Australian artist Bill Henson speaks out over child porn accusations

Saturday, July 19th, 2008

In a thinly veiled reference to the furore, in which officers raided galleries exhibiting his work, Henson said art allowed people to escape from a “world of moralism and opinionation and claptrap”.

The raids in May sparked fierce debate about censorship and child protection in Australia.

Speaking at the opening of an exhibition at the National Gallery of Australia in Canberra, Henson ignored questions about the controversy, but did address the subtext of his work.

The artist said all photographs were “necessarily about death.”

“The greatness of art comes from the ambiguities, which is another way of saying it stops us from knowing what to think.

He also made reference to a request by Australia’s Classification Board, which rates films, videos, exhibitions and books, to submit the June edition of Art Monthly Australia for review because it featured a naked girl on its cover.

“People do sometimes only see what they want to”, he said.

Following the raids on Henson’s work, police threatened to charge him with pornography, but later dropped the case after the Classification Board declared the images “mild and justified”.

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Cate Blanchett joins art censorship row in Australia

Friday, May 30th, 2008

Officers scoured the National Gallery of Australia in Canberra in search of works by controversial photographer Bill Henson, one of the country’s most acclaimed and successful artists.

The confiscation of the photographs by police has caused a furor, with the prime minister, Kevin Rudd, describing them as “absolutely revolting”.

But many Australians said the police raid was a clumsy attempt at censorship and a

dangerous attack on freedom of expression which would embarrass the country internationally.

In a letter to the Sydney Morning Herald, a former police superintendent and now art gallery owner said he was dismayed at “the purse-lipped paragons of public morality” who condemned Henson’s works as child pornography.

On Wednesday a group of leading writers and artists, including Oscar-winning actor Cate Blanchett, signed an open letter expressing dismay at the actions of police and the allegation that Henson was a pornographer.

The prospect of Henson, whose work has been shown in New York, Paris and at the Venice Biennale, being charged had done “untold damage to our cultural reputation”, the letter said.

Henson’s photographs were not titillating but part of an artistic tradition that stretched back to ancient Greece, Caravaggio and Michelangelo.

One of the few politicians willing to defend Henson was Malcolm Turnbull, a former head of the Australian Republican Movement and now the conservative opposition’s treasury spokesman.

He said he owned two of the artist’s works, but neither depicted naked teenagers.

“I don’t believe that we should have policemen invading art galleries. I think we have a culture of great artistic freedom in this country and I don’t believe the vice squad’s role is to go into art galleries,” said Mr Turnbull.

In addition to scrutinizing the National Gallery, police reportedly ordered a gallery in Newcastle, north of Sydney, not to exhibit two Henson photographs featuring nude teens, and descended on another gallery in the city of Albury.

Police have said they intend to prosecute Henson for obscenity but no charges have yet been laid.

The investigation has stalled because Henson has refused to reveal the identity of the girl he photographed nude for the exhibit.

The chief of police in New South Wales, Andrew Scipione, weighed into the debate, saying that as a father he strongly disapproved of the photographs.

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Schmooze or lose in summit showdown

Friday, April 11th, 2008

DELEGATES to Kevin Rudd’s 2020 Summit have been deluged with
invitations to parties as a cavalcade of lobby groups and national
arts institutions seeks to capitalise on the influx of the powerful
and well-connected into Canberra.
But organisers say taxpayers will not be forced to foot the bill
for the dinners, drinks and art exhibitions.
The last-minute flurry of social organisation comes as
speculation mounts that the event may lose some of its star power.
Cate Blanchett was yesterday still awaiting the overdue birth of
her third child, with no sign of impending labour.
If Blanchett %26#151; who is apparently still determined to attend
if she can %26#151; is forced to withdraw as co-chair of the arts and
culture session, it is thought her understudy may be former
journalist and academic Julianne Schultz, the founding editor of
Griffith Review.
Among the institutions and groups hoping to network with the
high-powered delegates are the National Portrait Gallery, which
plans to put on cocktails for all summit attendees on Friday night
in its exhibition space at Old Parliament House.
The National Farmers’ Federation was first in on the act,
inviting rural and regional stream participants to a barbecue
dinner on the Saturday.
And the National Gallery of Australia is also frantically trying
to organise its own function for the creative stream delegates to
view its latest blockbuster exhibition, Turner to Monet.
NGA assistant director of development and marketing Shanthini
Naidoo said it was a chance to raise the profile of the gallery
with potential supporters.
“Obviously, if we have the opportunity to host the leaders in
the arts world here we would see that as a wise investment,”
she said.

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