the White House, State Department and

Justice Department, including Mr. Cheney, Alberto R. Gonzales and Stephen J. Hadley.

In turn, members of this group have echoed administration talking

points, sometimes even when they suspected the information was false or

inflated. Some analysts acknowledge they suppressed doubts because they

feared jeopardizing their access.

A few expressed regret for participating in what they regarded as

an effort to dupe the American public with propaganda dressed as

independent military analysis.

揑t was them saying, 慦e need to stick our hands up your back and

move your mouth for you,?nbsp;?Robert S. Bevelacqua, a retired Green Beret

and former Fox News analyst, said.

Kenneth Allard, a former NBC military analyst who has taught

information warfare at the National Defense University, said the

campaign amounted to a sophisticated information operation. his was a

coherent, active policy,?he said.

As conditions in Iraq deteriorated, Mr. Allard recalled, he saw a

yawning gap between what analysts were told in private briefings and

what subsequent inquiries and books later revealed.

揘ight and day,?Mr. Allard said, 揑 felt we抎 been hosed.?

The Pentagon defended its relationship with military analysts,

saying they had been given only factual information about the war. he

intent and purpose of this is nothing other than an earnest attempt to

inform the American people,?Bryan Whitman, a Pentagon spokesman, said.

It was, Mr. Whitman added, bit incredible?to think retired

military officers could be ound up?and turned into uppets of the

Defense Department.?/p>

Many analysts strongly denied that they had either been co-opted or

had allowed outside business interests to affect their on-air comments,

and some have used their platforms to criticize the conduct of the war.

Several, like Jeffrey D. McCausland, a CBS military analyst and defense

industry lobbyist, said they kept their networks informed of their

outside work and recused themselves from coverage that touched on

business interests.

揑抦 not here representing the administration,?Dr. McCausland said.

Some network officials, meanwhile, acknowledged only a limited

understanding of their analysts?interactions with the administration.

They said that while they were sensitive to potential conflicts of

interest, they did not hold their analysts to the same ethical

standards as their news employees regarding outside financial

interests. The onus is on their analysts to disclose conflicts, they

said. And whatever the contributions of military analysts, they also

noted the many network journalists who have covered the war for years

in all its complexity.

Five years into the Iraq war, most details of the architecture and

execution of the Pentagon campaign have never been disclosed. But The

Times successfully sued the Defense Department to gain access to 8,000

pages of e-mail messages, transcripts and records describing years of

private briefings, trips to Iraq and Guantamo and an extensive

Pentagon talking points operation.

These records reveal a symbiotic relationship where the usual

dividing lines between government and journalism have been obliterated.

Internal Pentagon documents repeatedly refer to the military

analysts as essage force multipliers?or urrogates?who could be

counted on to deliver administration hemes and messages?to millions

of Americans 搃n the form of their own opinions.?/p>

Though many analysts are paid network consultants, making $500 to

$1,000 per appearance, in Pentagon meetings they sometimes spoke as if

they were operating behind enemy lines, interviews and transcripts

show. Some offered the Pentagon tips on how to outmaneuver the

networks, or as one analyst put it to Donald H. Rumsfeld,

then the defense secretary, he Chris Matthewses and the Wolf Blitzers

of the world.?Some warned of planned stories or sent the Pentagon

copies of their correspondence with network news executives. Many ?
although certainly not all ?faithfully echoed talking points intended

to counter critics.

揋ood work,?Thomas G. McInerney, a retired Air Force general,

consultant and Fox News analyst, wrote to the Pentagon after receiving

fresh talking points in late 2006. e will use it.?/p>

Again and again, records show, the administration has enlisted

analysts as a rapid reaction force to rebut what it viewed as critical

news coverage, some of it by the networks?own Pentagon correspondents.

For example, when news articles revealed that troops in Iraq were dying

because of inadequate body armor, a senior Pentagon official wrote to

his colleagues: 揑 think our analysts ?properly armed ?can push back

in that arena.?/p>

The documents released by the Pentagon do not show any quid pro quo

between commentary and contracts. But some analysts said they had used

the special access as a marketing and networking opportunity or as a

window into future business possibilities.

John C. Garrett is a retired Army colonel and unpaid analyst for

Fox News TV and radio. He is also a lobbyist at Patton Boggs who helps

firms win Pentagon contracts, including in Iraq. In promotional

materials, he states that as a military analyst he 搃s privy to weekly

access and briefings with the secretary of defense, chairman of the Joint Chiefs of Staff

and other high level policy makers in the administration.?One client

told investors that Mr. Garrett special access and decades of

experience helped him o know in advance ?and in detail ?how best to

meet the needs?of the Defense Department and other agencies.

In interviews Mr. Garrett said there was an inevitable overlap

between his dual roles. He said he had gotten 搃nformation you just

otherwise would not get,?from the briefings and three

Pentagon-sponsored trips to Iraq. He also acknowledged using this

access and information to identify opportunities for clients. 揧ou

can help but look for that,?he said, adding, 揑f you know a

capability that would fill a niche or need, you try to fill it. hat

good for everybody.?/p>

At the same time, in e-mail messages to the Pentagon, Mr. Garrett

displayed an eagerness to be supportive with his television and radio

commentary. lease let me know if you have any specific points you

want covered or that you would prefer to downplay,?he wrote in January

2007, before President Bush went on TV to describe the surge strategy

in Iraq.

Conversely, the administration has demonstrated that there is a

price for sustained criticism, many analysts said. 揧ou抣l lose all

access,?Dr. McCausland said.

With a majority of Americans calling the war a mistake despite all

administration attempts to sway public opinion, the Pentagon has

focused in the last couple of years on cultivating in particular

military analysts frequently seen and heard in conservative news

outlets, records and interviews show.

Some of these analysts were on the mission to Cuba on June 24, 2005

?the first of six such Guantamo trips ?which was designed to

mobilize analysts against the growing perception of Guantamo as an

international symbol of inhumane treatment. On the flight to Cuba, for

much of the day at Guantamo and on the flight home that night,

Pentagon officials briefed the 10 or so analysts on their key messages

?how much had been spent improving the facility, the abuse endured by

guards, the extensive rights afforded detainees.

The results came quickly. The analysts went on TV and radio,

decrying Amnesty International, criticizing calls to close the facility

and asserting that all detainees were treated humanely.

he impressions that you抮e getting from the media and from the

various pronouncements being made by people who have not been here in

my opinion are totally false,?Donald W. Shepperd, a retired Air Force

general, reported live on CNN by phone from Guantamo that same

afternoon.

The next morning, Montgomery Meigs, a retired Army general and NBC

analyst, appeared on oday.?here been over $100 million of new

construction,?he reported. he place is very professionally run.?

Within days, transcripts of the analysts?appearances were

circulated to senior White House and Pentagon officials, cited as

evidence of progress in the battle for hearts and minds at home.

Charting the Campaign

By early 2002, detailed planning for a possible Iraq invasion was

under way, yet an obstacle loomed. Many Americans, polls showed, were

uneasy about invading a country with no clear connection to the Sept.

11 attacks. Pentagon and White House officials believed the military

analysts could play a crucial role in helping overcome this resistance.

Torie Clarke, the former public relations executive who oversaw the

Pentagon dealings with the analysts as assistant secretary of defense

for public affairs, had come to her job with distinct ideas about

achieving what she called 搃nformation dominance.?In a spin-saturated

news culture, she argued, opinion is swayed most by voices perceived as

authoritative and utterly independent.

And so even before Sept. 11, she built a system within the Pentagon

to recruit 搆ey influentials??movers and shakers from all walks who

with the proper ministrations might be counted on to generate support

for Mr. Rumsfeld priorities.

In the months after Sept. 11, as every network rushed to retain its

own all-star squad of retired military officers, Ms. Clarke and her

staff sensed a new opportunity. To Ms. Clarke team, the military

analysts were the ultimate 搆ey influential??authoritative, most of

them decorated war heroes, all reaching mass audiences.

The analysts, they noticed, often got more airtime than network

reporters, and they were not merely explaining the capabilities of

Apache helicopters. They were framing how viewers ought to interpret

events. What is more, while the analysts were in the news media, they

were not of the news media. They were military men, many of them

ideologically in sync with the administration neoconservative brain

trust, many of them important players in a military industry

anticipating large budget increases to pay for an Iraq war.

Even analysts with no defense industry ties, and no fondness for

the administration, were reluctant to be critical of military leaders,

many of whom were friends. 揑t is very hard for me to criticize the

United States Army,?said William L. Nash, a retired Army general and

ABC analyst. 揑t is my life.?/p>

Other administrations had made sporadic, small-scale attempts to

build relationships with the occasional military analyst. But these

were trifling compared with what Ms. Clarke team had in mind. Don

Meyer, an aide to Ms. Clarke, said a strategic decision was made in

2002 to make the analysts the main focus of the public relations push

to construct a case for war. Journalists were secondary. e didn

want to rely on them to be our primary vehicle to get information out,?
Mr. Meyer said.

The Pentagon regular press office would be kept separate from the

military analysts. The analysts would instead be catered to by a small

group of political appointees, with the point person being Brent T.

Krueger, another senior aide to Ms. Clarke. The decision recalled other

administration tactics that subverted traditional journalism. Federal

agencies, for example, have paid columnists to write favorably about

the administration. They have distributed to local TV stations hundreds

of fake news segments with fawning accounts of administration

accomplishments. The Pentagon itself has made covert payments to Iraqi

newspapers to publish coalition propaganda.

Rather than complain about the edia filter,?each of these

techniques simply converted the filter into an amplifier. This time,

Mr. Krueger said, the military analysts would in effect be riting the

op-ed?for the war.

Assembling the Team

From the start, interviews show, the White House took a keen

interest in which analysts had been identified by the Pentagon,

requesting lists of potential recruits, and suggesting names. Ms.

Clarke team wrote summaries describing their backgrounds, business

affiliations and where they stood on the war.

揜umsfeld ultimately cleared off on all invitees,?said Mr.

Krueger, who left the Pentagon in 2004. (Through a spokesman, Mr.

Rumsfeld declined to comment for this article.)

Over time, the Pentagon recruited more than 75 retired officers,

although some participated only briefly or sporadically. The largest

contingent was affiliated with Fox News, followed by NBC and CNN, the

other networks with 24-hour cable outlets. But analysts from CBS and

ABC were included, too. Some recruits, though not on any network

payroll, were influential in other ways ?either because they were

sought out by radio hosts, or because they often published op-ed

articles or were quoted in magazines, Web sites and newspapers. At

least nine of them have written op-ed articles for The Times.

The group was heavily represented by men involved in the business

of helping companies win military contracts. Several held senior

positions with contractors that gave them direct responsibility for

winning new Pentagon business. James Marks, a retired Army general and

analyst for CNN from 2004 to 2007, pursued military and intelligence

contracts as a senior executive with McNeil Technologies. Still others

held board positions with military firms that gave them responsibility

for government business. General McInerney, the Fox analyst, for

example, sits on the boards of several military contractors, including

Nortel Government Solutions, a supplier of communication networks.

Several were defense industry lobbyists, such as Dr. McCausland,

who works at Buchanan Ingersoll %26amp; Rooney, a major lobbying firm

where he is director of a national security team that represents

several military contractors. e offer clients access to key decision

makers,?Dr. McCausland team promised on the firm Web site.

Dr. McCausland was not the only analyst making this pledge. Another was Joseph W. Ralston,

a retired Air Force general. Soon after signing on with CBS, General

Ralston was named vice chairman of the Cohen Group, a consulting firm

headed by a former defense secretary, William Cohen, himself now a

orld affairs?analyst for CNN. he Cohen Group knows that getting to

憏es?in the aerospace and defense market ?whether in the United

States or abroad ?requires that companies have a thorough, up-to-date

understanding of the thinking of government decision makers,?the

company tells prospective clients on its Web site.

There were also ideological ties.

Two of NBC most prominent analysts, Barry R. McCaffrey

and the late Wayne A. Downing, were on the advisory board of the

Committee for the Liberation of Iraq, an advocacy group created with

White House encouragement in 2002 to help make the case for ousting Saddam Hussein. Both men also had their own consulting firms and sat on the boards of major military contractors.

Many also shared with Mr. Bush national security team a belief

that pessimistic war coverage broke the nation will to win in

Vietnam, and there was a mutual resolve not to let that happen with

this war.

This was a major theme, for example, with Paul E. Vallely, a Fox

News analyst from 2001 to 2007. A retired Army general who had

specialized in psychological warfare, Mr. Vallely co-authored a paper

in 1980 that accused American news organizations of failing to defend

the nation from 揺nemy?propaganda during Vietnam.

e lost the war ?not because we were outfought, but because we

were out Psyoped,?he wrote. He urged a radically new approach to

psychological operations in future wars ?taking aim at not just

foreign adversaries but domestic audiences, too. He called his approach

揗indWar??using network TV and radio to trengthen our national will

to victory.?/p>

The Selling of the War

From their earliest sessions with the military analysts, Mr.

Rumsfeld and his aides spoke as if they were all part of the same team.

In interviews, participants described a powerfully seductive

environment ?the uniformed escorts to Mr. Rumsfeld private

conference room, the best government china laid out, the embossed name

cards, the blizzard of PowerPoints, the solicitations of advice and

counsel, the appeals to duty and country, the warm thank you notes from

the secretary himself.

揙h, you have no idea,?Mr. Allard said, describing the effect.

揧ou抮e back. They listen to you. They listen to what you say on TV.?
It was, he said, syops on steroids??a nuanced exercise in influence

through flattery and proximity. 揑t not like it, 慦e抣l pay you

$500 to get our story out,??he said. 揑t more subtle.?/p>

The access came with a condition. Participants were instructed not

to quote their briefers directly or otherwise describe their contacts

with the Pentagon.

In the fall and winter leading up to the invasion, the Pentagon

armed its analysts with talking points portraying Iraq as an urgent

threat. The basic case became a familiar mantra: Iraq possessed

chemical and biological weapons, was developing nuclear weapons, and

might one day slip some to Al-Qaeda; an invasion would be a relatively quick and inexpensive ar of liberation.?/p>

At the Pentagon, members of Ms. Clarke staff marveled at the way

the analysts seamlessly incorporated material from talking points and

briefings as if it was their own.

揧ou could see that they were messaging,?Mr. Krueger said. 揧ou

could see they were taking verbatim what the secretary was saying or

what the technical specialists were saying. And they were saying it

over and over and over.?Some days, he added, e were able to click on

every single station and every one of our folks were up there

delivering our message. You抎 look at them and say, his is working.?nbsp;?/p>

On April 12, 2003, with major combat almost over, Mr. Rumsfeld

drafted a memorandum to Ms. Clarke. 揕et think about having some of

the folks who did such a good job as talking heads in after this thing

is over,?he wrote.

By summer, though, the first signs of the insurgency had emerged.

Reports from journalists based in Baghdad were increasingly suffused

with the imagery of mayhem.

The Pentagon did not have to search far for a counterweight.

It was time, an internal Pentagon strategy memorandum urged, to

搑e-energize surrogates and message-force multipliers,?starting with

the military analysts.

The memorandum led to a proposal to take analysts on a tour of Iraq

in September 2003, timed to help overcome the sticker shock from Mr.

Bush request for $87 billion in emergency war financing.

The group included four analysts from Fox News, one each from CNN

and ABC, and several research-group luminaries whose opinion articles

appear regularly in the nation op-ed pages.

The trip invitation promised a look at he real situation on the ground in Iraq.?/p>

The situation, as described in scores of books, was deteriorating. L. Paul Bremer III,

then the American viceroy in Iraq, wrote in his memoir, 揗y Year in

Iraq,?that he had privately warned the White House that the United

States had bout half the number of soldiers we needed here.?/p>

e抮e up against a growing and sophisticated threat,?Mr. Bremer

recalled telling the president during a private White House dinner.

That dinner took place on Sept. 24, while the analysts were touring Iraq.

Yet these harsh realities were elided, or flatly contradicted,

during the official presentations for the analysts, records show. The

itinerary, scripted to the minute, featured brief visits to a model

school, a few refurbished government buildings, a center for women

rights, a mass grave and even the gardens of Babylon.

Mostly the analysts attended briefings. These sessions, records

show, spooled out an alternative narrative, depicting an Iraq bursting

with political and economic energy, its security forces blossoming. On

the crucial question of troop levels, the briefings echoed the White

House line: No reinforcements were needed. The 揼rowing and

sophisticated threat?described by Mr. Bremer was instead depicted as

degraded, isolated and on the run.

e抮e winning,?a briefing document proclaimed.

One trip participant, General Nash of ABC, said some briefings were

so clearly rtificial?that he joked to another group member that they

were on he George Romney memorial trip to Iraq,?a reference to Mr.

Romney infamous claim that American officials had 揵rainwashed?him

into supporting the Vietnam War during a tour there in 1965, while he

was governor of Michigan.

But if the trip pounded the message of progress, it also

represented a business opportunity: direct access to the most senior

civilian and military leaders in Iraq and Kuwait, including many with a

say in how the president $87 billion would be spent. It also was a

chance to gather inside information about the most pressing needs

confronting the American mission: the acute shortages of 搖p-armored?
Humvees; the billions to be spent building military bases; the urgent

need for interpreters; and the ambitious plans to train Iraq security

forces.

Information and access of this nature had undeniable value for trip participants like William V. Cowan and Carlton A. Sherwood.

Mr. Cowan, a Fox analyst and retired Marine colonel, was the chief

executive of a new military firm, the wvc3 Group. Mr. Sherwood was its

executive vice president. At the time, the company was seeking

contracts worth tens of millions to supply body armor and

counterintelligence services in Iraq. In addition, wvc3 Group had a

written agreement to use its influence and connections to help tribal

leaders in Al Anbar Province win reconstruction contracts from the

coalition.

hose sheiks wanted access to the C.P.A.,?Mr. Cowan recalled in an

interview, referring to the Coalition Provisional Authority.

Mr. Cowan said he pleaded their cause during the trip. 揑 tried to

push hard with some of Bremer people to engage these people of Al

Anbar,?he said.

Back in Washington, Pentagon officials kept a nervous eye on how the

trip translated on the airwaves. Uncomfortable facts had bubbled up

during the trip. One briefer, for example, mentioned that the Army was

resorting to packing inadequately armored Humvees with sandbags and

Kevlar blankets. Descriptions of the Iraqi security forces were

withering. hey can shoot, but then again, they don,?one officer

told them, according to one participant notes.

揑 saw immediately in 2003 that things were going south,?General

Vallely, one of the Fox analysts on the trip, recalled in an interview

with The Times.

The Pentagon, though, need not have worried.

揧ou can believe the progress,?General Vallely told Alan Colmes

of Fox News upon his return. He predicted the insurgency would be own

to a few numbers?within months.

e could not be more excited, more pleased,?Mr. Cowan told Greta

Van Susteren of Fox News. There was barely a word about armor shortages

or corrupt Iraqi security forces. And on the key strategic question of

the moment ?whether to send more troops ?the analysts were unanimous.

揑 am so much against adding more troops,?General Shepperd said on CNN.

Access and Influence

Inside the Pentagon and at the White House, the trip was viewed as a

masterpiece in the management of perceptions, not least because it gave

fuel to complaints that ainstream?journalists were ignoring the good

news in Iraq.

e抮e hitting a home run on this trip,?a senior Pentagon official wrote in an e-mail message to Richard B. Myers and Peter Pace, then chairman and vice chairman of the Joint Chiefs of Staff.

Its success only intensified the Pentagon campaign. The pace of

briefings accelerated. More trips were organized. Eventually the effort

involved officials from Washington to Baghdad to Kabul to Guantamo

and back to Tampa, Fla., the headquarters of United States Central

Command.

The scale reflected strong support from the top. When officials in

Iraq were slow to organize another trip for analysts, a Pentagon

official fired off an e-mail message warning that the trips ave the

highest levels of visibility?at the White House and urging them to get

moving before Lawrence Di Rita, one of Mr. Rumsfeld closest aides,

icks up the phone and starts calling the 4-stars.?/p>

Mr. Di Rita, no longer at the Defense Department, said in an

interview that a 揷onscious decision?was made to rely on the military

analysts to counteract he increasingly negative view of the war?
coming from journalists in Iraq. The analysts, he said, generally had

more supportive view?of the administration and the war, and the

combination of their TV platforms and military cachet made them ideal

for rebutting critical coverage of issues like troop morale, treatment

of detainees, inadequate equipment or poorly trained Iraqi security

forces. 揙n those issues, they were more likely to be seen as credible

spokesmen,?he said.

For analysts with military industry ties, the attention brought

access to a widening circle of influential officials beyond the

contacts they had accumulated over the course of their careers.

Charles T. Nash, a Fox military analyst and retired Navy captain, is

a consultant who helps small companies break into the military market.

Suddenly, he had entree to a host of senior military leaders, many of

whom he had never met. It was, he said, like being embedded with the

Pentagon leadership. 揧ou start to recognize what most important to

them,?he said, adding, here nothing like seeing stuff firsthand.?

Some Pentagon officials said they were well aware that some

analysts viewed their special access as a business advantage. 揙f

course we realized that,?Mr. Krueger said. e weren na飗e about

that.?/p>

They also understood the financial relationship between the networks

and their analysts. Many analysts were being paid by the it,?the

number of times they appeared on TV. The more an analyst could boast of

fresh inside information from high-level Pentagon ources,?the more

hits he could expect. The more hits, the greater his potential

influence in the military marketplace, where several analysts

prominently advertised their network roles.

hey have taken lobbying and the search for contracts to a far higher level,?Mr. Krueger said. his has been highly honed.?

Mr. Di Rita, though, said it never occurred to him that analysts

might use their access to curry favor. Nor, he said, did the Pentagon

try to exploit this dynamic. hat not something that ever crossed my

mind,?he said. In any event, he argued, the analysts and the networks

were the ones responsible for any ethical complications. e assume

they know where the lines are,?he said.

The analysts met personally with Mr. Rumsfeld at least 18 times,

records show, but that was just the beginning. They had dozens more

sessions with the most senior members of his brain trust and access to

officials responsible for managing the billions being spent in Iraq.

Other groups of 搆ey influentials?had meetings, but not nearly as

often as the analysts.

An internal memorandum in 2005 helped explain why. The memorandum,

written by a Pentagon official who had accompanied analysts to Iraq,

said that based on her observations during the trip, the analysts re

having a greater impact?on network coverage of the military. hey

have now become the go-to guys not only on breaking stories, but they

influence the views on issues,?she wrote.

Other branches of the administration also began to make use of the

analysts. Mr. Gonzales, then the attorney general, met with them soon

after news leaked that the government was wiretapping terrorism

suspects in the United States without warrants, Pentagon records show.

When David H. Petraeus was appointed the commanding general in Iraq in January 2007, one of his early acts was to meet with the analysts.

e knew we had extraordinary access,?said Timur J. Eads, a

retired Army lieutenant colonel and Fox analyst who is vice president

of government relations for Blackbird Technologies, a fast-growing

military contractor.

Like several other analysts, Mr. Eads said he had at times held his

tongue on television for fear that ome four-star could call up and

say, æ…˜ill that contract.?nbsp;?For example, he believed Pentagon

officials misled the analysts about the progress of Iraq security

forces. 揑 know a snow job when I see one,?he said. He did not share

this on TV.

揌uman nature,?he explained, though he noted other instances when he was critical.

Some analysts said that even before the war started, they privately

had questions about the justification for the invasion, but were

careful not to express them on air.

Mr. Bevelacqua, then a Fox analyst, was among those invited to a

briefing in early 2003 about Iraq purported stockpiles of illicit

weapons. He recalled asking the briefer whether the United States had

moking gun?proof.

?nbsp;æ…¦e don have any hard evidence,?nbsp;?Mr. Bevelacqua recalled the

briefer replying. He said he and other analysts were alarmed by this

concession. e are looking at ourselves saying, æ…¦hat are we doing??nbsp;?

Another analyst, Robert L. Maginnis, a retired Army lieutenant

colonel who works in the Pentagon for a military contractor, attended

the same briefing and recalled feeling 搗ery disappointed?after being

shown satellite photographs purporting to show bunkers associated with

a hidden weapons program. Mr. Maginnis said he concluded that the

analysts were being anipulated?to convey a false sense of certainty

about the evidence of the weapons. Yet he and Mr. Bevelacqua and the

other analysts who attended the briefing did not share any misgivings

with the American public.

Mr. Bevelacqua and another Fox analyst, Mr. Cowan, had formed the

wvc3 Group, and hoped to win military and national security contracts.

here no way I was going to go down that road and get completely

torn apart,?Mr. Bevelacqua said. 揧ou抮e talking about fighting a huge

machine.?

Some e-mail messages between the Pentagon and the analysts reveal an

implicit trade of privileged access for favorable coverage. Robert H.

Scales Jr., a retired Army general and analyst for Fox News and National Public Radio

whose consulting company advises several military firms on weapons and

tactics used in Iraq, wanted the Pentagon to approve high-level

briefings for him inside Iraq in 2006.

揜ecall the stuff I did after my last visit,?he wrote. 揑 will do the same this time.?/p>

Pentagon Keeps Tabs

As it happened, the analysts?news media appearances were being

closely monitored. The Pentagon paid a private contractor, Omnitec

Solutions, hundreds of thousands of dollars to scour databases for any

trace of the analysts, be it a segment on he O扲eilly Factor?or an

interview with The Daily Inter Lake in Montana, circulation 20,000.

Omnitec evaluated their appearances using the same tools as

corporate branding experts. One report, assessing the impact of several

trips to Iraq in 2005, offered example after example of analysts

echoing Pentagon themes on all the networks.

揅ommentary from all three Iraq trips was extremely positive over all,?the report concluded.

In interviews, several analysts reacted with dismay when told they

were described as reliable urrogates?in Pentagon documents. And some

asserted that their Pentagon sessions were, as David L. Grange, a

retired Army general and CNN analyst put it, 搄ust upfront

information,?while others pointed out, accurately, that they did not

always agree with the administration or each other. 揘one of us drink

the Kool-Aid,?General Scales said.

Likewise, several also denied using their special access for

business gain. 揘ot related at all,?General Shepperd said, pointing

out that many in the Pentagon held CNN 搃n the lowest esteem.?

Still, even the mildest of criticism could draw a challenge.

Several analysts told of fielding telephone calls from displeased

defense officials only minutes after being on the air.

On Aug. 3, 2005, 14 marines died in Iraq. That day, Mr. Cowan, who

said he had grown increasingly uncomfortable with the wisted version

of reality?being pushed on analysts in briefings, called the Pentagon

to give heads-up?that some of his comments on Fox ay not all be

friendly,?Pentagon records show. Mr. Rumsfeld senior aides quickly

arranged a private briefing for him, yet when he told Bill O’Reilly that the United States was 搉ot on a good glide path right now?in Iraq, the repercussions were swift.

Mr. Cowan said he was recipitously fired from the analysts group?
for this appearance. The Pentagon, he wrote in an e-mail message,

imply didn like the fact that I wasn carrying their water.?The

next day James T. Conway, then director of operations for the Joint

Chiefs, presided over another conference call with analysts. He urged

them, a transcript shows, not to let the marines?deaths further erode

support for the war.

he strategic target remains our population,?General Conway said.

e can lose people day in and day out, but they抮e never going to beat

our military. What they can and will do if they can is strip away our

support. And you guys can help us not let that happen.?/p>

揋eneral, I just made that point on the air,?an analyst replied.

揕et work it together, guys,?General Conway urged.

The Generals?Revolt

The full dimensions of this mutual embrace were perhaps never

clearer than in April 2006, after several of Mr. Rumsfeld former

generals ?none of them network military analysts ?went public with

devastating critiques of his wartime performance. Some called for his

resignation.

On Friday, April 14, with what came to be called the 揋enerals?
Revolt?dominating headlines, Mr. Rumsfeld instructed aides to summon

military analysts to a meeting with him early the next week, records

show. When an aide urged a short delay to 揼ive our big guys on the

West Coast a little more time to buy a ticket and get here,?Mr.

Rumsfeld office insisted that he boss?wanted the meeting fast 揻or

impact on the current story.?

That same day, Pentagon officials helped two Fox analysts, General

McInerney and General Vallely, write an opinion artic