Findcate

Let’s pause for a minute amidst the scatty cacophony to John Edwards’ affair with his flighty “videographer,” who no reasonable person would pay to film paint dry.

No, it’s the fact that the down-home son of a millworker with his lazy Carolinian drawl (and lily-white skin) was supposed to be the safe bet for the Democrats. Jaded liberals squawked that America would never go for the ballsy chick or the black dude, so you’ll vote for Edwards and you’ll like it.

That’s the best we can hope for. America’s just not ready and all that.

Of course, folks in Iowa didn’t listen to the conventional wisdom and the rest is history. But even after Barack Obama secured the nomination, a pundit here or there would sourly mumble that he was floundering because of that black thing, needling that John Edwards would be blowing John McCain out of the water.

Which amounts to a nice theory for political science students to contemplate in between Jager bombs at the bar. Those of us in the real world rejected the Plastic One because we didn’t know who he was (even after being a few thousand votes in Ohio away from the vice presidency in ‘04) and didn’t trust him.

After observing and interviewing Edwards at political events since 2003, I can say that he was heavy on sheen and light on substance. He said all the right things, repeating Democratic talking points in his artful, aw-shucks way. The father of three was great at kissing babies.

But there was no way His Contrivance seemed ready to take that 3 a.m. phone call. (Although I would vote for him to play the president on tee-vee. His coif is killer).

So maybe that’s why few of us were shocked at his revelations that yes, he actually did dally with Rielle Hunter, who still sports ’80s Madonna hair as a nod to her days as a coked-out New York clubhopper.

To think that Elizabeth Edwards (who Rielle sniffed “didn’t give off good energy”) will have to spend her last years shuddering from this humiliation is just vile. Monsieur Edwards claims he told his family, which presumably includes his eldest daughter, Cate, a Harvard law student. Maybe his other two kids, 8 and 10, can find out as a Christmas present later after Mommy’s passed away.

Edwards, who nailed himself in an ABC interview as a narcissist, has cringingly insisted there’s nothing more for anyone to say as “I’ve stripped myself bare.” Well, there are questions of the paternity of Hunter’s daughter and if this was the first time the senator strayed.

But that’s just a measure on the hypocrisy scale. It’s the political implications that I’m interested in.

Just think for a moment if he were the nominee. This would be game-over for the Dems. You can argue that McCain dumping his disfigured wife for an Anheuser heiress 18 years his junior would become an issue. Perhaps. But that was almost 30 years ago and all we see now is silver-maned Cindy, doting mother of seven.

We can have a robust debate whether extramarital affairs should have any place in political discourse. I vote no, but I’m a journalistic curmudgeon, in spite of my Gen X birthday and the fact that I’m paid to blog. But Edwards’ tryst is out there (and how). Given the appalling scenario with his wife’s metastatic cancer, I don’t really feel like doing him any favors by ignoring the political fallout.

The reality is that this kind of salacious scandal is ruinous for politicians, especially when it reinforces the very doubts people had about the candidate in the first place. Edwards knows this, having watched Bill Clinton implode (and castigating him for it).

Which is another crisis likely averted by not picking Hillary as the nominee, besides the fact that she could unite the right in a way McCain never will. Who knows when Bill’s next bimbo eruption would strike, not to mention his less sexy, but far more troubling dealings in Dubai. That’s the real reason Clinton’s not on Obama’s veep short list, not bad blood after a bruising primary.

When it comes to arrogant politicians’ penchant for extracurricular activities, the more things change, the more they stay the same.

And so a skinny black guy with big ears, a funny name (and the magazine-cover perfect family) is not only the voters’ choice, but has turned out to be the Dems’ safest bet for presidency.

Tags: barack obama, cacophony, cate, contrivance, conventional wisdom, drawl, elizabeth edwards, film paint, humiliation, indy, jager bombs, john edwards, john mccain, journalist, political science students, pundit, reasonable person, safe bet, vice presidency

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When ‘Indiana Jones and the Kingdom of the Crystal Skull’ opens the year is 1957 and we find our hero has been taken prisoner by a group of Soviets who have infiltrated the US Army’s notorious ‘Area 51′ looking for something the army has secretly stored there.

After Indy helps them locate what they’re looking for he expedites a ‘high speed’ escape before falling into the clutches of the US Army, after almost getting caught in the middle of a major nuclear weapons test.

After all this excitement Indiana returns to teaching only to be told, by his college principal, that because of the FBI’s ‘interest’ in him he is going to be suspended.

As Indy is about to head off on a trip to England he meets a young man  who asks for his help to find his mother, and his old professor, who have gone missing in South America.

Before the professor went missing he was searching for the mythical Crystal Skull of Akatar and this, along with the arrival of a number of KGB agents, prompts Indy to agree to help young Mutt and the pair head off in search of this elusive archaeological treasure.

Shortly after arriving in Peru Indy picks up the trail left by his old friend and he soon finds himself in an old graveyard where he discovered a hidden chamber where he locates the Crystal Skull.

However, the pair have been followed and, once again, Indy finds himself captured by the Russians, led by Cate Blanchett.

Aside from a few more wrinkles, and a tendency to wear his khakis a bit high at the waist, Harrison Ford rolls back the years to reprise one of the roles which made him a Hollywood megastar.

The film is directed by Steven Spielberg and rolls along at a pretty hectic pace. The opening half hour is non-stop and highly watchable although I felt a chase sequence through the jungle looked like it was all done in front of a blue screen, or on a computer.

If ‘Crystal Skull’ has an Achilles heel and it does it’s the story. The plot starts off fairly interesting but turns into complete hokum as it develops, and would be more at home in an episode of ‘X-Files’ than in a Indiana Jones movie.

What you do get with ‘Indiana Jones and the Kingdom of the Crystal Skull’ is some excellent chase sequences, lots of high speed action, some exotic locations and the re-introduction of one of the big screen’s favourite characters to the movie going public.

And while the movie is very enjoyable, and well put together, the plot is very weak and unfortunately lets down what is otherwise a very enjoyable adventure romp.

Tags: achilles heel, archaeological treasure, area 51, cate, cate blanchett, chase sequences, clutches, college principal, crystal skull, ford, harrison ford, hectic pace, hero, hokum, hollywood, indiana jones, indy, kgb agents, khakis, megastar, mutt, nuclear weapons test, old graveyard, pace, romp, soviets, spielberg, steven spielberg, us army

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BREAKING through the cobwebs to revisit a classic franchise whose last film was nearly 20 years ago was never going to be an easy challenge, even for intrepid adventurer Indiana Jones, who’s well-known for rediscovering old relics - but director Steven Spielberg has definitely pulled it off.

An ageing Harrison Ford dusts off his character’s fedora as Indiana Jones and the Kingdom of the Crystal Skulls takes some daring risks and manages to create a rip-roaring piece of summer entertainment with Ford’s charm, Spielberg’s cinematic magic and the excellent new addition of the surprisingly charismatic Shia LaBeouf.

The movie works as a piece of summer entertainment that can be proudly appended to the previous Indy outings, and the film-making is superb with some stunning visuals and action sequences.

This project was always going to get a mixed response - stick to the original formula and some cry that it’s too tired and dated; make radical changes and you risk people saying it’s no longer Indiana Jones. The finished film is very much in the spirit of the originals, with some additions (LaBeouf and a somewhat out-of-this-world storyline) to take it in new directions.

In the story, Indiana Jones and a new companion, biker Mutt Williams (LaBeouf, above right), battle Soviet agents led by Irina Spalko (Cate Blanchett) in a quest to find a crystal skull in Peru which is said to have untold power.

Where it falls short in places is in the writing. Even dismissing the usual Indy cliches (bullets that never hit the target, impossible stunts and death-trap temples), some comic moments feel contrived, some explanations don’t work and the fates of some of the baddies left me totally unsatisfied.

The audience seemed to enjoy the movie and, as I left, one man remarked: “I went in with trepidation but it was excellent” to nodding approval from those around, and that’s exactly how I felt.

I’ll take a look at some of the details of the movie below, so don’t read further if you don’t want to know all the shocks and surprises - instead, come back after you’ve seen the movie and tell me if you agree,

THE DETAILS

This is a genre which has exploded since the first three movies with other quest films such as Tomb Raider, The Mummy and National Treasure, so director Spielberg and co-writer and executive producer George Lucas clearly felt the need to take the story to the next level with Crystal Skull.

Elements of Spielberg’s classic E.T. have now entered the Indiana franchise with this latest movie featuring alien remains, a reference to the Roswell incident and ending with a full-blown flying saucer emerging from an ancient pyramid.

There was a lot of anxiety from some fans before the movie about taking Indy’s archaeological quests into extraterrestrial territory - it does work in the film, though seeing a living alien near the end seemed unnecessary.

And the final explanation of the ‘gold’ of the lost city being the treasure of knowledge didn’t feel right at all, more like a writers’ cop-out. Despite the amazing final scenes at the temple in south America, that explanation seemed phoney and misleading.

The death of Winstone’s treacherous character - who was irritating from the moment he stepped on screen - was largely unsatisfying as was the demise of Blanchett’s eccentric Soviet agent (with bobbed hair, leather boots and a boiler suit). They needed to die - but it should have been more gratifying to the audience and not so rushed. I’m at least relieved that Winstone won’t be annoying me in future Indy movies.

Ford and romantic co star Karen Allen are now decidely advanced in years and one wonders how the franchise can carry on with either of them in physical action roles. Indy’s new sidekick Mutt who turns out to be his son seems to have been there to plant the possibility of him being Jones’ replacement.

Tags: action sequences, baddies, cate, cate blanchett, comic moments, crystal skull, crystal skulls, death trap, director spielberg, director steven spielberg, dusts, finished film, ford, franchise, george lucas, harrison ford, hero, indiana jones, indy, intrepid adventurer, irina, karen allen, last film, mutt, national treasure, new companion, shia labeouf, soviet agents, spielberg, steven spielberg, story indiana, stunning visuals, summer entertainment, target

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A little more rugged and world-weary but still as handsome as when we were first introduced to him in The Raiders of the Lost Ark, Professor Henry “Indiana” Jones is back in Indiana Jones and the Kingdom of the Crystal Skull. Now a card-carrying member of the AARP, things run a little more slowly and the over the hill jokes are a must. I was hoping that the film would capture the magic of the previous three, but alas, it did not.

indy.jpgMutt finds Indy on his way to London and tells him that Professor Oxley (John Hurt), a former classmate of Indy’s and friend of Mutt’s family, has gone missing down in South America on his search for a crystal skull. Mutt’s mom is down there and told her if she was in trouble to find Indy to help. Intrigued, Indy and Mutt venture down to Peru to find the two.

A college town chase scene ensues, followed later by a fun romp/chase through the jungles (reminiscent of the Endor speeder bike scene from Return of the Jedi). These are the elements most like the old Indy films.

While everyone, even myself, anticipated another Indiana Jones film after Last Crusade, I’m wondering now if the franchise was better left alone. Indiana Jones and the Last Crusade was, by far, my favorite film – with a far better story and a chemistry between Ford and Sean Connery that far surpasses the chemistry between Ford and LaBeouf.

It’s still a great popcorn flick, but so far Iron Man is the tops of my list of 2008 summer movies.

Tags: bike scene, cate, chase scene, classmate, crystal skull, endor, ford, franchise, henry indiana, hill jokes, indiana jones, indiana jones and the last crusade, indy, indy films, iron man, jungles, last crusade, mutt, oxley, popcorn flick, professor henry, raiders of the lost ark, return of the jedi, romp, sean connery, way to london

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Indy’s back after a 19 year break and not much has changed. Indiana Jones first came to the screen in 1981 with Raiders of the Lost Ark and then returned in 1984 for The Temple of Doom, and finally The Last Crusade in 1989. Last time Indy was on the screen, he was in the 1930’s and they have kept time and date by replacing the 30’s setting with a 50’s setting on this fourth Indiana Jones installment.

Harrison Ford returns as Indy. He’s a little bit older, but still the same old Indy and Ford delivers. Much was discussed about his age, but he fits right back into the role beautifully. Karen Allen, who played Marion Ravenwood in Raiders is back as a former love of Indy who now has a son, Mutt Williams, played by Shia LeBeouf. Many were concerned with the casting of Shia, but he holds his own sharing screen time with the legend Harrison Ford. Adding to newcomer Shia, is the main villain played by Cate Blanchett. Cate is an excellent actress and plays a Russian villain extremely well. Overall, wonderful new casting adds to the already solid original cast that returned.

The fourth Indy flick involves the Russian KGB kidnapping Jones to enlist his services in finding a cargo crate with mysterious contents. Indy eventually escapes only to get tangled back up with the Russians later on, when it is revealed that Indy’s old friend has been captured by them over a powerful artifact, the Crystal Skull. Indy sets out to free his friend and reveal the mystery of the Crystal Skull.

To avoid spoilers on the movie, I’ve been and will be relatively vague in this review. One of the main plot points that isn’t really a secret is that Mutt(LeBeouf) is actually Indy’s son. This particular plot elements really brings the movie up as Shia and Harrison have a on screen chemistry reminiscent of the chemistry between Harrison and Sean Connery who played his father in The Last Crusade. I always enjoyed the emotional and funny connections made between father and son in the Last Crusade and it is a welcome addition to the new flick.

The only thing better would have been to have Sean Connery in there as well, but Mr. Connery turned down the opportunity to reprise his role as he doesn’t want to come out of retirement. Luckily, they brought back Karen Allen who is absolutely marvelous reprising the role of Marion Ravenwood. From the moment she is introduced, the movie feels complete. Indy and Marion back on screen together is magic in itself, especially if you are a fan of the first Indy flick, which is the best one.

Overall, the story is great. It feels like it could have been better, but they did such a great job making the script play older to fit in with the previous Indiana Jones movies, while also updating enough to play to modern audiences that a few dragging points and interesting story choices don’t ruin it for me. Coupled with a great story and wonderful actors/actresses, the only thing left is a great director and who better than Steven Spielburg. Spielburg did such a great job with the first three Indiana Jones movies that I’m so glad that he choose to return for the 4th. It wouldn’t quite be Indiana Jones without the trademarked Spielburg directing style and flare. He really shows his knack for action and adventure thrills in this flick. From exciting chases, gun play, and killer ants, Spielburg films them all with the utmost care to detail and thrills.

There are so many wonderful action sequences and thrills that Indy keeps your attention on the screen. The movie is literally jam packed with great moments, lines, and nostalgia. If you have watched any of the previous Indiana Jones movies and liked/loved them, you’ll most likely like/love this new flick. If you didn’t like the original films, then we don’t talk to you. If you haven’t seen the originals, don’t cheat yourself! Go watch the originals in the order they were released and then go see Crystal Skull. I don’t remember what Indiana Jones film I saw first. I remember in my later years that I watched the whole trilogy at once, but I’m sure I had seen some of not all of them before that.

Either way, my favorite of the series, including the Crystal Skull, is the classic first one, Raiders of the Lost Ark. Coming in second is The Last Crusade, with Crystal Skull popping in right underneath the Last Crusade, almost tying it. The Temple of Doom comes in just slightly underneath them all. I stick Crystal Skull so close to The Last Crusade because it’s hard for me to choose which one I like better. There is a definite first place and last place winner, but the two other flicks just float in between. Now to say that The Temple of Doom is my least favorite of the Jones Trilogy is still quite a compliment. I rate the Jones Trilogy pretty high and that includes the extremely good Temple of Doom. It’s just when you have four excellent films fighting for your favorite spot, one has to come last even if it is a marvelous film.

The new installment of Indiana Jones is a don’t miss event. This is a great film throughout and is well worth the price of admission. This is a wonderful new film and it’s a grand experience hanging out with some old friends and seeing what they have been up to over the past 19 years, only to find out, they are still doing what they love and causing trouble.

Tags: action sequences, actress, cate, cate blanchett, crystal skull, father and son, ford, harrison ford, indiana jones, indy, job, karen allen, last crusade, marion ravenwood, mutt, original cast, plot elements, plot points, price of admission, raiders of the lost ark, russian kgb, screen chemistry, screen time, sean connery, shia lebeouf, temple of doom, time and date, welcome addition

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“Crystal Skull” even dusts off the Russians, so severely under- exploited in recent years, as the bad guys. Up against them, Indiana Jones is once again played by Harrison Ford, who is now 65 but looks a lot like he did at 55 or 46, which is how old he was when he made “Last Crusade.” He has one of those Robert Mitchum faces that doesn’t age, it only frowns more.

He and his sidekick Mac McHale (Ray Winstone) are taken by the cool, contemptuous Soviet uber-villainess Irina Spalko (Cate Blanchett) to a cavernous warehouse to seek out a crate he saw there years ago. The contents of the crate are hyper- magnetic (lord, I love this stuff) and betray themselves when Indy throws a handful of gunpowder into the air.

In ways too labyrinthine to describe, the crate leads Indy, Mac, Irina and the Russians far up the Amazon. Along the way they’ve gathered Marion Ravenwood (Karen Allen), Indy’s girlfriend from the first film, and a young biker named Mutt Williams (Shia LeBeouf), who is always combing his ducktail haircut. They also acquire Professor Oxley (John Hurt), elderly colleague from the University of Chicago, whose function is to read all the necessary languages, know all the necessary background, and explain everything.

What happens in South America is explained by the need to create (1) sensational chase sequences, and (2) awe-inspiring spectacles. We get such sights as two dueling Jeep-like vehicles racing down parallel roads. Not many of the audience members will be as logical as I am, and wonder who went to the trouble of building parallell roads in a rain forest.

Most of the major characters eventually find themselves at the wheels of both vehicles; they leap or are thrown from one to another, and the vehicles occasionally leap right over one another. And that Irina, she’s something. Her Russian backups are mostly just atmosphere, useful for pointing their rifles at Indy, but she can fight shoot, fence, drive, leap and kick, and keep on all night.

Tags: amazon, audience members, cate, cate blanchett, chase sequences, crystal skull, ducktail haircut, dusts, ford, gunpowder, harrison ford, indiana jones, indy, irina, karen allen, last crusade, mac mchale, marion ravenwood, mutt, necessary background, necessary languages, oxley, parallel roads, rain forest, ray winstone, robert mitchum, shia lebeouf, ups

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George Lucas has had an idea for a fourth Indiana Jones movie for more than a decade now, but Spielberg and Ford wanted nothing to do with it. Eventually he wore them down and the result is Indiana Jones and the Kingdom of the Crystal Skull. It’s easy to see why Spielberg and Ford were hesitant to make it.

Indiana’s survival is now the stuff of utter fantasy. Sure the tight spots he made it out of in previous movies stretched the bounds of believability, but now those bounds have been broken, snapped, and tossed straight out the window. Indiana Jones and the Kingdom of the Crystal Skull does that in the first fifteen minutes, when Indy survives something so ludicrous that it’s right out of a bad, 1950s, sci-fi serial; which of course is what Lucas and Spielberg are using as inspiration.

He may be more grumpy and he may not be much of a dresser, but the glimmer hasn’t entirely gone out of Harrison’s eyes. We’re reacquainted with Indy in the midst of intrigue involving Russians. It’s the 50s, the Nazis have been defeated, and that means Indy must now fight communism. The Reds are led by an army officer named Irina Spalko, played by Cate Blanchett.

From the outset she’s no match for Indiana Jones, and Cate’s take on the character seems to involve a lot of gaping and staring. Spalko is after an American secret and she drags Indy out to a certain spot in the Nevada desert, where our adventure begins, offset by comedic gophers which seem to have wandered over from the set of Caddyshack. From Nevada it’s off to South America, where the gophers are replaced by monkeys, and jungle clue chasing with Indiana and his friends can begin in earnest.

But you’re here for adventure and there’s plenty of that. The movie soars in several character driven action sequences, and sags in others. Indiana has another one of those genius “shoot the sword guy” moments which alone makes Kingdom of the Crystal Skull worth the price of admission. Most of the effects are good, and it’s all well staged. Unfortunately, sometimes perhaps a little too well staged. This Indiana Jones feels less organic than any of the other movies. It feels more choreographed. Of course it’s all choreographed, but some of the action sequences in this one seem more like dance numbers than truly dangerous, rock-em-sock em Indiana Jones action.

Even though old age should mean he’s more fragile, I never truly felt like Indiana was in trouble, and I’m not sure he ever did either. Maybe it’s because some of it goes so far over the top that it crosses that believability line I mentioned earlier. Or, and I hate to keep harping on this, maybe it’s Harrison’s age. There’s no way a guy this grey could pull any of this off, and so when he does, it’s harder than ever to buy into any of it.

The idea of a fourth Indiana Jones movie is better than the reality, and a few years from now I guarantee fans will find themselves more likely to re-watch Temple of Doom than to revisit this entertaining, yet past its prime Indy entry.

Tags: 1950s, action sequences, army officer, believability, caddyshack, cate, cate blanchett, crystal skull, fifteen minutes, ford, fourth indiana jones movie, george lucas, gophers, indiana jones, indy, irina, nevada desert, outset, price of admission, sags, soars, spielberg, spira, temple of doom, tight spots

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Indiana Jones received louder applause going in than he did coming out.

His latest adventure, “Indiana Jones and the Kingdom of the Crystal Skull,” earned a respectful though far from glowing — reception Sunday at the Cannes Film Festival, avoiding the sort of thrashing the event’s harsh critics gave to “The Da Vinci Code” two years ago.

Yet Indy’s fourth big-screen romp is not likely to go down as one of the most memorable. Some viewers at its first press screening loved it, some called it slick and enjoyable though formulaic, some said it was not worth the 19-year wait since Steven Spielberg, George Lucas and Harrison Ford made the last film.

“They should have left well enough alone,” said J. Sperling Reich, who writes for FilmStew.com. “It really looked like they were going through the motions. It really looked like no one had their heart in it.”

Alain Spira of French magazine Paris Match found “Crystal Skull” a perfectly acceptable “Indiana Jones” tale, a sentiment echoed by the solid applause the movie received as the final credits rolled.

“It’s good. It’s a product that is polished, industrial, we’re not getting ripped off in terms of quality,” Spira said. “You know what you’re going to see, you see what you get, and when you leave you’re happy.”

The applause was louder at the outset, though. Fans at the early afternoon showing, which preceded the film’s glitzy formal premiere with cast and crew Sunday night, cheered and clapped wildly at an announcement that the screening was about to start. Some even hummed the Indiana Jones fanfare as the lights went down.

The applause at the end was more subdued.

Cast and crew were unconcerned about how critics might dissect the film.

“I’m not afraid at all. I expect to have the whip turned on me,” Ford told reporters after the screening. “It’s not unusual for something that is popular to be disdained by some people, and I fully expect it.

But, he said: “I work for the people who pay to get in. They are my customers, and my focus is on providing the best experience I can for those people.”

The filmmakers kept the movie shrouded in secrecy, skipping the rounds of press screenings often held for big studio movies and going for a big blowout at Cannes.

Spielberg said he and his collaborators decided “that the fair thing to do and the fun thing to do would be to view it where the entire world is come together every year at this wonderful festival, and we thought that was the best place to introduce Indiana Jones to you again after 19 years.”

The film received none of the derisive laughter or catcalls that mounted near the end of the first press screening for “Da Vinci Code.”

There were a few titters from the “Crystal Skull” crowd early on over co-star Cate Blanchett’s thick, Boris-and-Natasha accent as a Soviet operative racing against Indy to find an artifact of immeasurable power. The rather corny romantic ending also drew a chuckle or two.

In between, the film packed a fair amount of action, though some viewers found the middle portion dull. Conchita Casanovas, of Spain’s RNE radio, said she was “bored to death.”

The new movie hurls archaeologist Jones into the Cold War in 1957. He survives a nuclear blast in the desert in typically creative fashion and is reunited with “Raiders” flame Marion Ravenwood (Karen Allen).

As speculated, the film has an alien connection, though far more subdued than the “Indiana Jones and the Saucer Men From Mars” story Lucas once envisioned.

There are melancholy nods to Sean Connery, who played Indy’s dad in 1989’s “Indiana Jones and the Last Crusade” but declined to return for the new movie, and the late Denholm Elliott, Indy’s college dean in two of the previous movies.

And the film reveals the relationship between Indy and his new sidekick, an angry young motorcycle rebel played by Shia LaBeouf.

As with “Da Vinci Code,” which went on to gross $758 million worldwide, “Crystal Skull” is so hotly anticipated that it will be virtually immune from critics’ opinions. The film is expected to put up blockbuster box-office numbers when it opens globally Thursday.

“The movie was absolutely effective enough to score with audiences everywhere,” said Anne Thompson, deputy editor of Hollywood trade paper Variety. “This played way better than ‘Da Vinci Code.’ No one was gunning for it. They were excited going in, hooting for it in a positive way.”

Dozens of fans prowled outside the Palais, the Cannes headquarters, holding signs saying they needed tickets for “Crystal Skull.”

Amelia Sims, a 19-year-old University of Georgia student studying abroad, held a sign reading “I (heart) Indy.” She managed to get a pass to the press screening and loved the movie.

“I guess I’ve been waiting 19 years for this,” Sims said. “You could say I’ve been waiting my whole life.”

But Christian Monggaard, who is reviewing “Crystal Skull” for Danish newspaper Information, said he grew up with the “Indiana Jones” films and came away from this one disappointed, finding the climax an “overblown special-effects extravaganza.”

Tags: applause, archaeologist, cannes, cannes film festival, cast and crew, cate, cate blanchett, crystal skull, da vinci code, early afternoon, fanfare, filmmakers, ford, french magazine, george lucas, going through the motions, harrison ford, harsh critics, hollywood, indiana jones, indiana jones and the last crusade, indy, karen allen, last crusade, last film, marion ravenwood, outset, romp, sean connery, shia labeouf, signs, sperling, spielberg, spira, steven spielberg, whip

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No, this buzz is all about hot new Hollywood in the shape of a 21-year-old actor whose name confuses the most intelligent reader, Shia LaBeouf.

So when he eventually bounds into the hotel where we’ve arranged to meet, it’s something of an anticlimax to find that he’s, well, just a 21-year-old guy, who’s desperate for a smoke. He immediately asks that we move all conversation to the patio, so he can puff.

“Yes, I smoke,” he admits shamefacedly. “It’s probably the worst thing I do. I leave wet towels on the floor, too. I don’t think I’m the Find Cate Mandigo quintessential guy to look up to right now because I’m still building myself.”

He shouldn’t be too concerned, though. Films such as I, Robot, Disturbia and last year’s smash-hit, Transformers, have already built the foundation for what looks to be a career in a million. His role in Crystal Skull could catapult him into rarefied Brad Pitt or Will Smith territory, although, right now, he’s intriguingly not at liberty to say exactly what that role is.

Rumour has it he plays Indiana Jones’ son (albeit under the name Mutt Williams), but he simply takes another puff and says, “I can’t confirm or deny that.” What he can confirm – most vocally – is that working with Harrison Ford, Steven Spielberg and Cate Blanchett has been the most incredible ride.

His bond with Harrison is particularly interesting, with LaBeouf talking fondly and Find Cate Mandigo reverently of him as a father figure.

The actor’s own French-Cajun father, Jeffrey, was a clown from San Francisco who was also a heroin addict.

Their relationship was non-existent until LaBeouf landed a role on US TV series Even Stevens when he was 13 and needed a legal guardian onset. He says wistfully, “I had to rent my father back.”

Bad though it sounds, drug-free father and son now share a deep bond, formed over the nine years LaBeouf has spent playing the role of family breadwinner.

“He’s not necessarily the father I wanted, but I wouldn’t want anybody else,” he reveals. “He’s my best friend – as is my mother – they’re both wise people. But pain is the foundation of my father’s growth and I draw from him every time I do what I do.”

Cigarette smoked, LaBeouf asks to move inside. Looking all-American in his navy-blue, long-sleeve T-shirt and low-slung jeans, he takes a long gulp of vitamin water from the bottle he’s been carrying.

“Finance is a big reason that my family split up and that’s not a worry any more, but Dad was gone for a long time. I was five when my parents separated. I hated him for a long time, but from 13 years old to this point – it’s now a love affair. I’m lucky, because supporting my family has been a blessing.”

The Los Angeles native comes from a long line of artists and performers. As well as a clown for a dad, his mum, Shayna, was a dancer who studied ballet with the famous Martha Graham.

LaBeouf’s dad used to dress up the family as clowns and the three of them would perform and sell hot dogs in LA’s Echo Park.

However, nobody called LaBeouf found any real success until Shia took up acting. He made the decision, aged 10, after talking to a boy in Malibu, who was wearing all the latest designer gear, thanks to a role on Dr Quinn, Medicine Woman. LaBeouf’s schoolboy yearning for brand-name clothing paid off.

“My lineage is constant artwork never seen by the public, or just fluttered out,” he explains.

“My great-grandmother was a piano player on Lucky Luciano’s gambling boat; my grandmother was a lesbian beatnik poet who used to run with Allen Ginsberg – her poetry was never discovered. My father is this amazing pantomime clown, but nobody has heard of him and my mother is this amazing visual artist who danced and nobody has heard of her. My career is a culmination of a lot of prayers and a lot of work.”

That said, he admits that he looks towards others to fill the more Find Cate Mandigo traditional roles in his life. Harrison Ford is the latest addition to LaBeouf’s role models, alongside past co-stars, John Voight and John Hurt.

“Harrison and I became close on set, but he’s the kind of guy where you have to earn the hug,” he smiles.

“The day I got my first hug from Harrison was a big day. The hug came about through work and results. It’s not easy making these kinds of action movies – they’re very physical and emotional.

“Finding the right tone is the hardest part and once you find it, Harrison’s all over you.”

An important lesson LaBeouf has learnt from Ford is to not give away too much. The original Indy is notoriously private where LaBeouf, until now, has been happy to spill his guts.

“I have to stop that,” he says, looking at the tape recorder. “When I was younger, I was happy to tell people stuff because I was anxious to please. Now I realise that my favourite actors don’t give much away; they maintain a level of mystery and I think I have to work on that.”

He has spoken many times about his past relationship with China Brezner, the daughter of The Greatest Game Ever Played producer, Larry Brezner, whom he met while shooting the movie in 2004. His first real love, they were together until early last year.

“I was very open about my relationship with China. I’m sure that’s hurt her so I’m going to stop talking about it. Sure I have time for girls, but nothing is very serious right now. There’s no specifics.”

Would he say he’s a romantic kind of guy? “Oh yeah, I get into poetry and songwriting,” he laughs.

“I’ve flown across the country with flowers to hand-deliver, and I’ve made trails out of rose petals and put on the Jodeci music. I’ve also been known to put on some Meatloaf, which is so cheesy. I won’t say if it worked or not, but it was very funny!”

Being the next big thing probably makes it easier to get the girls, but it comes at a price. (Although, when I mention his ‘next big thing’ status, LaBeouf is quick to point out “some days I’m the next big thing, some days I’m the next worst thing”.)

His brushes with the law are well-documented. He was arrested in 2005 after ramming a neighbour’s car and threatening him with a knife; the second was last November, for trespassing in a pharmacy in Chicago. No charges were pressed for either incident.

He simply says, “I’m at ease at this point. I’ve had my moments and I guess the biggest lesson I’ve learnt with the press is to never say never.”

He makes eye contact and says, “I’ve had a couple of run-ins, but I can definitely say that I don’t want that kind of life. I surround myself with good people, but I’m 21 and I make mistakes. I’m learning to cope. I didn’t get into this business to be Captain America.”

So does he take downtime? “Why would I?” he counters. “I enjoy every moment and the bad things come up when you’re not working. The negative aspects of this industry happen in the off-time.”

But surely there has to be some time when he’s not onset? “I’ve spent more time at home recently because the last two movies I shot have been made in LA so, yes, I’ve had some time at home. I hang out with my dog, read and I’m into my sports. I have about five close friends and we sit and Find Cate Mandigo talk a lot.”

He shifts in his seat, before revealing that a lot of his old friends have fallen by the wayside. “You see, the people I’ve known for a long time, their mindset changed and they stopped being friends with me and started being friends with what I do.”

He pauses to contemplate the situation. “That’s been the hardest decision, losing friends and getting rid of the people who are bad eggs. But that’s what happens with transition. I could never have foreseen what was going to happen. Fame is a drug, it’s addictive. But this isn’t who I am, it’s what I do. You have to maintain separation or you lose your mind.”

Taking all that into consideration, is he prepared for what will surely be global Indiana Jones-mania?

“I don’t imagine things will change too much,” he says modestly. “I have a lot of people around me who keep me centred because I get haywire, too – but I’m pretty calm right now.” He laughs remembering how amazing it was to find himself on the set of such a hotly anticipated movie.

“Every day was like, ‘Omigod, I’m on the set of Indiana Jones!’ That feeling of excitement never went away, it just became something I would channel into the work. Steven (Spielberg) was amazing. He gives you a lot of room and trusts you to do exactly what he hired you for. There were never any bumps.”

Indeed, Spielberg, who suggested LaBeouf for the lead role in Michael Bay’s Transformers, returns the compliment, stating, “His talent has impressed not only his audiences, but the directors, producers and fellow actors who have worked with him.”

However, he remains tight-lipped on whether or not LaBeouf will continue to run with the Indy torch, saying simply, “We’ll see. He still has multiple Transformers films to do.”

The actor proved his commitment to Spielberg and the Indiana Jones franchise by going on a strict diet and fitness regimen, but his heart went out to co-star Cate Blanchett, who was pregnant while filming her very physical villain scenes.

“She’s kind, but the minute ‘action’ is called, she’s not Cate any more. She’s mean. She was pregnant and doing these crazy swordfights, but she held her own for hours. Honestly, she’s a bad ass.”

At 21, he has an old head on his shoulders. “I hope this year holds more of the same, and I hope that I have a lot more smiles and Find Cate Mandigo laughs. If it continues as it is now, I think I’m going to really enjoy my year.”

Tags: brad pitt, cate, cate blanchett, crystal skull, father and son, Find Cate, Find Cate Mandigo, ford, franchise, harrison ford, hero, hollywood, indiana jones, indy, mutt, rbi, shia labeouf, smile, spielberg, steven spielberg

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Paramount, the studio behind Steven Spielberg’s highly anticipated epic, has not officially confirmed the news.While Cannes has long demonstrated an interest in commercial cinema alongside its rich appreciation of arthouse fare, the festival has only recently begun to exploit its potential as a platform for major Hollywood releases. The Da Vinci Code, Ocean’s Thirteen, Star Wars: Episode III - Revenge of the Sith and Dreamgirls have all benefited in recent years.Harrison Ford’s return to the fedora and whip, which he first picked up in Raiders of the Lost Ark in 1981, sees the story updated to the 1950s with the intrepid archaeologist taking on Soviet agents led by Cate Blanchett in a race for a priceless artefact.A Croisette premiere would also mean a trip to the Cote d’Azur for executive producer George Lucas and cast members Shia LaBeouf, Ray Winstone, John Hurt, Jim Broadbent and Karen Allen, who reprises her role as Indy’s love interest Marion Ravenwood.Other high-profile films expected to be ready in time for Cannes are the big-screen version of Sex and the City with Sarah Jessica Parker and Steven Soderbergh’s two Che Guevara films, The Argentine and Guerrilla, starring Benicio del Toro as the South American revolutionary.

Tags: 1950s, archaeologist, cannes, cate, cate blanchett, da vinci code, ford, george lucas, harrison ford, hollywood, indiana jones, indy, karen allen, marion ravenwood, raiders of the lost ark, ray winstone, shia labeouf, soviet agents, spielberg, steven spielberg, whip

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