Sisters Lets Cut Out All This Chat About Plastic Surgery

Sunday, October 5th, 2008

LAST WEEK, a TV show redefined what we mean by the Glamorous Grandmother. Where once she wore a starchy satin gown, a string of pearls and a bouffant hairdo much like Yootha Joyce’s magnificent coppery fright-wig in George And Mildred in the 1970s, the new generation, shown through Britain’s Youngest Grannies, wore skinny jeans, crop tops and multi-streaked highlights like Everyone Off The Telly because they were approximately 36 years old, the result of two generations of teenage pregnancy.

A speedy one week later and the Glamorous Grandmother is being redefined once again, a grandma who might be the traditional grandma’s age - over 60 - but who is doing everything in her considerable economic power to look like someone’s 36-year-old daughter. Or even 16-year-old granddaughter. We’ve entered, say cosmetic surgery giants Transform, the era of the Botox Granny, where 20% of Botox clients are now over 60, while breast implants for the same age range are up, as it were, by 31%, with full face-lifts also stretching upwards by 35%.

Their inspirational role models, say the clinic, are the ever-twinkling Dame Helen Mirren (63) and the ever-fabulous Joan Collins (75), right, a staggering irony considering both these women are ever-dwindling voices in the anti-surgery fightback. Dame Helen, famously, turned down an offer of free Botox for the 2007 Oscars where she won her gong for The Queen. “I’m very vain,” she twinkled beforehand, “but I’m not fond of all those needles and scalpels. I’ll try to get away with make-up, jewellery and a nice frock.” She was, of course, the globally swooned-over belle of that year’s ball.
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Joan Collins, meanwhile, ascribes her ever-glowing cartoon glamour to “proper food“, “activity” and “a happy gene” (plus world-class wig), as someone who tried Botox in its infancy, 10 years ago, and hated it. “It was unbelievably painful and it didn’t do anything,” she balked in 2006 before lamenting the now everyday Hollywood procedure. “They stick 300 shots of poison into your face,” she scoffed. “It’s hideous and makes you look like a chipmunk. The plastic surgeons want to make you look young but I don’t want to look young, I just want to look good.”

A doctor over in America, meanwhile, has now decided the ageing process is something we can literally halt with no needles and scalpels involved. “I truly believe ageing is a progressive inflammatory disease that occurs at a cellular level,” averred holistic dermatologist Dr Nicholas Perricone this week, skincare evangelist to the likes of Cate Blanchett, Uma Thurman and Julia Roberts. “And as such,” he added, “you can fight it.”

“If you look at Angelina Jolie,” he marvels, “she has these beautiful apples in her cheeks they’re the result of the muscles in the face. Using electro-stimulation I can give anyone this sort of a look.” And that would appear to be that. Follow this advice and 12 weeks later we all wake up and bear an uncanny resemblance to Angelina Jolie.

Those of us with a bloke lying next to us, meanwhile, will find chances are he still bears no resemblance whatsoever to Brad Pitt, as nowhere in any of this week’s anti-ageing pronouncements did anything apply to that curiously unconcerned section of the ageing population known as men.

“Women over 50 already form one of the largest groups in the population structure of the Western world,” Germaine Greer reminded us the other year. “As long as they like themselves, they will not be an oppressed minority. A grown woman should not have to masquerade as a girl in order to remain in the land of the living.”

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Glimpses of China’s inner workings

Sunday, August 31st, 2008

The Beijing Olympics have come and gone, and despite all the wall-to-wall television coverage, I’m not sure I have a clearer view of China than I did before the Games began. “Business As Usual: New Video From China,” featuring the work of Cao Fei and Yang Fudong, now up at the Massachusetts College of Art and Design, offers much more to chew on than the fluffy features about Chinese tumbling schools and monks who practice martial arts that aired during the Olympics.

Those were gauzy postcards home from bedazzled travelers. The three videos in “Business As Usual,” organized by the Arizona State University Art Museum, are stoked with ambiguity, angst, and sometimes hope. Yang’s two works, “Honey” and “City Lights,” and Fei’s triptych, “Whose Utopia,” focus on young Chinese people divorced from tradition by a new economy, hard at work but emotionally adrift.

It’s not that these people can’t find themselves; in Yang’s videos, at least, they don’t even know to look. His is the bleaker view. “Honey,” in particular, piquantly depicts an aimless though lushly beautiful roundelay in which a young woman garbed in fishnet stockings and fur stoles wanders the streets, smokes cigarettes, and plays cards with implacable young men in Mao suits. It’s as if all the young men’s sublimated sexual energy has burst forth in the form of this femme fatale to taunt them, and still they don’t act.

The comic “City Lights” features two identically dressed young office workers; their suits and ties signify that they’re part of China’s new middle class. One carries an umbrella; the other, shadowing the first, mimes carrying an umbrella. They do the same with a pistol, and then again dancing with a woman to the loud strains of a bossa nova.

Fei turns the factory into the backdrop for a fairy tale. Everyone has a dream, perhaps especially young people trapped in perennial drudgery, and in identifying the dreams of some of these workers, she saves them from faceless anonymity and restores their dignity.

The heart of the video is its second part, “Factory Fairytale,” in which individual workers act out their dreams on the factory floor: A man dances among the assembly benches, a ballet dancer pirouettes in wings and a tutu, a fellow strums his guitar. This passage ends mournfully, with a young woman gazing out of her dormitory window at rows and rows of other drab buildings.

Fei’s final chapter, “My Future Is Not a Dream,” features portraits of these people posing solemnly at work. An essay by co-curator Marilyn A. Zeitlin reveals that in China, even kings were not shown in portraits until the 18th century. Fei addresses a portion of China’s national identity, its historical focus on the greater good over individual aspiration, and here gives faces to the faceless masses.

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Food crisis could hit HIV treatment

Tuesday, July 29th, 2008

Spiralling food costs could cause a new crisis in Africa’s HIV programme, a UK aid agency has warned.

Speaking ahead of an HIV-Aids conference in Mexico, Cafod said advances in treatment for the virus could be swiftly undermined by the soaring price owf foodstuff.

Its partners in Africa have reported sufferers coming off anti-retroviral (ARV) drugs, while the effectiveness of the treatment was being weakened by poor diets.

The last few years have seen a surge in the availability of anti-retroviral (ARV) drugs in poor areas of Africa. But as the cost of food continues to rise, people are increasingly struggling to afford a balanced diet essential for the success of ARV treatment.

HIV patients are also coming off treatment to avoid the cost of travelling to clinics and in some cases buying the drugs, Cafod said.

There is also evidence that some people are coming off ARV treatment so that they do not incur the increased appetite that the treatment gives.

If people stop taking ARVs there is a higher risk of resistance. This in turn could lead to a drug resistant strain of the virus being passed on, aid workers have warned.

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Life is Bon for Cate

Tuesday, July 1st, 2008

In the past few months the young singer/songwriter has scrapped the recording sessions on her debut album, acquired a new band, moved house, seen the end of a long-term relationship and joined one of the coolest bands of the year.

But if anyone is capable of taking things in their stride it’s Le Bon, who is so laid back she should be prescribed on the NHS as a cure for stress.

When we met for a cup of tea in Cardiff Bay’s stylish Cantina Bar I was keen to find out how her debut album was coming along.

But rather than being a setback for Le Bon, that aborted effort has spurred her on and, earlier this week, she released her debut EP Edrych Yn Llygaid Ceffyl Benthyg, a five-track Welsh language offering of woozy, bluesy alt-folk.

“Recording the EP was a chemical reaction to the first attempt at the album going nowhere,” she says, distractingly picking up a red cushion, placing it on her lap and stroking it like Blofeld’s cat.

“It was quite an impromptu gathering at a friend’s parents’ house in Cardiff but, obviously, Gruff is a really talented songwriter with real musical integrity, so that was quite nerve-wracking.”

Since then Rhys has offered Le Bon numerous to-die-for platforms, including the support slot on his solo tour and a guest vocal on I Lust U, the first single from Stainless Style, the debut album from Rhys’ superb side project Neon Neon.

That inclusivity has extended to Le Bon joining the Neon Neon band as a bassist and backing vocalist for their upcoming summer tour, which lessens the rush for her to find a new home.

Le Bon has uprooted from her Cardiff base following the end of a long-term relationship and is currently bunking with her parents back in West Wales.

Her changing love life has also sunk a new seam of inspiration which has impacted on an album, which has the very loose working title of Pet Deaths.

But far from seeming emotionally delicate about the situation, Le Bon’s perspective is in serene check.

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Indiana Jones and the Kingdom of the Crystal Skull

Sunday, May 18th, 2008

George Lucas has had an idea for a fourth Indiana Jones movie for more than a decade now, but Spielberg and Ford wanted nothing to do with it. Eventually he wore them down and the result is Indiana Jones and the Kingdom of the Crystal Skull. It’s easy to see why Spielberg and Ford were hesitant to make it.

Indiana’s survival is now the stuff of utter fantasy. Sure the tight spots he made it out of in previous movies stretched the bounds of believability, but now those bounds have been broken, snapped, and tossed straight out the window. Indiana Jones and the Kingdom of the Crystal Skull does that in the first fifteen minutes, when Indy survives something so ludicrous that it’s right out of a bad, 1950s, sci-fi serial; which of course is what Lucas and Spielberg are using as inspiration.

He may be more grumpy and he may not be much of a dresser, but the glimmer hasn’t entirely gone out of Harrison’s eyes. We’re reacquainted with Indy in the midst of intrigue involving Russians. It’s the 50s, the Nazis have been defeated, and that means Indy must now fight communism. The Reds are led by an army officer named Irina Spalko, played by Cate Blanchett.

From the outset she’s no match for Indiana Jones, and Cate’s take on the character seems to involve a lot of gaping and staring. Spalko is after an American secret and she drags Indy out to a certain spot in the Nevada desert, where our adventure begins, offset by comedic gophers which seem to have wandered over from the set of Caddyshack. From Nevada it’s off to South America, where the gophers are replaced by monkeys, and jungle clue chasing with Indiana and his friends can begin in earnest.

But you’re here for adventure and there’s plenty of that. The movie soars in several character driven action sequences, and sags in others. Indiana has another one of those genius “shoot the sword guy” moments which alone makes Kingdom of the Crystal Skull worth the price of admission. Most of the effects are good, and it’s all well staged. Unfortunately, sometimes perhaps a little too well staged. This Indiana Jones feels less organic than any of the other movies. It feels more choreographed. Of course it’s all choreographed, but some of the action sequences in this one seem more like dance numbers than truly dangerous, rock-em-sock em Indiana Jones action.

Even though old age should mean he’s more fragile, I never truly felt like Indiana was in trouble, and I’m not sure he ever did either. Maybe it’s because some of it goes so far over the top that it crosses that believability line I mentioned earlier. Or, and I hate to keep harping on this, maybe it’s Harrison’s age. There’s no way a guy this grey could pull any of this off, and so when he does, it’s harder than ever to buy into any of it.

The idea of a fourth Indiana Jones movie is better than the reality, and a few years from now I guarantee fans will find themselves more likely to re-watch Temple of Doom than to revisit this entertaining, yet past its prime Indy entry.

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‘Indiana Jones’ debut survives Cannes critics

Sunday, May 18th, 2008

Indiana Jones received louder applause going in than he did coming out.

His latest adventure, “Indiana Jones and the Kingdom of the Crystal Skull,” earned a respectful though far from glowing — reception Sunday at the Cannes Film Festival, avoiding the sort of thrashing the event’s harsh critics gave to “The Da Vinci Code” two years ago.

Yet Indy’s fourth big-screen romp is not likely to go down as one of the most memorable. Some viewers at its first press screening loved it, some called it slick and enjoyable though formulaic, some said it was not worth the 19-year wait since Steven Spielberg, George Lucas and Harrison Ford made the last film.

“They should have left well enough alone,” said J. Sperling Reich, who writes for FilmStew.com. “It really looked like they were going through the motions. It really looked like no one had their heart in it.”

Alain Spira of French magazine Paris Match found “Crystal Skull” a perfectly acceptable “Indiana Jones” tale, a sentiment echoed by the solid applause the movie received as the final credits rolled.

“It’s good. It’s a product that is polished, industrial, we’re not getting ripped off in terms of quality,” Spira said. “You know what you’re going to see, you see what you get, and when you leave you’re happy.”

The applause was louder at the outset, though. Fans at the early afternoon showing, which preceded the film’s glitzy formal premiere with cast and crew Sunday night, cheered and clapped wildly at an announcement that the screening was about to start. Some even hummed the Indiana Jones fanfare as the lights went down.

The applause at the end was more subdued.

Cast and crew were unconcerned about how critics might dissect the film.

“I’m not afraid at all. I expect to have the whip turned on me,” Ford told reporters after the screening. “It’s not unusual for something that is popular to be disdained by some people, and I fully expect it.

But, he said: “I work for the people who pay to get in. They are my customers, and my focus is on providing the best experience I can for those people.”

The filmmakers kept the movie shrouded in secrecy, skipping the rounds of press screenings often held for big studio movies and going for a big blowout at Cannes.

Spielberg said he and his collaborators decided “that the fair thing to do and the fun thing to do would be to view it where the entire world is come together every year at this wonderful festival, and we thought that was the best place to introduce Indiana Jones to you again after 19 years.”

The film received none of the derisive laughter or catcalls that mounted near the end of the first press screening for “Da Vinci Code.”

There were a few titters from the “Crystal Skull” crowd early on over co-star Cate Blanchett’s thick, Boris-and-Natasha accent as a Soviet operative racing against Indy to find an artifact of immeasurable power. The rather corny romantic ending also drew a chuckle or two.

In between, the film packed a fair amount of action, though some viewers found the middle portion dull. Conchita Casanovas, of Spain’s RNE radio, said she was “bored to death.”

The new movie hurls archaeologist Jones into the Cold War in 1957. He survives a nuclear blast in the desert in typically creative fashion and is reunited with “Raiders” flame Marion Ravenwood (Karen Allen).

As speculated, the film has an alien connection, though far more subdued than the “Indiana Jones and the Saucer Men From Mars” story Lucas once envisioned.

There are melancholy nods to Sean Connery, who played Indy’s dad in 1989’s “Indiana Jones and the Last Crusade” but declined to return for the new movie, and the late Denholm Elliott, Indy’s college dean in two of the previous movies.

And the film reveals the relationship between Indy and his new sidekick, an angry young motorcycle rebel played by Shia LaBeouf.

As with “Da Vinci Code,” which went on to gross $758 million worldwide, “Crystal Skull” is so hotly anticipated that it will be virtually immune from critics’ opinions. The film is expected to put up blockbuster box-office numbers when it opens globally Thursday.

“The movie was absolutely effective enough to score with audiences everywhere,” said Anne Thompson, deputy editor of Hollywood trade paper Variety. “This played way better than ‘Da Vinci Code.’ No one was gunning for it. They were excited going in, hooting for it in a positive way.”

Dozens of fans prowled outside the Palais, the Cannes headquarters, holding signs saying they needed tickets for “Crystal Skull.”

Amelia Sims, a 19-year-old University of Georgia student studying abroad, held a sign reading “I (heart) Indy.” She managed to get a pass to the press screening and loved the movie.

“I guess I’ve been waiting 19 years for this,” Sims said. “You could say I’ve been waiting my whole life.”

But Christian Monggaard, who is reviewing “Crystal Skull” for Danish newspaper Information, said he grew up with the “Indiana Jones” films and came away from this one disappointed, finding the climax an “overblown special-effects extravaganza.”

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Clive James: my gateway to infinity

Thursday, May 15th, 2008

In 2005 I finally managed to buy my domain name, clivejames.com, back from a British pirate. Before the pirate got hold of it, my domain name belonged to another Clive James, a jet-ski instructor in Miami. I waited a long time for him to have his accident, but when I lunged forward to grab the vacant domain name, it turned out that the pirate had already bought it. He sold it to me for only slightly less than it would have cost to sue him, but it was worth it.

My fledgeling multimedia website could now carry my name, an attribute that might come in useful when trying to attract the attention of anyone who remembered it from the days when I had my face on the box in the corner of the room, instead of on the screen of a computer.

By that time my plans for the website were already changing. My first idea was to set up an online archive of everything I had ever written. There were practical reasons for doing so. On the web, your books can be made available while occupying no physical space at all: a humble aim, surely. But I have to admit that megalomania was part of the initial impulse.

I was building a memorial to myself: not a very charming idea even when the pharaohs did it. Luckily I soon realised that the project might be more useful if I included the work of other people. Some of my own work included other people anyway.

I was already, in the Video section of the site, running little no-budget television interviews that I was making in my living room. Jonathan Miller, Cate Blanchett, Terry Gilliam, Julian Barnes, Ruby Wax, Ian McEwan, Martin Amis and others (the complete line-up of 25 half-hour interviews is still on the site, and still growing, with a new series of nine to be uploaded soon) all contributed their services for not much more than a takeaway Chinese meal and cab fare.

In the Audio section, I had been streaming dozens of radio dialogues that I had done with Peter Porter for the ABC in Australia. I had a Gallery section, and all its painters, sculptors and photographers were my guests (there are now 17 of them, with seven pages each).

Worldwide, there were journalists and essayists who were taking their business seriously. I wanted to help to shine a light on their best work. When I was a journalist, I had always thought that an individual piece was like an individual poem: if it was well enough done, it deserved to live. On the web, nothing need disappear.

There were poets who deserved a world stage. I wanted to help to provide that. If I could load my website with enough permanently valuable material, people from all over the world might visit, not just because it was an example of one writer expressing himself, but because the site itself was expressing a wide range of human creation.

A limitless range, in fact: because there were already countless good things glittering among the junk out there on the web, so a site’s grizzled proprietor could turn his years to use by guiding visitors to the treasure.

You could say that this was megalomania taken to a further stage and disguised as altruism. But whatever the motive, after five years of steady construction the site has become the focus of my later life. I used to do several different things for a living.

But they were all linked by writing, and now they are all happening in the one place, and I have to do a lot of extra writing to explain what’s going on. By the nature of the web, this explanatory writing has to be terse, but that requirement never hurts.

The site’s comprehensive redesign, which has just been completed, looks a lot less tentative. It looks, as we used to say in television, “meant”. And so it should, because a lot of people are giving their efforts to it for small financial reward.

They are headed by my copy editor, Cécile Menon, who can also converse with computers fluently enough to run the site. Powerfully persuasive for someone no bigger than a piaf, she recruits out in cyberspace the ghostly technical experts whose time is worth a fortune. Somehow she persuades them to work, like her, for a pittance. She is also gifted with adventurous taste.

Many of our painters and sculptors are found by her. Sometimes she has to convince me, but only by making me look more closely, and invariably they prove to have a quality that my unaided eye might have skated over. Thus my education continues, and I get the chance to write outside my usual frame of reference. In this way, one’s mental range is increased. It’s the thing I like most about the web. It can get you beyond yourself.

In that question lies the only thing for the aspiring webster to be scared of. You can throw a party, and nobody might come. There are at least seven million websites in the world, and about 90 million blogs, and it’s already obvious that when everyone on Earth is building a personal display case they won’t have time to look at anybody else’s.

As many lone bloggers have already found, their regular audience is only going to be a handful of people like them. Some of the handful are in Iceland or Venezuela, which can be a thrill, but on the whole, no matter how well the bloggers write, if they haven’t got a selling point beyond their own opinions they are digging their own graves under the impression that they are putting up a building.

But when I wake up sweating in the night, wondering if I am going broke to no purpose whatever, I can check the viewing figures and remind myself that at any given moment, as the sun comes up around the world, there are people online to find out what we’ve got to offer. Not a lot of people, perhaps, but they come from more than 50 countries.

Since most of them, if they decide to browse around, will read as well as look and listen, it’s a safe assumption that they are good at English, which they got from books. The fear that the web necessarily erodes the ability to read is groundless. The web is fundamentally literate, even if at a low level.

At an even lower level, alas, it is also frightening, because a huge percentage of it consists of pornography, eked out by masterclasses in bomb-making, conspiracy theory and religious terror. The word “jungle” is almost too genteel to apply. But if the whole thing really is a lethally dangerous primeval forest, then a crucial battle will be lost if clearings are not provided in which people can find nothing but civilisation.

I suppose the most glittering prize the web offers is that it gives you a chance to put your life on the line in a constructive way. Even the brightest young people, wherever they come from, are more likely to find an older voice worth listening to if it is talking about something beyond wealth and power. It can talk about value, saying not just “This is what I have done” but “This is what others have done, and I find it valuable beyond price”.

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Editorial: The end is not nigh

Sunday, April 20th, 2008

But the Cassandras should hold back on the wailing. If New Zealand holds its nerve, there will be a pause, not a collapse. It weathered the Asian Crisis that erupted in mid-1997 without foundering, and there is no reason to suppose it cannot do the same when it comes to the American credit crunch of 2008.
It has to be acknowledged that business is not brimming with confidence. The latest New Zealand Institute of Economic Research survey of business opinion showed a sharp deterioration, with a net 56 per cent of New Zealand businesses expecting the general business situation to worsen in the next six months.
That is understandable. The United States%26#39; economy is tipping into recession. The debate now is over how deep that recession will be. Some economists are predicting it will be one of the most severe in decades, pointing out that house price falls have wiped out US$2.2 trillion of wealth with little end in sight. The American consumer has been described as shopped-out, savings-less and debt-burdened. And that is flowing on, with European economies slowing. China will be hit, as the appetite for its exports wanes in the US, and emerging economies will also suffer as the US recession and global slowdown bite into the commodity markets. However, New Zealand is not going to fall into an economic abyss.
The spiralling world food prices that are putting pressure on at the supermarket are also putting money in Kiwi pockets. Fonterra has just lifted its payout to $7.30 a kilogram as prices have held up better than expected, largely due to drought. Chairman Henry van der Heyden believes there is still an upside in the prices. But Fonterra is taking a cautious approach because of the volatility of the international markets, and considering holding on to some of the season%26#39;s earnings.
That is sensible, and an example worth following. Many New Zealanders, especially those who own houses, have been enjoying the best of times. There is no reason to expect them now to enter the worst of times. Property values have soared, and despite the market cooling, there is no suggestion that it will follow the American market into collapse. Homeowners will need to be cautious when it comes to spending, but they are still much better off than they were before the boom.
There is also wiggle room, with tax cuts and the potential for the Reserve Bank to reduce interest rates to soften the impact. Governor Alan Bollard has advised banks and businesses not to overreact to the downturn, because the Kiwi economy %26quot;remains fundamentally sound and creditworthy%26quot;.
That is helpful as far as it goes, but Dr Bollard should remember actions speak louder than words. When external events push inflation above its 1-3 per cent target band, the policy targets agreement gives him some latitude to look to the medium term rather than the immediate figures.
If he needs to help New Zealand ride out the storm that started overseas with a rates cut earlier rather than later, he should use that latitude.

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Something old, something new

Saturday, April 19th, 2008

Chews Lane, in the heart of downtown Wellington between Willis and Victoria streets, was officially opened by Mayor Kerry Prendergast last night.
Mark McGuinness, managing director of developer Willis Bond, said the company had trawled the world looking at the use and design of pedestrian lanes, finally settling on Flinders Lane in downtown Melbourne as the main inspiration for the project.
All 19 of the shop sites had been filled with new bars, food outlets and clothes stores featuring prominently at street level, he said. Farry%26#39;s menswear, women%26#39;s clothes shop Stable and a Hush Puppies shoe store have already opened in the $90 million development.
Several of the buildings in the precinct were built at the turn of the last century and two of them %26ndash; 35 Willis St and 58-60 Victoria St %26ndash; are listed heritage buildings. Mr McGuinness said a new pedestrian crossing would be placed at the Victoria St end of the lane to make access to the waterfront easier.
%26quot;People can cross that intersection diagonally . . . It will make it really easy to get to the waterfront and back.%26quot;
In 2004, Wellington City Council gave Willis Bond the green light to redevelop the lane precinct. The company bought a 250-year lease of the site for $12.5 million.

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It’s a beautiful world

Wednesday, April 16th, 2008

Join the peace movement. www.amnesty.org.nz; www.gpja.org.nz
2. Mutated frogs are appearing in alarming numbers around the world and scientists consider the phenomenon a warning. Like canaries in mines, frogs are particularly sensitive to environmental poisons. The most commonly used herbicide in the world, Atrazine, turns frogs into hermaphrodites - even at concentrations as low as 0.1 parts per billion (ppb). The US Environmental Protection Agency allows 3ppb in drinking water. In New Zealand the maximum allowable volume is 2 ppb.
You can reduce levels of toxins in your drinking water by using a filter. In the home replace harsh chemical products with natural alternatives. For tips on going organic, see point 24.
3. Babies need between 5000 and 9000 nappy changes, a gruelling task for any parent. It%26#39;s no wonder disposable nappies are so popular. It%26#39;s estimated in New Zealand alone we throw away 575 million disposables each year, and each one takes up to 500 years to decompose in a landfill. On top of that, most parents don%26#39;t flush the waste first, meaning not only do the nappies hang around forever, they also add to the harmful methane gases that help cause global warming. (A UK study showing cloth nappies to be more environmentally unfriendly than disposables - due to energy use in washing etc - was found to have used flawed methodology).
Buy cloth nappies. This isn%26#39;t the 1920s; you don%26#39;t have to fold mountains of white cloth squares in complicated patterns while using your hand as a pin cushion. There are plenty of great re-usable versions available. And you%26#39;ll save money - the cost of two years%26#39; worth of cloth nappies is about one-eighth the amount you%26#39;d spend on disposables. See www.thenappynetwork.org.nz.
4. No more fish and chips. At the current rate the global fish supply will crash in 2048 to just 10 percent of its natural level - effectively ending the ocean%26#39;s role as a source of food. You%26#39;ll just do without? It%26#39;s not that simple. A third of all fish caught is turned into animal feed, which means 16 percent of the world%26#39;s protein supply comes from the sea. And spare a thought for the one billion people who depend on fish as their primary source of protein.
Visit http://www.forestandbird.org.nz to download a copy of the Best Fish Guide for 2008. This lists all the most environmentally friendly fish to eat right now.
5. In 1997 wealthy adventure yachtsman Charles Moore took a short cut home through seas normally avoided for their lack of wind. To his horror, he found himself sailing through what has since become known as the Eastern Garbage Patch - an area of ocean larger than Texas where vast, circular currents accumulate the floating rubbish of the world. Altogether, it%26#39;s calculated to weigh three million tonnes - six times more than the region%26#39;s plankton biomass. It took Moore a week to pass through. The Laysan albatrosses of Midway Atoll feed in and around the Eastern Garbage Patch. Mistaking the brightly coloured rubbish for food, they consume huge quantities of plastic, including lighters, bottle caps, and clothes pegs, which are in turn regurgitated and fed back to their young. It%26#39;s calculated that each year five tonnes of plastic is fed to the albatross chicks on Midway Atoll; 40 percent of the chicks will die. Most common cause of death: dehydration or starvation due to indigestible stomach contents.
Make sure all your waste goes to the landfill and not down the drain. Also, think twice before buying anything made out of plastic - do you really need it, or is there a better substitute, such as glass?
6. Environmental toxins like mercury exist in very low levels in seawater but become concentrated in the flesh of long-lived, top-of-the-chain predators like swordfish and tuna. Mercury, which affects brain development in babies, has accumulated to such levels in these fish that pregnant women are cautioned against eating too much of them.
For a list of the safest fish to eat in pregnancy, see www.nzfsa.govt.nz/consumers/chemicals-toxins-additives/mercury-in-fish/index.htm. If you are looking for an alternative way of obtaining the crucial Omega-3 (a highly effective anti-depressant, amongst other things) that fish provide, you can take cold-pressed hemp seed oil (it contains more essential fatty acids than flax seed oil).
7. Global warming could wipe out polar bears. In the summer of 2007 the Arctic ice receded by a record 2.61 million sq km - an area equal to 10 New Zealands - and dramatic new evidence suggests the Arctic will be ice-free over summer within five or six years. As the ice reduces, the bears hunt less, feed less, have fewer young - and eventually starve.
Stop adding to global warming. See www.carbonzero.co.nz and www.bethechange.org.nz for easy ways to reduce your carbon footprint.
8 The polar bear is hardly a rare case. The majority of biologists agree that we are experiencing - and causing - a mass extinction on a scale that wiped out the dinosaurs. Plants and animals naturally disappear at a rate of about one species in a million per year. But at the most conservative estimate, the rate of extinction is now 100 times that. That means that today - and every day after - 2.7 species will vanish.
9. When it comes to making animals extinct, we Kiwis sure punch above our weight. We%26#39;ve already vanished about 50 species of birds, a handful each of frogs and snails from the face of the earth. So what%26#39;s next in line? %26quot;Probably an insect that no one%26#39;s discovered yet,%26quot; says Professor Dave Kelly of Canterbury University. %26quot;But in terms of the big, important stuff? The Mohua, or Yellowhead [the bird on our $100 note] is hanging on by a thread. Or the Storm Petrel, or maybe the Magenta Petrel?%26quot;
Says the Green Party: %26quot;New Zealand%26#39;s in line to knock off the next dolphin [the Maui%26#39;s]. And it looks like we%26#39;ll possibly knock off the next frog.%26quot;
Help save the Maui%26#39;s dolphin www.doc.govt.nz
10. This Wednesday is a big day for New Plymouth. That%26#39;s when a major study on dioxin levels in workers at the Paritutu plant is due for release. The Ivon Watkins-Dow (IWD) chemical plant (now Dow AgroSciences NZ Ltd) manufactured the herbicide 245T, which was used extensively in New Zealand to kill gorse. Dioxin is a byproduct of 245T manufacture. It both contaminated the widely used herbicide and, from 1962 to 1987, was released from the plant in an aerial plume that settled over the suburb of Paritutu and its residents. Dioxin can cause mutations, birth defects, and genetic damage which can be passed down through generations. It%26#39;s also one of the most carcinogenic agents known. A 2003 study concluded that dioxin has no known cancer-causing threshold. This doesn%26#39;t mean that it won%26#39;t cause cancer - it means there%26#39;s no known level at which it won%26#39;t.
In 2006 a TV3 documentary looking at the number of deaths, diseases and defects in Paritutu gave voice to the ongoing concerns of its residents, who believe the government%26#39;s attitude is %26quot;delay and deny until they die%26quot;. The Green Party has called for an apology and further action. The ESR, on the other hand, described TV3%26#39;s analysis as lacking in %26quot;any substantive, scientifically rational criticism.%26quot;
11. In New Zealand, stoats and weasels are slaughtering our native birds - all thanks to global warming playing havoc with beech trees.
The trees have a clever trick. Occasionally an entire forest will produce far more beech seed than normal. The native birds and insects that eat them are taken by surprise and can%26#39;t possibly eat them all - so a lot of seed makes it through to grow into mature trees. Biologists call this phenomenon %26lsquo;masting%26#39;. Unfortunately beech masts are a bounty for introduced mice and rats. This means they produce several more litters in the year, so there are more rats eating the eggs and chicks of vulnerable native birds. The extra rats and mice provide a glut of food for their predators - stoats and weasels, which in turn reproduce in record numbers. Eventually all the rodents are eaten and the plague of weasels and stoats decimate our bellbirds, yellowhead, blue ducks, and kiwi.
Mast years are triggered by warm weather in late summer and early autumn; in the past, one would swing around once every seven or so years. This at least gave native birds time to recover. However, since 2000, every year but one has seen a beech mast somewhere in the country - sending our protected birds spiralling towards extinction. %26quot;People think global warming is all about Hurricane Katrina,%26quot; says Kevin Hackwell, at the Forest and Bird society. %26quot;But it%26#39;s happening now, in places that you know, to species that you care about.%26quot;
Donate your time and/or money to those helping our endangered species. Go to www.doc.govt.nz, and look up your local chapter of Forest and Bird at www.forestandbird.org.nz
12. Global warming could spell the end of our snake-free paradise. Notice how once or twice a year there%26#39;s a news story about MAF finding one in a shipping container and no one really worries? It%26#39;s because New Zealand%26#39;s cold winter generally kills them off. Notice all the news about global warming?
13. 200,000 cars are brought into New Zealand every year.
You can make your car last longer by alternating driving with walking, cycling or taking the bus. And if you really want a new car, check out hybrids. The most popular brands sell for about $35,000 to $45,000.
14. It%26#39;s estimated that every 21 months, 2.6 million New Zealanders discard their mobile phone and buy a new one.
You can drop your old mobile phone off at Telecom and Vodafone stores to be recycled.
15. Between four and five trillion plastic bags were made in 2002, of which 0.06 percent are recycled.
We all know this one: bring your own re-usable bags to the supermarket. For your existing plastic bags, most supermarkets have a take-back recycling scheme. Avoid plastic-wrapped fruit and vegetables; most can go straight into your trolley or into one of your re-usable bags. Request your meat paper-wrapped from the butcher.
16. Britons throw out 2.4 million fridges a year, which are dumped in used fridge yards such as this one in Trafford Park, ManchesterFridge seals can be replaced at your local appliance store to make your fridge last longer. See www.sustainability.org for more tips on taking care of appliances.

17. Americans throw away 25 billion styrofoam cups every year. Styrofoam does not biodegrade.
Use a glass rather than the disposable cups at the water cooler. Most New Zealand caf%26eacute;s use paper cups with plastic lids for take-out coffees - bring your own sealable mug.

18. The world is entering a new nuclear era, with scores of reactors planned around the globe. Nuclear power is perceived as a greener option for meeting rising energy needs than coal- or gas-fired plants. But the world may yet regret embracing nuclear power%26#39;s millennia of waste, its terrorism risk - and the spectre of accidents like Chernobyl, which spread radioactive fallout across the east of North America, the UK and Europe.
19. Television is very, very bad for you. Unless it%26#39;s a fancy flatscreen, your TV set and computer monitor have a cathode ray tube (CRT) which contains a cancerous cocktail of barium, beryllium, cadmium, selenium, mercury and arsenic - plus up to 3.4kg of lead.
CRTs are safe sitting in your living room or office, but a danger when disposed of. In California you can%26#39;t dump them because they%26#39;re classed as toxic, but not here. In New Zealand most of our 10 million CRTs - containing a grand total of 19,700 tonnes of lead - will make their way into landfills, where the chemicals eventually break down, leaching into our soil and water.
Recycle your telly (http://www.molten.co.nz) - or give it to someone else who could use it. See www.donatenz.com

20. New Zealand%26#39;s death rate from skin cancer is the highest in the world. If you think the sun feels fiercer than when you were young, you%26#39;re right: summertime ozone levels have dropped 10 percent since 1970.

21. PC, or polycarbonate - a sturdy plastic used in food storage containers, microwaveable dishes and baby bottles - leaches a chemical called Bisphenol A (BPA) - especially when heated. BPA is an endocrine disruptor that mimics the human sex hormones, affecting brain development. Whether heating your baby%26#39;s bottle is dangerous is contentious but, according to David Carpenter, director of the Institute for Health and the Environment at the University at Albany, knowingly exposing infants to Bisphenol A is %26quot;absolutely obscene%26quot;.
Keep a glass jug of water on your desk to avoid plastic bottles, and store your dry goods in glass jars at home. For glass baby bottles, see stores such as www.born.co.nz and www.naturebaby.co.nz. Avoid heating your food in a plastic container in the microwave.

22. In 1989 the tanker Exxon Valdez struck a reef and spilled 42 million litres of crude oil in the pristine Prince William Sound in Alaska. The oil slick spread over 28,000 sq km, killing thousands of birds, fish, otters - and 22 killer whales. Almost 20 years later, the area is still contaminated.
Since 1990 there have been 507 oil spills where seven tonnes or more were lost into the environment - including 107 of more than 700 tonnes and at least one involving a drunk tanker pilot.

23. In the past 25 years an area of sea floor larger than New Zealand - 28.3 million hectares - has been bottom-trawled. While fishing companies say the practice is sustainable, environmentalists believe that scouring the sea floor destroys all life there.
Join Greenpeace and protest against bottom- trawling: http://www.greenpeace.org.nz/

24. We%26#39;ve all heard of DDT, the chemical discovered by Swiss chemist Paul M%26uuml;ller (who won a Nobel Prize for his discovery). DDT enabled the inexpensive control of pests and thus a huge growth in crop yields. What no one figured out for a long time was this miracle of modern technology also killed not only other wildlife, such as birds and fish, but also built up toxicity in humans, linked to birth defects, cancer, and a host of other health problems.
Although DDT is banned in most Western countries (but widely used in the developing world to kill mosquitoes as a way of controlling malaria), it%26#39;s been replaced by the next generation of pesticides, many of which are up to 10 times as toxic as DDT, but more water-soluble. The idea is they wash away so humans don%26#39;t end up consuming enough to be toxic (although the most common method of ingesting these chemicals is by eating meat, fish and dairy goods that have a build-up of the compounds in their fat deposits from exposure to the environment). More than half of the 3000 insecticides, herbicides and fungicides used in New Zealand each year are known to be toxic to humans.
Go organic. It can cost more, but setting up a co-op with a local grower, starting your own personal or community garden, and bulk-buying are all economical choices. Watch Maori TV show Kiwi Maara for New Zealand-related ways to grow your own, or see http://www.permaculture.org.nz/

25. In the race to become industrial superpowers, developing nations like China and India are set to become super-polluters. This year China overtook the US as the top producer of carbon dioxide. Yet per capita the US is still by far the worst greenhouse polluter. If developing nations eventually match the emission levels of the so-called developed %26lsquo;west%26#39; - 13 percent of the global population, producing 45 percent of emissions - the consequences will be dire.
Buy locally made. http://www.buykiwimade.govt.nz/

26. Gold may be a pure and beautiful element, but extracting it is one of the dirtiest practices there is. In Brazil, illegal miners are poisoning the Amazon by extracting gold with mercury, which is dumped into the water. While in Hungary, the entire length of the Tisza River was killed in February 2000 when an Australian mining company spilled 100 tonnes of cyanide - enough to kill a billion people - into a tributary upstream while mining for gold. By the way, one wedding ring weighs, on average, 10g and causes three tonnes of toxic waste.
Buy second-hand or estate jewellery. You can always have something re-designed to your taste. www.greenkarat.com

27. Lake Hallwil, Switzerland, hides a dark secret. Nutrient run-off into the lake (pictured above) feeds a red algal bloom, the Blood of Burgundy, which sucks the oxygen out of the lake, killing everything in it. Since 1985 the lake has been kept alive with submerged bubble machines that oxygenate it like a giant goldfish bowl. Most nitrate run-off is caused by farm fertiliser. Another reason to support your local organic farmer.

28. The ride from abundance to extinction can be frighteningly swift. The Passenger Pigeon was once the most numerous bird in North America. Its annual migrations were legendary - continuous flocks of birds filled the skies for days on end, blocking the sun. As late as 1850 they were so numerous that people knocked them from branches with sticks, working through the night to collect them - they were stewed, smoked, roasted, fried or baked in a %26lsquo;pigeon pot pie%26#39;. Pigs were fattened on the spare corpses. By 1896, the birds were scarce. In 1914, at 1pm on September 1, the last Passenger Pigeon died in captivity.

29. Scientists searching for ways to tackle global warming have stumbled on the perfect solution for removing CO%26sup2; from the air and locking it away in a non-gaseous state. Crucially - given the scale of the problem - the device is self-replicating, self-powered, and has the added benefit of preventing floods and erosion. They call it %26lsquo;the tree%26#39;. Unfortunately, trees are being cut down at an alarming rate. Ninety percent of West Africa%26#39;s forest has been destroyed since 1900; this has been implicated in several droughts and their resulting famines in Central Africa. According to UN figures, Indonesia cleared more than 28 million hectares of forest between 1990 and 2005. And Brazil cleared more than 27 million hectares in the same period.
Forests are increasingly seen as crucial to the stability of life on earth, yet more than 80 percent of the world%26#39;s forests have been destroyed.
If you%26#39;re buying new wooden outdoor furniture, make sure it%26#39;s certified by the Forest Stewardship Council (www.fsc.org/en). Endangered Indonesian tropical hardwood, kwila, is particularly popular in New Zealand - you can help protect Indonesia%26#39;s rainforest by not buying it. Also avoid old-growth trees from New Zealand such as native beech. And whether in your backyard or as part of a community scheme, there is a simple, effective way to play a part in the fight against global warming: plant a tree.

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