Crystal Skull sparkles as Indiana Jones revives the magic

Sunday, May 25th, 2008

BREAKING through the cobwebs to revisit a classic franchise whose last film was nearly 20 years ago was never going to be an easy challenge, even for intrepid adventurer Indiana Jones, who’s well-known for rediscovering old relics - but director Steven Spielberg has definitely pulled it off.

An ageing Harrison Ford dusts off his character’s fedora as Indiana Jones and the Kingdom of the Crystal Skulls takes some daring risks and manages to create a rip-roaring piece of summer entertainment with Ford’s charm, Spielberg’s cinematic magic and the excellent new addition of the surprisingly charismatic Shia LaBeouf.

The movie works as a piece of summer entertainment that can be proudly appended to the previous Indy outings, and the film-making is superb with some stunning visuals and action sequences.

This project was always going to get a mixed response - stick to the original formula and some cry that it’s too tired and dated; make radical changes and you risk people saying it’s no longer Indiana Jones. The finished film is very much in the spirit of the originals, with some additions (LaBeouf and a somewhat out-of-this-world storyline) to take it in new directions.

In the story, Indiana Jones and a new companion, biker Mutt Williams (LaBeouf, above right), battle Soviet agents led by Irina Spalko (Cate Blanchett) in a quest to find a crystal skull in Peru which is said to have untold power.

Where it falls short in places is in the writing. Even dismissing the usual Indy cliches (bullets that never hit the target, impossible stunts and death-trap temples), some comic moments feel contrived, some explanations don’t work and the fates of some of the baddies left me totally unsatisfied.

The audience seemed to enjoy the movie and, as I left, one man remarked: “I went in with trepidation but it was excellent” to nodding approval from those around, and that’s exactly how I felt.

I’ll take a look at some of the details of the movie below, so don’t read further if you don’t want to know all the shocks and surprises - instead, come back after you’ve seen the movie and tell me if you agree,

THE DETAILS

This is a genre which has exploded since the first three movies with other quest films such as Tomb Raider, The Mummy and National Treasure, so director Spielberg and co-writer and executive producer George Lucas clearly felt the need to take the story to the next level with Crystal Skull.

Elements of Spielberg’s classic E.T. have now entered the Indiana franchise with this latest movie featuring alien remains, a reference to the Roswell incident and ending with a full-blown flying saucer emerging from an ancient pyramid.

There was a lot of anxiety from some fans before the movie about taking Indy’s archaeological quests into extraterrestrial territory - it does work in the film, though seeing a living alien near the end seemed unnecessary.

And the final explanation of the ‘gold’ of the lost city being the treasure of knowledge didn’t feel right at all, more like a writers’ cop-out. Despite the amazing final scenes at the temple in south America, that explanation seemed phoney and misleading.

The death of Winstone’s treacherous character - who was irritating from the moment he stepped on screen - was largely unsatisfying as was the demise of Blanchett’s eccentric Soviet agent (with bobbed hair, leather boots and a boiler suit). They needed to die - but it should have been more gratifying to the audience and not so rushed. I’m at least relieved that Winstone won’t be annoying me in future Indy movies.

Ford and romantic co star Karen Allen are now decidely advanced in years and one wonders how the franchise can carry on with either of them in physical action roles. Indy’s new sidekick Mutt who turns out to be his son seems to have been there to plant the possibility of him being Jones’ replacement.

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Related posts

Mr Movies: Our Cate in race for skull

Thursday, May 22nd, 2008

Our Cate Blanchett is about to add to her status as the biggest box office-earning actress in cinema history with the worldwide release of Indiana Jones 4: The Kingdom of the Crystal Skull.

It sounds a bit like Monopoly money but Cate’s new film is tipped to earn close to $US1 billion in box office takings around the world, adding to the $US3 billion earned by the three Lord of the Rings films in which Cate played the royal elf, Galadriel.

In Indiana Jones 4: The Kingdom of the Crystal Skull, Cate plays a Russian spy, Irina Spalko, who embarks on a desperate race to find the “crystal skull” ahead of Professor Henry Walton Jones, Jr, better known, of course, as Indiana Jones played by Harrison Ford, the

character he played in three previous films and in a one-off appearance in a 1993 episode of the television series The Young Indiana Jones Chronicles.

The film also stars Shia LaBeouf, as Indi’s new side-kick, Mutt Williams, and brings back the character of Marion Ravenwood from 1981’s Raiders of the Lost Ark, played then and now by Karen Allen.

Allen is now 57, Harrison Ford 64. They shared adventures - and more! - in Nepal and Egypt in that 1981 film.

This time around? See the film - it adds up to great entertainment with lots of surprises unfolding on screen.

Beckham is actually just one of a dozen international football stars playing themselves.

In the first film, Santiago and his family had travelled from Mexico and were living in poverty in Los Angeles until Santiago, spotted by a talent scout, was invited to England to join Newcastle United.

Goal III, set around the FIFA world Championships in Germany, is now in post-production with a possible Australian release late this year.

It’s a film in which audiences may find it hard to believe Academy Award winner Javier Bardem, playing a love-struck romantic, is the same Javier Bardem who embarked on a killing spree in No Country for Old Men.

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Related posts

Indiana Jones and the Kingdom of the Crystal Skull

Sunday, May 18th, 2008

Crystal Skull” even dusts off the Russians, so severely under- exploited in recent years, as the bad guys. Up against them, Indiana Jones is once again played by Harrison Ford, who is now 65 but looks a lot like he did at 55 or 46, which is how old he was when he made “Last Crusade.” He has one of those Robert Mitchum faces that doesn’t age, it only frowns more.

He and his sidekick Mac McHale (Ray Winstone) are taken by the cool, contemptuous Soviet uber-villainess Irina Spalko (Cate Blanchett) to a cavernous warehouse to seek out a crate he saw there years ago. The contents of the crate are hyper- magnetic (lord, I love this stuff) and betray themselves when Indy throws a handful of gunpowder into the air.

In ways too labyrinthine to describe, the crate leads Indy, Mac, Irina and the Russians far up the Amazon. Along the way they’ve gathered Marion Ravenwood (Karen Allen), Indy’s girlfriend from the first film, and a young biker named Mutt Williams (Shia LeBeouf), who is always combing his ducktail haircut. They also acquire Professor Oxley (John Hurt), elderly colleague from the University of Chicago, whose function is to read all the necessary languages, know all the necessary background, and explain everything.

What happens in South America is explained by the need to create (1) sensational chase sequences, and (2) awe-inspiring spectacles. We get such sights as two dueling Jeep-like vehicles racing down parallel roads. Not many of the audience members will be as logical as I am, and wonder who went to the trouble of building parallell roads in a rain forest.

Most of the major characters eventually find themselves at the wheels of both vehicles; they leap or are thrown from one to another, and the vehicles occasionally leap right over one another. And that Irina, she’s something. Her Russian backups are mostly just atmosphere, useful for pointing their rifles at Indy, but she can fight shoot, fence, drive, leap and kick, and keep on all night.

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Related posts

Indiana Jones and the Kingdom of the Crystal Skull

Sunday, May 18th, 2008

George Lucas has had an idea for a fourth Indiana Jones movie for more than a decade now, but Spielberg and Ford wanted nothing to do with it. Eventually he wore them down and the result is Indiana Jones and the Kingdom of the Crystal Skull. It’s easy to see why Spielberg and Ford were hesitant to make it.

Indiana’s survival is now the stuff of utter fantasy. Sure the tight spots he made it out of in previous movies stretched the bounds of believability, but now those bounds have been broken, snapped, and tossed straight out the window. Indiana Jones and the Kingdom of the Crystal Skull does that in the first fifteen minutes, when Indy survives something so ludicrous that it’s right out of a bad, 1950s, sci-fi serial; which of course is what Lucas and Spielberg are using as inspiration.

He may be more grumpy and he may not be much of a dresser, but the glimmer hasn’t entirely gone out of Harrison’s eyes. We’re reacquainted with Indy in the midst of intrigue involving Russians. It’s the 50s, the Nazis have been defeated, and that means Indy must now fight communism. The Reds are led by an army officer named Irina Spalko, played by Cate Blanchett.

From the outset she’s no match for Indiana Jones, and Cate’s take on the character seems to involve a lot of gaping and staring. Spalko is after an American secret and she drags Indy out to a certain spot in the Nevada desert, where our adventure begins, offset by comedic gophers which seem to have wandered over from the set of Caddyshack. From Nevada it’s off to South America, where the gophers are replaced by monkeys, and jungle clue chasing with Indiana and his friends can begin in earnest.

But you’re here for adventure and there’s plenty of that. The movie soars in several character driven action sequences, and sags in others. Indiana has another one of those genius “shoot the sword guy” moments which alone makes Kingdom of the Crystal Skull worth the price of admission. Most of the effects are good, and it’s all well staged. Unfortunately, sometimes perhaps a little too well staged. This Indiana Jones feels less organic than any of the other movies. It feels more choreographed. Of course it’s all choreographed, but some of the action sequences in this one seem more like dance numbers than truly dangerous, rock-em-sock em Indiana Jones action.

Even though old age should mean he’s more fragile, I never truly felt like Indiana was in trouble, and I’m not sure he ever did either. Maybe it’s because some of it goes so far over the top that it crosses that believability line I mentioned earlier. Or, and I hate to keep harping on this, maybe it’s Harrison’s age. There’s no way a guy this grey could pull any of this off, and so when he does, it’s harder than ever to buy into any of it.

The idea of a fourth Indiana Jones movie is better than the reality, and a few years from now I guarantee fans will find themselves more likely to re-watch Temple of Doom than to revisit this entertaining, yet past its prime Indy entry.

Tags: , , , , , , , , , , , , , , , , , , , , , , , ,

Related posts

Archives

December 2008
M T W T F S S
« Nov    
1234567
891011121314
15161718192021
22232425262728
293031  

Other

Syndication


website statistic