Indiana Jones and the kingdom of the Crystal Skull

Friday, May 30th, 2008

AGEING gracefully is a difficult art. So, hats off to Harrison Ford and Spielberg for showing that when 20 years pass by unless you live in a soap opera two decades do pass by.

The archaeologist-adventurer made famous by George Lucas, Spielberg and Ford returns as an older, wiser and a little slower Indiana Jones, who remains as fallible and as likable as in his first outing in 1981.

Spielberg insisted that the special effects would be kept to a minimum in keeping with both the spirit of the three previous Indiana Jones films and the period in which The Kingdom of the Skull is set, and this does give the film an old-worldly, hands-on feel missing in similar adventures shot now like, say, National Treasure. This includes a sword-fight between two people balanced on two parallel racing jeeps.

Still, sometimes it’s better to adopt a little change. The Kingdom of the Skull moves at a desultory pace and its storyline has few surprises. And then, suddenly in the end, it takes off in a direction that bears the special touch of Lucas and Spielberg.

What’s also surprising is how many parallels it has with National Treasure 2, released just earlier this year from mythical cities to estranged families. Sure, there is a new character being introduced, in the shape of the young flavour of the season Shia LaBeouf. But even with the Marlon Brando get-up, he looks like he has been plonked in the film from sometime else.

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Me and Mr Jones

Wednesday, May 14th, 2008

In the final scene of Indiana Jones and the Last Crusade, released in 1989, Steven Spielberg has his iconic bullwhip-wielding, snake-hating archaeologist and all the major characters literally ride off into the sunset. “I had no doubts that the curtain was lowering on the series,” recalls the director. Neither did Harrison Ford.

The new instalment also brings back Marion Ravenwood (Karen Allen), Dr Jones’s object of desire in the first film in the series. New to the cast is the Transformers star Shia LaBeouf, as a leather-jacketed sidekick with a not so accidental resemblance to Marlon Brando in The Wild One.

Then, of course, there is Ford – in Spielberg’s view the secret weapon that allowed the series to become so popular. “I remember the day they sent the costume home to see where we would have to adjust and change sizes,” recalls Ford. “I had not worn it for 18 years, but when I put it on it felt like a glove. And I felt immediately ready to go.”

Ford, 65, is not a method actor or someone who enjoys intellectualising his work. He loves his 800-acre ranch in Wyoming. He loves to fly his private fleet of aeroplanes. And throughout his career he has not tried to hide his distaste for the ritual of meeting with the press.

It makes the actor uncomfortable. He also avoids all mention of his private life, including his relationship with the actress Calista Flockhart. When I met him recently in Beverly Hills a few days before his departure for this week’s Cannes International Film Festival, where Crystal Skull will be presented on Sunday, he allows himself some glimpses of introspection, something he does not do often in public.

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From Robert to Roberta

Saturday, January 19th, 2008

De Niro is hardly alone among his generation of actors in donning a dress. Perhaps Dustin Hoffman in Tootsie stands out, although recently John Travolta put on not just a dress but also a bulging fat suit to play Edna Turnblad in Hairspray. Jack Lemmon and Tony Curtis were Daphne and Josephine in Some Like It Hot, Terence Stamp and Guy Pearce went femme in Priscilla, Queen of the Desert and even macho guys Patrick Swayze and Wesley Snipes shaved their legs for To Wong Foo.Of course, it can work the other way round: women have gained huge box-office cred by playing men - most recently Cate Blanchett as Bob Dylan in the forthcoming I’m Not There. Tilda Swinton’s character veered between male and female in the film version of Virginia Woolf’s Orlando, Hilary Swank played a girl posing as a boy in Boys Don’t Cry, and Desperate Housewives’ Felicity Huffman in Transamerica was a woman playing a man who wants to be a woman!Back with the men, butch, hetero cross-dressing has mostly been for comic effect. Few have put on a skirt without laughing; only Johnny Depp in Before Night Falls and Ed Wood come to mind.Then there’s the Godfather of all method machismo - Marlon Brando. Brando wore a granny dress in The Missouri Breaks, donned full kabuki maquillage and robes in The Island of Dr Moreau and, allegedly insisted on a bonnet, wig, make-up and pinafore to do the voice-over part of an old lady for his final-ever performance in the still-never-seen animation Big Bug Man. I guess De Niro thought if it’s good enough for Marlon…

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The week’s best films

Saturday, January 19th, 2008

The Return Of The Pink Panther (Blake Edwards, 1974) 5.10pm, C4That restless Pink Panther diamond has gone missing again, and much as long-suffering chief detective Herbert Lom hates it, the only sleuth who can solve the mystery is the legendary Clouseau. Peter Sellers, in his third appearance as the bungling inspector, is as fall-about funny as ever, particularly in attempting the seduction of cool beauty Catherine Schell; but there are longueurs, with Christopher Plummer a rather bland gentleman thief.The Manchurian Candidate (Jonathan Demme, 2004) 9.30pm, C4Demme remakes John Frankenheimer’s brilliant 1960s conspiracy thriller as a far-fetched science fantasy, and seems more interested in the apparatus of mind-altering than the cynical politics behind the plot. Still, there’s Denzel Washington as one of the brainwashed platoon (the action shifting from the Korean war to the first Gulf conflict), now suffering nightmares and looking for answers.Snake Eyes (Brian De Palma, 1998) 11.40pm, BBC1The bravura opening, a single 12-minute take in which we follow Nicolas Cage’s hustler-cum-cop Santoro going about his dodgy business in an Atlantic City sports stadium before a big fight, is a homage to De Palma’s beloved Hitchcock, and sets the scene for a gripping thriller. The champ takes a dive and a political bigwig is shot: are the two events linked? Santoro starts to sift the evidence in an entertaining, just-about credible yarn, though the visual trickery grows distracting.Sun Sep 23Superman (Richard Donner, 1978) 5.25pm, FiveThere’s something for everyone here: apocalyptic special effects; larger-than-life acts like Marlon Brando as Superman’s dad; Christopher Reeve a natural man of steel; an engaging romance with Margot Kidder’s Lois Lane and a scene-stealing villain in Lex Luthor (Gene Hackman). It doesn’t have the haunting visual style of Tim Burton’s Batman, but still quite a power play, and superior to the recent Return.Crouching Tiger, Hidden Dragon (Ang Lee, 2000) 8pm, C4Ang Lee’s foray into the martial arts movie set new standards of balletic grace, furiously choreographed action and jaw-dropping beauty. In a mythic Chinese past, heroic warriors Chow Yun-Fat and Michelle Yeo fight to keep the Sword Of Destiny out of evil hands. The special effects are mesmerising - especially the extraordinary tree-top swordfight - but it’s also an evocative exploration of love, loyalty and friendship.Hellboy (Guillermo Del Toro, 2004) 8pm, FiveDel Toro, who sharpened his comic book teeth on Blade II, does a terrific job with the do-gooding demon who tackles any number of satanic bad guys. It’s a brilliantly imagined cross between traditional superhero fare and gory horror, while Ron Perlman brings an unexpected tenderness to the hulking, cigar-chomping, red-skinned imp with the filed-down horns that is Hellboy.How To Lose A Guy In 10 Days (Donald Petrie, 2003) 10.10pm, C4Contrived New York-set romcom in which Kate Hudson’s magazine journo has to attract a man then make him dump her, then write all about it. Problem is, the man she settles on is cynical Matthew McConaughey, who has just taken a bet that he can make a woman fall in love with him. Oh, and they both have 10 days to fulfil their tasks. Little romance; less comedy.Arachnophobia (Frank Marshall, 1990) 11pm, BBC1The problem for new doctor in town Jeff Daniels is the simultaneous arrival of a deadly South American spider. He gets the blame for the alarming death rate among his patients, until loopy scientist Julian Sands guesses the truth. Marshall’s comic horror is both creepy and very funny - none more so than John Goodman’s nutty bug exterminator.That’ll Be The Day (Claude Whatham, 1973) 1.40am, ITV1Depressing rock’n'roll movie with David Essex selfishly trampling over family and friends to become a pop star: Ray Connolly’s writing is not so much warts and all as pure warts. Good rock’n'rolling soundtrack, but the sleazy fairground scenes and Ringo Starr’s sidekick are dispiriting.Omkara (Vishal Bharadwaj, 2006) 1.50am, C4Bharadwaj, director of a Bollywood Macbeth called Maqbool, turns his attention to Othello here. It’s set vividly and ingeniously in modern India, where the Othello figure Omkara (Ajay Devgan) is a bandit chief who kidnaps the woman he loves (Kareena Kapoor) when he is rejected by her parents.Mon Sep 24LA Confidential (Curtis Hanson, 1997) 10.55pm, C4Superb, dense and dark thriller with Russell Crowe as a hardnut cop teaming up with colleagues Guy Pearce and Kevin Spacey to root out crime and corruption. Hanson and Brian Helgeland richly deserved their Oscars for adapting James Ellroy’s long, intricate novel. Kim Basinger is impressive, but the biggest surprise, after his kindly farmer in Babe, is James Cromwell’s calculating police captain.Perfect Friday (Peter Hall, 1970) 11.55pm, BBC1This light and sexy caper movie is a quirky addition to the distinguished career of the RSC director. It stars Stanley Baker in a worm that turns role as a dull bank clerk who hatches a daring plan to rob his own bank, with sexy Ursula Andress and her languid aristocratic hubby David Warner for accomplices. Neat, efficient and stylish, with a cool Johnny Dankworth score.Withnail And I (Bruce Robinson, 1987) 1.30am, C4This sordid, supremely funny trudge through the pathetic lives of two destitute young actors is the orginal and best slacker movie. Paul McGann and the languidly furious Richard E Grant are the pair who survive on drugs and drink in grotty Camden Town, then head for the hellish rural idyll of Uncle Monty’s (Richard Griffiths) freezing country cottage in order to rejuvenate.Tue Sep 25Leave Her To Heaven (John M Stahl, 1946) 1.30pm, C4This intense and powerful thriller is every inch a film noir, despite being shot in colour. Gene Tierney stars as the insanely jealous Ellen Berent, who marries Cornel Wilde’s writer because he reminds her of her dead father, then makes his life a misery by murdering anyone who looks at him twice.Titanic Town (Roger Michell, 1998) 11.50pm, BBC1A barnstorming Julie Walters is the focal point of this literate and engrossing drama. It’s set in Belfast in 1972, at the height of the troubles. Walters’ Bernie McPhelimy is a Catholic housewife who becomes a peace activist when the war between the British army and the IRA explodes in her Andersonstown backyard.Wed Sep 26The Children’s Hour (William Wyler, 1961) 1.30pm, C4When Wyler brought Lillian Hellman’s play about lesbianism and slander to the screen in 1936 as These Three, he was manacled by the Hays code. By the 1960s he could be more frank in his treatment of a still taboo subject, and the result is a hefty, atmospheric drama with Audrey Hepburn and Shirley MacLaine.Heist (David Mamet, 2001) 9pm, FiveAll the cliches are in place for what might have been just another tiresome retread of the one last heist movie. There’s a master thief Gene Hackman; his slightly dodgy girlfriend (Rebecca Pidgeon); a hood (Danny DeVito) hooking him into the big job - but he has to take along a troublemaking youngster (Sam Rockwell). So far so predictable, but the acting is sharp and the dialogue crackles.Escape From Alcatraz (Don Siegel, 1979) 11.45pm, BBC1The last Siegel/Eastwood collaboration, a true-ish story of convict Frank Morris, who either escaped from the infamous prison island in 1960 or died in the attempt. A tough and efficient movie, the final escape is no gung-ho leap over the top, but a laborious, single-minded chipping away at walls.Thu Sep 27The Missing (Ron Howard, 2004) 10pm, FiveLike The Searchers, this deals with the attempt to rescue a woman kidnapped by Native Americans. Cate Blanchett is the frontiers woman who sets out to find her daughter (Evan Rachel Wood) with the help of her long-lost father (Tommy Lee Jones).Fri Sep 28Magic Town (William A Wellman, 1947) 1.30pm, BBC2Set in small town USA and starring genial James Stewart, this is Capraesque to the core. Stewart plays opinion pollster Rip Smith, who finds in the small community of Grandview a miniature model of America at large; but crusading newspaper gal Jane Wyman wants to change all that in a satire on American postwar society.Stir Of Echoes (David Koepp, 1999) 11.35pm, BBC1In The Sixth Sense, a boy sees dead people; in Koepp’s less celebrated supernatural tale, a boy (Zachary David Cope’s Jake) sees just the one ghost: a girl who mysteriously disappeared from the Chicago neighbourhood some months before. But the focus here is more on his father, Kevin Bacon’s Tom, an ordinary guy dragged into his son’s scary visions. It’s not as polished as M Night Shyamalan’s tale, but sustains a heavy air of menace, with some jolting shocks.The Triple Echo (Michael Apted, 1972) 1.10am, BBC2A tale of rural gender-bending folk adapted from an HE Bates novel. It’s set on a remote Wiltshire farm in 1942, where lonely Glenda Jackson awaits news of her PoW husband, and begins a passionate relationship with young Brian Deacon. When he decides to desert, she disguises him as her sister, which is fine until beefy sergeant Oliver Reed shows up and fancies him/her. It’s uncertain in tone, and has a perfunctorily violent climax, but Jackson and Reed make it worthwhile.

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